Live Free or Die
- Episode aired Apr 16, 2006
- TV-MA
- 58m
Tony hires help from overseas to fulfill a favor he was asked for by Johnny Sack and decides if one of his top earners deserves a second chance as he acknowledges to Dr. Melfi he was given a... Read allTony hires help from overseas to fulfill a favor he was asked for by Johnny Sack and decides if one of his top earners deserves a second chance as he acknowledges to Dr. Melfi he was given a second chance when he survived his gun shot wound.Tony hires help from overseas to fulfill a favor he was asked for by Johnny Sack and decides if one of his top earners deserves a second chance as he acknowledges to Dr. Melfi he was given a second chance when he survived his gun shot wound.
- Bobby 'Bacala' Baccalieri
- (as Steven R. Schirripa)
Featured reviews
This is very strong episode with great dark humour and character moments.
The tone is nicely set by an opening scene where a quite serene image is interrupted by a mundane irritation of life. From then we see Tony get drawn back into the demands of mob life by Vito's situation. For the character arc of Tony it follows on well from the previous 4 episodes as it shows him trying to adopt a tolerant attitude, but the pressure associated with appearing weak in his world is a huge challenge.
There is some tremendous humour in the scenes where various characters gossip and react to news about Vito. You can't help but laugh at the Neanderthal attitudes of characters like Paulie and the surprising responses of others. It's ultimately sad to see all the knives come out, but there has never been an ounce of genuine loyalty to anyone in The Sopranos so nothing is unexpected.
I will not give too much detail away and spoil what happens with Vito, but there is a fairytale-like tone to some of the scenes involving this character. This links well to the clashes between liberal and conservative values addressed in other scenes that are not so subtle, such as Meadow's numerous hypocritical rants.
A big theme in the episode is the freedom to live life within various social constructions. The focus is mostly on Tony and Vito, but the likes of Carmela, and Angie Bompensiero are also used cleverly to make certain points. Toni Kalem is great in her scenes showing how much the character has developed since the early seasons.
Did you know
- TriviaThe episode title "Live Free Or Die" is the famous motto of the state of New Hampshire, where Vito has taken refuge.
- GoofsWhen Christopher defends Vito's children to Paulie, he's leaning against the back of his chair, one arm draped over it. In the next shot, as Tony walks away from Paulie, Christopher is leaning forward, both arms on the table.
- Quotes
Construction Worker: [Tony and Silvio are looking for Vito after he's been outed as a homosexual. Tony calls Vito's cellphone. A construction worker picks the phone up off the side of the road] Hello?
Anthony 'Tony' Soprano Sr.: [on phone] Vito?
Silvio Dante: You got him?
Construction Worker: [on phone] Who?
Anthony 'Tony' Soprano Sr.: [on phone] Put Vito on the phone, asshole.
Construction Worker: [on phone] Fuck you, motherfucker.
Anthony 'Tony' Soprano Sr.: [on phone] What, are you sucking his dick?
Construction Worker: [on phone] Bet I'd kick your ass, you fucking faggot.
Anthony 'Tony' Soprano Sr.: [on phone, yelling] Yeah that's right, telephone tough guy! Put Vito on the phone!
Construction Worker: [on phone] There ain't no Vito, man. I found the phone on the side of the road!
Anthony 'Tony' Soprano Sr.: [on phone] What?
Construction Worker: [on phone] Hang on a second!
[the construction worker tosses Vito's phone under a steam roller]
Anthony 'Tony' Soprano Sr.: [on phone] Where'd you find the phone? Hello? Hello? Oh you motherfucker!
Silvio Dante: What happened?
- ConnectionsFeatures Veronica Mars (2004)
- SoundtracksRock and Roll Queen (Instrumental)
Written and Performed by The Subways
Details
- Runtime58 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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