Tod and Buz reach the destination they started for in Episode One, Louisiana, and jobs working as crewmen on a shrimp trawler. However, crewing for a beautiful female captain, the resentment... Read allTod and Buz reach the destination they started for in Episode One, Louisiana, and jobs working as crewmen on a shrimp trawler. However, crewing for a beautiful female captain, the resentment of local fishermen and a deadly storm at sea were results that were totally unexpected by... Read allTod and Buz reach the destination they started for in Episode One, Louisiana, and jobs working as crewmen on a shrimp trawler. However, crewing for a beautiful female captain, the resentment of local fishermen and a deadly storm at sea were results that were totally unexpected by them.
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The dramatic highlight is the storm. Whether it was stock footage or done in a studio tank, I couldn't tell, but it's both well done and well edited. On the downside are the sometimes talky scenes, always a pitfall for a weekly, hour-long series. Also, the 1950's kicks in when Rule has to abandon her independent ways and capitulate to a man, Minardos. Okay, write it off to the time period. But what really bugged me is having her ocean dump the books of feminist wisdom from Susan B. Anthony, Virginia Woolf, et al. Come on Mr. Silliphant, you can up-end one woman's feminism, but dumping an entire literary lineage is unworthy of a screenwriter whose own R66 work shows a respect for deeper thought.
Except for the latter, the hour's a solid entry, both colorful and entertaining.
Now the boat is owned by Janice Rule, a feisty, utterly independent young beauty who fancies herself a female rebel, before the Feminist movement had taken hold. She's well-read and admires Joan of Arc, whose lance in battle gives rise, alongside the more direct Shakespeare referene, to one of screenwriter Stirling Silliphant's always often enigmatic story titles.
Various themes of this segment begin with the show's most basic Free Spirit motif, as the local culture they encounter here, with Creole accents, is far removed from the insular town of last week's show. Fine location photography builds a real sense of the place. These people are fishermen, prizing their freedom while lamenting the fact that they're at the mercy of nature, in this case recent absence of a decent shrimp catch, threatening their loss of boats and livelihood. Thomas Gomez, immediately recognizable from his role in the classic "Key Largo" with its similar Florida setting, does a fine job as the patriarch of the village.
Rule has a friendly rivalry with handsome young fisherman Nico Minardos, and while she has no use for romance with men and settling down to being a subsidiary housewife, events unfold including a deadly storm that upend her flans for complete independence. As the heroes depart in the 'vette at epiisode's end, Nico and Janice are set to settle down, becoming co-captains of her boat after the loss at ea of his. A logical accommodation for them, while our two stars continue their wanderlust journey.
The story picks up right after episode one. The pair are now on the Louisiana Gulf coast....about to sign aboard a shrimp boat for work. However, their new captain is an odd one. Charlotte Duval (Janice Rule) is the skipper...and she is determined to be every bit as good as the male captains...perhaps even better. But fortunately, she has Buz (George Maharis) there to remind her that she's a woman...and a woman NEEDS a man!
According to the show, Duval is a mess because she admires various female icons, such as Susan B. Anthony. And, if she just gave up on trying to fit in to a man's world...she'll be much happier in the long run! Wow. Just a few years later, and this show would have resulted in angry mobs picketing the network! Now it's not a terrible episode...but it sure has a stupid message and does not age well.
This episode has a few good lines of dialogue, but is otherwise pretty weak especially when compared to the others. Rule though is quite impressive, playing a role that is completely different from anything that she has done before or after. She even puts on a very thick Spanish accent! However everything else in the episode fails. The approaching hurricane looks like nothing more than your average rain storm and the actual scenes during the hurricane look like the same ones that were used during the opening credits of GILLIGAN'S ISLAND.
The message is also quite dated. It conveys the philosophy that every woman needs a man in order to be 'complete' and that strong willed women need to behave in more feminine ways in order to be 'attractive'. Any feminist who sees this episode will most assuredly be offended.
Grade: B-
Storyline
Did you know
- TriviaThe title of this episode is from a line in Shakespeare's "Taming of the Shrew"; And now I see her lances are but straw.
- GoofsWhile Buz and Tod are on the way out of town (away from the shrimp boats) they stop at place in the road where the water is quite close to the side of the road. Once out of the car they stand by the water talking. As the conversation continues some books float by. Todd says they are Charlotte's books; thrown over the side of her shrimp boat. The books are floating from above their direction of travel toward the direction they came from. Since these books are supposed to belong to Charlotte the direction of travel is all wrong.
Details
- Runtime52 minutes
- Color
- Aspect ratio
- 1.33 : 1