Millennium (1996–1999)
8.2/10
398
2 user 1 critic
Frank, Peter Watts from the Millennium Group and Lt. Bletcher and Det. Giebelhouse from the Seattle P.D. are after "The Frenchman", a sexually confused serial killer obsessed with prophecies, who targets strippers and gay male hookers.

Director:

David Nutter

Writers:

Chris Carter (created by), Chris Carter
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On Disc

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Cast

Episode cast overview, first billed only:
Lance Henriksen ... Frank Black
Megan Gallagher ... Catherine Black
Bill Smitrovich ... Lt. Bob 'Bletch' Bletcher
Terry O'Quinn ... Peter Watts
Paul Dillon ... The Frenchman
Brittany Tiplady ... Jordan Black
Stephen E. Miller ... Det. Roger Kamm
Stephen J. Lang Stephen J. Lang ... Det. Bob Giebelhouse (as Stephen James Lang)
Kate Luyben ... Tuesday
April Telek ... Calamity
Don MacKay ... Jack Meredith
Michael Puttonen ... Pathologist Massey (as Mike Puttonen)
Jarred Blancard ... Young Man at Ruby Tip
Jim Thorburn ... Coffin Man
Kimm Wakefield Kimm Wakefield ... Young Woman
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Storyline

Former FBI profiler Frank Black returns to his hometown of Seattle with his wife Catherine, a clinical social worker, and their little daughter, Jordan. Frank, his old friend Lt. Bob 'Bletch' Bletcher, Det. Bob Giebelhouse from the Seattle Police Department, and Peter Watts from the mysterious Millennium Group that Frank works for as a consultant investigate a series of psychosexual homicides being committed by a deranged and confused serial killer driven by Nostradamus and biblical prophecies, who believes he's punishing his victims, mostly strippers and male prostitutes, for their sin of lust. Written by Shatterdaymorn

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Parents Guide:

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Details

Language:

English

Release Date:

25 October 1996 (USA) See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The first of three episodes in the first season written by Chris Carter. See more »

Quotes

The Frenchman: They don't ask who takes responsibility!... This is prophecy! The final judgment and victory! This is the way it ends! But you know that. You can see it -- just like I do. You know the end is coming!... The thousand years is over!... But you think you're the one to stop it! You think I can stop it!... You can't stop it.
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Connections

Referenced in Millennium: ...Thirteen Years Later (1998) See more »

Soundtracks

More Human Than Human
Performed by White Zombie
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User Reviews

 
Similar to but importantly different from "The X-Files"
10 July 2006 | by BrandtSponsellerSee all my reviews

Surprise, surprise, this first show introduces us to the core characters and the basic premise of Chris Carter's "The X-Files"-like "Millennium".

That the show has a lot of similarities to the X-Files both helps and hurts it. It helps because the "X-Files" was one of the best television shows to ever hit the airwaves, and with the same production team working on a new show with some similar themes while their star attraction was at the peak of its creativity and popularity helps "Millennium" obtain a lot of the effective atmosphere of "The X-Files". The similarities also hurt "Millennium", however, because it's clear from this first episode that there are a lot of important differences between the two shows, so fans trying to read "Millennium" in the same way that they read "The X-Files" were sure to end up a bit frustrated. The pacing and structure of "Millennium" are very different. In many ways it is a much moodier and more ambiguous show. There are strong religious themes/subtexts (some of which occur more in later episodes), the focus is more on horror, and although Chris Carter is still concerned with obsession as well as bureaucratic blunders and quagmires, he explores those themes at least initially more with respect to trying to maintain a traditional family unit in the face of these problems.

After an introduction that hints at just how dark and supernatural the show may become, The pilot episode begins with Frank Black (played by one of my favorite character actors, Lance Henriksen) moving his family from Washington, D.C. to Seattle, largely because of some of the issues mentioned in the last paragraph--or so appearances and statements to friends and even family go. Black is from Seattle and worked homicide there years ago. No sooner does he get back home then he becomes wrapped up in a serial murder case. Carter and director David Nutter first play this as if it's a symptom of an addict-like obsession, but we soon learn that there may be more to Black's involvements, and we get a glimpse into his "special powers"--he seems to be a psychic.

Carter and director Nutter introduce a number of threads that will continue in later episodes. The pilot is interesting and unusual because some of these ancillary issues seem to be more the focus than the murder case--so we can tell that this is going to be a bit more complex than a just a "monster-of-the-week" detective show.

I'm a big advocate of watching television series in order, so of course, you should start here if you can.


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