Kojak (1973–1978)
7.6/10
102
2 user

One for the Morgue 

When mobster Michael X. Tomasso is shot during a speech all clues lead to a Harlem based rival. But Kojak suspects something fishy is going on and decides to dig deeper.

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Cast

Episode cast overview, first billed only:
... Lt. Theo Kojak
... Gil Weaver
... Mike Tomaso
... Captain McNeil
... Det. Bobby Crocker
Anthony Charnota ... Serafin
... Mitch
... Ferret Face
... Slade (as Ji Tu Cumbuka)
... 1st Suspect
... Commissioner
Borah Silver ... Dr. Prince
Jerry Leon ... Jumbo
... Solerno (as Michael de Lano)
Larry Watson ... Arkansas Fowler
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Storyline

When mobster Michael X. Tomasso is shot during a speech all clues lead to a Harlem based rival. But Kojak suspects something fishy is going on and decides to dig deeper.

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7 November 1973 (USA)  »

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(Technicolor)

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1.33 : 1
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Did You Know?

Quotes

Ferret Face: Ah, come on. You keep breaking us left and right and I ain't heard nothing on Tomasso.
Lt. Theo Kojak: Well maybe's he's clean.
Ferret Face: Maybe the pope smokes grass.
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User Reviews

 
Wrapped way too neat
24 April 2013 | by See all my reviews

Telly Savalas has the entire Manhattan South Squad at an Italian festival run by mobster Art Metrano because he's got good information that a hit is to be made on him. Sure enough the police are decoyed away and two shots hit Metrano who thought that day to wear a bullet proof vest. A little old lady bystander wasn't as fortunate.

The two shooters were black and the natural conclusion is that they were from a Harlem mob that Metrano was vying for turf with. Some really good tips follow and the Harlem mob is on the run. But Theo Kojak doesn't like things too neat. When two witnesses drop out of the sky and positively identify two black hit men in almost the same precise language, that starts too smell for him. Poor Dan Frazer, he's just glad to get the case wrapped.

This episode marked the first appearance of Roger Robinson as Gil Weaver who occasionally shows up in the Manhattan South Squad room. He's undercover with the Harlem crew and gives a lot of information that is invaluable to Kojak.

In the end the real hit-man is set up quite beautifully. Good episode from Season one showing Kojak's unerring instincts for ferreting out the truth.


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