"Harry O" Shadows at Noon (TV Episode 1974) Poster

(TV Series)

(1974)

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8/10
Shadows indeed
MissClassicTV20 July 2016
This episode starts off well but descends into gloom quickly. Harry arrives home from shopping one day to find his front door locked and a woman in his home. Marilyn has escaped from Los Robles Sanitarium. She protests that she's sane and was committed against her will, but she gets picked up and is sent back there. Harry feels guilty about it so he checks it out with her family and with her doctor. Harry proposes getting temporarily committed to the hospital so that he can talk to Marilyn. However, once inside, Harry can't get out.

The acting is good. Diana Ewing shows quite a bit of vulnerability and sweetness as Marilyn. Harry's first interaction with her, when he finds her trespassing in his home, is gentle. She's heartbreakingly, desperately alone and afraid. "Won't you just take me on faith?" she asks hopefully, when Harry asks her name. Though seemingly gruff, Harry is compassionate, caring, and soft-spoken. This is a unique episode, albeit the writing is very downbeat. There's a pervasive feeling of sadness throughout.
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10/10
You're always insane no matter how sane you really are.
kindofblue-7822125 September 2022
This brilliant episode succinctly illustrates psychiatrys attitude towards the mentally ill.

Once you're labelled as being mentally ill then no matter how much you recover, the system will always see you as being mentally ill.

The more you say you aren't mentally ill they more ill they insist you are and the more they will drug you up.

Harry Orwell finds this out the hard way.

A sadly accurate and chilling episode as things and psychiattic stereotypes still haven't changed or been modified almost 50 years later.

Harry O is one of those rare series that tactfully challenges social stereotypes. Maybe that was the problem.

Sledgehammer has always been more understood and popular than tact and subtlety.
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