Goodyear Theatre
(1957–1960)
An arrogant war correspondent in World War Two France never bothers with actually going out to cover battles like the other reporters do, he just stays behind the lines, living it up and ...
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But did not take full advantage of it. So shame. The basic lot line was promising, with this unusual story of a war correspondent behaving in a very particular manner. This could have been treated in a far better way than a comedy, rather a drama, for instance the tale of a cynical and ruthless correspondent being a coward and taking advantage of the other's work. The screenplay chose to make it fun, to make audiences feel sympathy for the lead character. It's a choice but I expected something different. A missed opportunity.