
Firefly (TV Series)
Out of Gas (2002)
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- TV-14
- 44min
- Adventure, Drama
- 25 Oct 2002
- TV Episode
Photos and Videos
Cast
Nathan Fillion | ... |
Captain Malcolm 'Mal' Reynolds
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Gina Torres | ... |
Zoë Washburne
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Alan Tudyk | ... |
Hoban 'Wash' Washburne
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Morena Baccarin | ... |
Inara Serra
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Adam Baldwin | ... |
Jayne Cobb
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Jewel Staite | ... |
Kaylee Frye
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Sean Maher | ... |
Dr. Simon Tam
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Summer Glau | ... |
River Tam
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Ron Glass | ... |
Shepherd Derrial Book
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Steven Flynn | ... |
Captain Sash
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Ilia Volok | ... |
Marco
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Lyle Kanouse | ... |
Salesman
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Dax Griffin | ... |
Bester
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Roderick McCarthy | ... |
Lacey #1
(as Roderick L. McCarthy)
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Rest of cast listed alphabetically: | |||
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Keith Mooney | ... |
Homeless man (uncredited)
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Directed by
David Solomon |
Written by
Joss Whedon | ... | (created by) (creator) |
Tim Minear | ... | (written by) |
Jose Molina | ... | (executive story editor) |
Cheryl Cain | ... | (story editor) |
Produced by
Gareth Davies | ... | producer |
Ben Edlund | ... | producer |
Lisa Lassek | ... | associate producer |
Tim Minear | ... | executive producer |
Brian Wankum | ... | associate producer |
Joss Whedon | ... | executive producer (showrunner) / executive producer / showrunner |
Music by
Greg Edmonson |
Cinematography by
David Boyd | ... | director of photography |
Editing by
Lisa Lassek |
Editorial Department
Sam Bollinger | ... | assistant editor |
Nathan Draper | ... | post-production assistant |
Aaron Miller | ... | post-production coordinator |
Casting By
Anya Colloff |
Production Design by
Carey Meyer |
Art Direction by
Colin De Rouin | ... | (as Colin deRoiun) |
Set Decoration by
David A. Koneff | ... | (as David Koneff) |
Costume Design by
Shawna Trpcic |
Makeup Department
Diana Acrey | ... | key hair stylist |
Camille Calvet | ... | key makeup artist |
Robert Hall | ... | special makeup effects: Almost Human |
Tina Hoffman | ... | makeup artist |
Ron Pipes | ... | makeup artist |
Allan B. Holt | ... | makeup effects lab technician (uncredited) |
Kerry Mendenhall | ... | key hair stylist (uncredited) |
Production Management
Michael Cedar | ... | unit production manager |
Second Unit Director or Assistant Director
Athena Alexander | ... | second assistant director |
Tony Schwartz | ... | first assistant director |
Jana Ludwigova | ... | second second assistant director (uncredited) |
Art Department
Michael Q. Banks | ... | carpenter |
Keith A. Cuba | ... | lead person (as Keith Cuba) |
Tammy DeRuiter | ... | painter |
Randy Eriksen | ... | property master |
Steven Fidler | ... | construction coordinator |
David Goldstein | ... | paint foreman |
Glenn Ryan Jr. | ... | set dresser |
Stella Starlight | ... | art department coordinator / graphic designer |
Timothy M. Earls | ... | concept designer (uncredited) |
Dylan J. Hay-Chapman | ... | graphic designer (uncredited) |
Sound Department
Deb Adair | ... | re-recording mixer |
Robert Guastini | ... | dialogue editor |
Bill Jackson | ... | re-recording mixer |
Michael Miller | ... | adr mixer |
Tom Perry | ... | re-recording mixer |
Cindy Rabideau | ... | supervising sound editor |
David Yaffe | ... | production sound mixer (as David Barr Yaffe) |
Devendra Cleary | ... | boom operator (uncredited) |
Mark Cleary | ... | sound effects editor (uncredited) |
Mike Marchain | ... | supervising adr editor (uncredited) |
Kevin McCullough | ... | sound effects editor (uncredited) |
Special Effects by
David Marten | ... | special effects technician |
Bruce Minkus | ... | special effects coordinator |
Visual Effects by
Kristen Branan | ... | visual effects producer: Zoic Studios |
Dave Funston | ... | visual effects artist |
Loni Peristere | ... | visual effects supervisor |
Lee Stringer | ... | digital artist |
Bryan Whitaker | ... | digital artist |
Justin Ball | ... | senior systems engineer: Zoic Studios (uncredited) |
Emile Edwin Smith | ... | visual/digital effects supervisor (uncredited) |
Stunts
Nick Brandon | ... | stunt coordinator |
Regina McKee Redwing | ... | stunts (uncredited) |
Camera and Electrical Department
Allen D. Easton | ... | camera operator (as Allen Easton) |
Jeff C Griffith | ... | assistant camera (as Jeff Griffith) |
Tom Hutchinson | ... | second assistant camera |
Dennis L. Peterson | ... | chief lighting technician (as Dennis Peterson) |
Bubba Sheffield | ... | key grip |
Jonas Steadman | ... | first assistant camera: a |
Doug Rymes | ... | lighting technician (uncredited) |
Josh Stancil | ... | rigging grip (uncredited) |
Chris Stanman | ... | electrician (uncredited) |
Casting Department
Jennifer Fishman | ... | casting by (as Jennifer Fishman Pate) |
Lonnie Hamerman | ... | casting associate |
Amy McIntyre Britt | ... | casting by |
Michael V. Nicolo | ... | casting assistant |
Costume and Wardrobe Department
Julia Gombert | ... | head ager/dyer |
Cleo Mannell | ... | set costumer |
Sloane Morrison | ... | costumer |
Ryck Schmidt | ... | costumer |
Location Management
Peter M. Robarts | ... | location manager |
Music Department
Tim Isle | ... | music editor |
Script and Continuity Department
Neil Levin | ... | script coordinator |
Jain Sekuler | ... | script supervisor |
Transportation Department
Bob Ellis | ... | transportation coordinator (as Robert Ellis) |
Charles 'Aloha Boy' Reed | ... | driver |
Additional Crew
Michael Boretz | ... | assistant: Joss Whedon |
John J. Gray | ... | assistant: Tim Minear |
Jenny Lynn | ... | translator: Chinese |
Elyse Ramsdell | ... | production coordinator |
Kelly Wheeler | ... | assistant: Gareth Davies |
James E. Williams | ... | production auditor |
Joby Harris | ... | concept illustrator (uncredited) |
Stacey Levin | ... | head publicist (uncredited) |
Tony Rudenko | ... | programming: computer graphics (uncredited) |
Production Companies
Distributors
- 20th Century Fox Home Entertainment (2003) (United States) (DVD)
- 20th Century Fox Home Entertainment (2008) (United States) (Blu-ray) (DVD)
- Fox Network (2002) (United States) (tv)
- Viasat3 (2007) (Hungary) (tv)
Special Effects
- Zoic Studios (visual effects)
- Almost Human (special makeup effects)
Other Companies
- Todd-AO Studios (West) (post-production sound)
- R!OT (post-production services)
- Meat and Potatoes (main title design)
- DeLuxe Laboratories (processing)
Storyline
Plot Summary |
Mal and the Serenity crew are celebrating Simon's birthday when there is a fire in the engine room. Soon Keylee learns that the life support system is not working since they need a new converter. Mal order his crew to live Serenity in the two shuttles and Wash releases a distress signal. While breathing with difficulty, Mal recalls how most of the members of his crew joined him in the Serenity while waits for a miracle. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | The red button Wash rigs to call the shuttles back and return the crew to Serenity was removed from the set on one of the last days of filming by Alan Tudyk, as by that time the cast and crew knew they were being canceled. Scenes on the bridge for Out of Gas (2002) were filmed the next day, and the button is noticeably absent. Alan then mailed the button to series creator Joss Whedon, with a note saying "When you get your miracle, just hit this" (quoting Wash's line). Whedon was hoping to revive the series, which he did, in the form of the film Serenity (2005). See more » |
Goofs | One candle on Simon's birthday cake is lit and unlit in alternating shots. See more » |
Movie Connections | Referenced in Ariel (2002). See more » |
Soundtracks | The Ballad of Serenity See more » |
Quotes |
Mal:
Not if all you're gonna do is sit around here and whinge about it, no. Wash: What do you expect me to do, Mal? Mal: Whatever you have to. And if you can't do it from here, then get a suit on and go outside on the side of the boat... Wash: And what? Wave my arms around? Mal: Wave your arms around, jump up and down, divert the nav sats to the transmitter... whatever. Wash: Divert the... - right! Because teenage pranks are fun when you're about to die! Mal: It'd give the beacon a boost, wouldn't it? Wash: Yes, Mal, it would boost the signal, but even if some passerby did happen to receive, all it would do is muck up their navigation. Mal: Could be that's true. Wash: Damn right it's true. They'd be forced to stop and dig out our signal before they could even go anyplace... well, maybe I should do that, then! Mal: Maybe you should! Wash: Okay! Mal: Good! Wash: Fine! Jayne: Hey! What you two think you're doing? Fightin' at a time like this? You'll use up all the air. See more » |