Cast overview, first billed only: | |||
Alexandra Borbély | ... | Mária / Doctor | |
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Géza Morcsányi | ... | Endre / Manager (as Morcsányi Géza) |
Réka Tenki | ... | Klára / psychologist | |
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Zoltán Schneider | ... | Jenö / HR manager |
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Ervin Nagy | ... | Sanyi / womanizer |
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Itala Békés | ... | Zsóka / older worker |
Tamás Jordán | ... | Mária's therapist | |
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Éva Bata | ... | Jenö felesége / Jenö's wife |
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Pál Mácsai | ... | Investigator |
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Zsuzsa Járó | ... | Zsuzsa / Endre's daughter |
Nóra Rainer-Micsinyei | ... | Sári / cleaning woman | |
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Vivien Rujder | ... | CD store saleswoman |
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István Dankó | ... | CD store salesman |
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László Tóth | ... | Shopkeeper |
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Júlia Nyakó | ... | Rózsi / lover (as Juli Nyakó) |
On the outskirts of Budapest, the ageing recluse and saturnine manager of a small abattoir, Endre, is used to hiding his disabled left arm along with his emotions behind a busy schedule. Then, unexpectedly, a shy and graceful newcomer in the office catches Endre's eye: Mária, the plant's cryptic and glacially beautiful quality-control inspector. Now, against the backdrop of the cold slaughterhouse and a small theft within the company's walls, an eerie and almost spiritual bond will start to develop between the tender outcasts, as, more and more, their lives become inextricably intertwined. However, are the two dreamers, Endre and Mária, ready to embrace the catharsis of love on both body and soul? Written by Nick Riganas
First things first: DO NOT WATCH THE TRAILERS they spoil the story. And what a story it is! Slow, vulnerable, awkward, beautiful, painful. You can smell the sweat and blood ad life. It may be too intimate and fallible for some prople's taste, though all those inconvenient details adds to the story and the feeling. It peaks in chatarsis multiple times during the movie, still the ending is a bit too obvious for my taste (especially when one contrasts that to how clever the movie was during its slow expansion in the previous hour and half) Still this is a masterpiece: multilayered, well acted, well shot. Bruising yet uplifting. What more one may ask from a movie. Update: initially I rated this 9/10 due to some nitpicking on technical issues like pacing at the end. After a week of haunting images, memories and feelings in its wake, I say this movie is the real deal: so here it is 10/10 (like M. Lazhar.)