7.3/10
683
11 user

Salvage 

Gangster Dan Varrell, just released from prison, goes looking for the woman he holds responsible for his brother's death.

Director:

Justus Addiss

Writers:

Fred Freiberger (teleplay), Richard Carr (teleplay) (as Dick Carr) | 1 more credit »
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Cast

Episode complete credited cast:
Alfred Hitchcock ... Himself - Host
Gene Barry ... Dan Varrel
Nancy Gates ... Lois Williams
Maxine Cooper ... Mary
Peter Adams Peter Adams ... Tim Grady
Elisha Cook Jr. ... Shorty
Paul Bryar ... Lou Henry
Edit Angold Edit Angold ... Hilda
Virginia Christine ... Model
Ralph Montgomery Ralph Montgomery ... Drunk
Billy Wayne Billy Wayne ... Bartender
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Storyline

Dan has just been released from prison, and Lois is terrified. While he was behind bars, Dan's brother was shot and killed while trying to escape from the police, because Lois had told the police where he was hiding. Everyone whom Lois asks for help knows that Dan holds her responsible, and will not help her. So Dan confronts her in her room alone, prepared to kill her no matter how hard she begs for mercy. Dan is then baffled when Lois tells him to go ahead, since she is in despair and has nothing to live for. Written by Snow Leopard

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Details

Country:

USA

Language:

English

Release Date:

6 November 1955 (USA) See more »

Company Credits

Production Co:

Shamley Productions See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono (RCA Sound Recording)

Aspect Ratio:

1.33 : 1
See full technical specs »

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User Reviews

 
Film Noir Candy
20 June 2006 | by JoropukkiSee all my reviews

Caught this one on Late Night TV. As a child of mid-fifties, I'm naturally prone to like ladies and gents from that epoch, as they bring to mind mom and dad. The men's dresses were smart and the ladies looked like a woman should.

This episode of Alfred Hitchcock Presents gives the extra bonus of seeing Gene Barry before the classic Bat Masterson times. Man, do I love the epoch! Yes I do, and this Film Noir Candy gets an eight for that. It's a sign of true cinematic art that this part of a TV series has stood the test of time.

As I don't like giving away spoilers, I just point to the Hitchcockean cruelty in the storyline. Sir Alfred didn't seem to believe in Christian values. He'd been immensely popular in Ancient Rome.

Cold and nice as a water melon in a fridge -- stabbed with a fruit knife.


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