Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.
Chekov's Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquility of a country house is disturbed by the arrival of the estate's tyrannical owner and his ... See full summary »
The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students, who wants to search through his papers, and her estranged sister, who shows up to help settle his affairs.
Convicted gun runner, Las Vegas visionary, crusading newspaper publisher, target of the Watergate burglars, hero of Israel's War of Independence, these are only some the highlights of Hank ... See full summary »
Twenty-eight-year-old Kansas University doctoral student Omar Razaghi (Omar Metwally) wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three ... See full summary »
A scientist goes to a bank to meet a pretty bank-teller. His time-machine allows him to go 10 minutes back in time and correct his approaches to her. He's shadowed by 2 FBI agents and the bank gets robbed.
In the near future, where Earth has been devastated by natural disasters, and giant winds rule the planet, bounty hunter Matt kidnaps a murderer out of the hands of two police officers, ... See full summary »
An actor and would-be screenwriter, who at the very moment of his meeting with Fate, comes to discover that life is random and fortune is sightless. He is thrown into a vortex where time, dreams, and reality collide in an increasingly whirling slipstream. It's a surreal and dreamlike tale of one man's journey.Written by
Most quick and flashy MTV-inspired editing is unbearable to me. Either it is one-dimensional like John Woo's 'Paycheck', where there is only one string of attention to follow, designed by the director, or it is a claustrophobic idiocy akin to the last fifteen minutes of Saw III - movies where the cutting of the movie or a camera movement has sound effects. I knew next to nothing about Slipstream when watching it, and was amazed to see a movie where quick editing felt open and refreshing. It is expertly made, with some of the most virtuoso sound editing you will ever hear, but instead of stress the quick cuts construct the brutal awareness of deep sleep. The movie itself is flawed, as it is a blend of two things. One is probably the original idea, a somewhat whimsy comedy about a movie writer interacting with his own movie. The other is the fantastic scenes that emerged, of which the early scenes with a traffic queue and a madman is the best example. It is made in a way that resembles the way our minds store strong memories, like those from the childhood. The acting in the movie is also great, with the exception of some overacting that is supposedly meant to show funny Hollywood movie producers and directors. But that belongs to the original idea, which Anthony Hopkins should have abandoned along the way, to instead develop the piece of art that this almost became.
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