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Avatar (2009)

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A paraplegic Marine dispatched to the moon Pandora on a unique mission becomes torn between following his orders and protecting the world he feels is his home.

Director:

James Cameron

Writer:

James Cameron
Popularity
128 ( 73)
Won 3 Oscars. Another 87 wins & 129 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sam Worthington ... Jake Sully
Zoe Saldana ... Neytiri (as Zoë Saldana)
Sigourney Weaver ... Dr. Grace Augustine
Stephen Lang ... Colonel Miles Quaritch
Michelle Rodriguez ... Trudy Chacón
Giovanni Ribisi ... Parker Selfridge
Joel David Moore ... Norm Spellman
CCH Pounder ... Mo'at (as Carol Christine Hilaria Pounder)
Wes Studi ... Eytukan
Laz Alonso ... Tsu'tey
Dileep Rao ... Dr. Max Patel
Matt Gerald ... Corporal Lyle Wainfleet
Sean Anthony Moran Sean Anthony Moran ... Private Fike
Jason Whyte Jason Whyte ... Cryo Vault Med Tech
Scott Lawrence ... Venture Star Crew Chief
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Storyline

When his brother is killed in a robbery, paraplegic Marine Jake Sully decides to take his place in a mission on the distant world of Pandora. There he learns of greedy corporate figurehead Parker Selfridge's intentions of driving off the native humanoid "Na'vi" in order to mine for the precious material scattered throughout their rich woodland. In exchange for the spinal surgery that will fix his legs, Jake gathers intel for the cooperating military unit spearheaded by gung-ho Colonel Quaritch, while simultaneously attempting to infiltrate the Na'vi people with the use of an "avatar" identity. While Jake begins to bond with the native tribe and quickly falls in love with the beautiful alien Neytiri, the restless Colonel moves forward with his ruthless extermination tactics, forcing the soldier to take a stand - and fight back in an epic battle for the fate of Pandora. Written by The Massie Twins

Plot Summary | Plot Synopsis

Taglines:

Enter the World See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense epic battle sequences and warfare, sensuality, language and some smoking | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site

Country:

UK | USA

Language:

English | Spanish

Release Date:

18 December 2009 (USA) See more »

Also Known As:

Avatar: An IMAX 3D Experience See more »

Filming Locations:

Hamakua Coast, Hawaii, USA See more »

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Box Office

Budget:

$237,000,000 (estimated)

Opening Weekend:

£8,509,050 (United Kingdom), 20 December 2009, Limited Release

Opening Weekend USA:

$77,025,481, 20 December 2009, Wide Release

Gross USA:

$760,507,625

Cumulative Worldwide Gross:

$2,787,965,087, 13 February 2015
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (special edition) | (extended cut)

Sound Mix:

Dolby | DTS | SDDS | Sonics-DDP (IMAX version)

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

Promotional items were shipped to cinemas under the name "Project 880." See more »

Goofs

When the avatars are on the gurneys before Jake and Norm enter them for the first time, as the camera pans by them you can see Jake's avatar twitch its' toes on the left foot. See more »

Quotes

[first lines]
Jake Sully: [Narrating] When I was lying in the V.A. hospital with a big hole blown through the middle of my life, I started having these dreams of flying. I was free. But sooner or later, you always have to wake up.
See more »

Crazy Credits

There are no opening credits of any kind (outside of the 20th Century Fox title card). The title of the film doesn't appear on screen until the end of the movie. See more »

Alternate Versions

The 178-minute extended version has the same additions as included in the 2010 Special Edition with the following additions and changes:
  • The biggest addition is the alternate opening with Jake describing life on Earth. At a bar with his friend he picks a fight with a man who was hitting his girlfriend. However, he is thrown out by the doorman into a back alley. Two men then approach him to tell him about his twin brother Tommy's death and the proposal of taking his brother's place. There's a closeup shot of Tommy's face as he's cremated which morphs to Jake aboard the spaceship, emphasizing that he & Tommy are twins.
  • Before flying from the Venture Start to Pandora, an extra line of the pilot has been added: "Copy, Venture Star. Go for de-orbit burn at 2-2-4 niner."
  • The next two additions deal more with the abandoned school scene in the Special Edition. The first one happens when Grace considers a picture of Neytiri that Jake finds; Grace remembers her time with Neytiri & her twin sister Sylwanin. She reveals her dead, obviously killed by the mercenaries as well as Norm once had a relationship with her.
  • The second addition: After Grace insists Jake eat something, he sees a picture of Grace teaching a few Na'vi at school, two of them being a young Neytiri and her twin Sylwanin. She describes what happened on the day Sylwanin was killed and how the school was abandoned.
  • After the marines vacate the lab and prepare for retaliation, there is an extension of the scene which reveals that the marines wanted and planned for a war with the Na'vi. The small sequence that happens in the theatrical version after that was removed.
  • There is also the alternative Family-friendly audio track, which substitutes profane words with a more clean words. James Cameron said in an interview that the track was included when his young son complained on hearing that accidentally while playing the movie.
See more »

Connections

Referenced in The Jay Leno Show: Episode #1.85 (2010) See more »

Soundtracks

I See You (Theme from Avatar)
Performed by Leona Lewis
Music by James Horner and Simon Franglen
Lyrics by Simon Franglen, Kuk Harrell, and James Horner
Produced by Simon Franglen and James Horner
Leona Lewis performs courtesy of Syco Music
See more »

Frequently Asked Questions

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User Reviews

 
Simply breathtaking. The King is back, baby!!!
18 December 2009 | by marco_dg91See all my reviews

Unfortunately, I had to watch it in 2D, but even with that, this movie was just brilliant. I think we all know the basic outline of the story by now, and I admit, some of the movie's flaws is that the plot is somewhat predictable, and that it had some cliché moments and some cheesy dialogue, but nevertheless, I thought the movie was overall fantastic. We all know the SFX are the best ever (everyone pretty much has said that, so why bother?), but what you don't know is that the way the film is executed actually carries quite an emotional punch that most people won't be expecting, and all of the performances overall are great, even Worthington's (which is the first film I've seen him in, by the way. Never got the chance to watch Terminator: Salvation, so he was a relatively new actor to me), but I can easily say that Zoe Saldaña was the best one, which brings me to my next point, and what I think is the highlight of the film: the na'vi.

If you thought Gollum in the LotR films or the prawns in District 9 were incredible in how much emotion and realism they conveyed, just you wait 'till you see this film's blue humanoids. They're, without a shadow of a doubt, the best-looking CG characters I've ever seen. Not only do they LOOK real, they FELT real, and after a few minutes in, one could easily forget they were all actors in motion-capture suits. The na'vi showed more emotion, more expression and simply just more life than what most live-action actors have today. I hope the Academy Awards consider motion-capture performances from hereon out in the Acting categories, because they were just outstanding in this movie, and WAY better than most live-action performances we get today. And the action, of course, was also fantastic. Cameron just proved to people like Michael Bay that the King is back. Not just the battle scenes, but even some parts that were just, say, some characters flying around on their banshees were just a beauty to look at, since all shots just show how amazing the incredibly deep and detailed world that Pandora is. To the senses, it's the most stunning film I've ever seen. As for story and dialogue writing, it could've been better, it's not perfect, but this movie's really about how the story is executed rather than the content.

Another highlight for me is, of course, just how deep and detailed everything in this film was, and being an artist myself, you could easily imagine just what an assault on the senses it was for me to witness such a beautifully created world that is Pandora. Ranging from its flora to its fauna, all things in this world are indeed alien, but also have a familiar sense to them from our world. One who's been watching Cameron for the past few years would know that he's always been into deep underwater exploration, and you can easily tell that a lot of what he saw down there influenced his vision for many of the things we see in this lush beauty of an ever-stretching rainforest.

As for the film's score, I really don't get why some people are getting upset about it. In my opinion, James Horner gave us a tremendous score that fit perfectly to whatever was happening during the film. And yes, I even like Leona Lewis' song in the end credits.

Many filmmakers out there think about CG effects and put no depth into the narrative or story, but that's not the case with Cameron. In this film, the special effects MAKE the story. He puts special effects and story in a blender, and meshes these elements up so well that what we get is one of the most unique films in history.

My score: 8.5/10, and I think I'd probably give it a 9.0/10 or higher if I had seen it in 3D, and definitely a perfect 10 if I had seen it in an Imax 3D screen with the best seat in the hall, but then, we wouldn't really be speaking in that case about a movie, and instead a full-on cinematic experience, which is what makes me think that Avatar will become a classic; it's more an experience than a film, it's a journey to a new world where our imaginations are tested, and has achieved perfectly what a movie is intended for in the first place, at least of this genre: pure, out-of- this-world escapism.


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