A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
When his brother is killed in a robbery, paraplegic Marine Jake Sully decides to take his place in a mission on the distant world of Pandora. There he learns of greedy corporate figurehead Parker Selfridge's intentions of driving off the native humanoid "Na'vi" in order to mine for the precious material scattered throughout their rich woodland. In exchange for the spinal surgery that will fix his legs, Jake gathers knowledge, of the Indigenous Race and their Culture, for the cooperating military unit spearheaded by gung-ho Colonel Quaritch, while simultaneously attempting to infiltrate the Na'vi people with the use of an "avatar" identity. While Jake begins to bond with the native tribe and quickly falls in love with the beautiful alien Neytiri, the restless Colonel moves forward with his ruthless extermination tactics, forcing the soldier to take a stand - and fight back in an epic battle for the fate of Pandora.Written by
The Massie Twins
James Cameron: His voice is heard over the radio shortly after the Dragon Gunship appears on screen, en route to attack the Na'vi Hometree. See more »
When Parker Selfridge wants to explain the situation (the 'Blue Monkeys') to Jake, he says that Hometree is on the richest Unobtanium deposit for 200 clicks in any direction. His wording suggests that other, richer deposits are farther away. It would be much easier to relocate the camp to a new deposit than it would be to move the Na'vi, but Jake makes a point to the Na'vi that more humans will come "Like a rain that never ends" So it would be expected that future camps will be set up on other deposits, and would only waste resources to relocate. See more »
When I was lying in the V.A. hospital with a big hole blown through the middle of my life, I started having these dreams of flying. I was free. But sooner or later, you always have to wake up.
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The initial end credits soar over the world of Pandora. See more »
Released to commemorate the 2010 Earth Day, the 171-minute Special edition includes the following additional scenes:
The first flight across Pandora is longer, with the helicopter flying past the Stuurmbeast herd. Grace informs Norm and Jake about it.
The squad reaches the abandoned school. It reveals that Grace teaches English to the Na'vi children until a serious incident came about (bullet holes around, etc..) which was insinuated about.
Jake and Neytiri running through the neon-lit woods is slightly longer.
When Jake joins the circle, a little Na'vi girl smiles at him curiously, but her father holds her back. Neytiri then arrives and hands Jake a fruit.
Jake tries to ask Neytiri her name, but she seems annoyed by that.
Jake, Grace and Norm proceed from the helicopter to the secluded laboratory. There's an explanation about the mountains.
At night, Jake and Neytiri run through the luminescent forest.
After Jake touches the Fan Lizard, it flies away in a radiant glow. Its fellow species follow suit and, to the delight of Jake and Neytiri, raise themselves into the air.
As Jake and the other Na'vi climb the mountain, Neytiri flies past them on her banshee, Seze.
The Na'vi goes for an aerial hunt for Stuurmbeast. Jake shoots one and exclaims in excitement. Neytiri follow suit as well.
The Na'vi destroy the Hell Trucks of the mining company.
The next morning, Wainfleet's squad sifts through the remains of the Hell Trucks. Turns out that Na'vi kill the soldiers as well. Quaritch and Selfridge watch the live broadcast.
Tsu'tey's fall from the sky is longer. A few plants decelerate and break his fall.
The scene with the Hammerhead Titanotheres has been extended.
The fight between Neytiri on a Thanathor and Quaritch is slightly longer.
Tsu'Tey's death: he knows he is dying and appoints Jake to be his successor. He insists Jake to kill him because by Na'vi customs, Jake has to pass him to the Eywa by killing him by his own hands. Neytiri starts to cry. Jake reluctantly complies with his wish, stabbing him by the knife as the camera passes by him.
The end credits has an addition of using Discovery Zone's Bless the Plague soundtrack. The copyright year has been replaced with 2010.
Unfortunately, I had to watch it in 2D, but even with that, this movie was just brilliant. I think we all know the basic outline of the story by now, and I admit, some of the movie's flaws is that the plot is somewhat predictable, and that it had some cliché moments and some cheesy dialogue, but nevertheless, I thought the movie was overall fantastic. We all know the SFX are the best ever (everyone pretty much has said that, so why bother?), but what you don't know is that the way the film is executed actually carries quite an emotional punch that most people won't be expecting, and all of the performances overall are great, even Worthington's (which is the first film I've seen him in, by the way. Never got the chance to watch Terminator: Salvation, so he was a relatively new actor to me), but I can easily say that Zoe Saldaña was the best one, which brings me to my next point, and what I think is the highlight of the film: the na'vi.
If you thought Gollum in the LotR films or the prawns in District 9 were incredible in how much emotion and realism they conveyed, just you wait 'till you see this film's blue humanoids. They're, without a shadow of a doubt, the best-looking CG characters I've ever seen. Not only do they LOOK real, they FELT real, and after a few minutes in, one could easily forget they were all actors in motion-capture suits. The na'vi showed more emotion, more expression and simply just more life than what most live-action actors have today. I hope the Academy Awards consider motion-capture performances from hereon out in the Acting categories, because they were just outstanding in this movie, and WAY better than most live-action performances we get today. And the action, of course, was also fantastic. Cameron just proved to people like Michael Bay that the King is back. Not just the battle scenes, but even some parts that were just, say, some characters flying around on their banshees were just a beauty to look at, since all shots just show how amazing the incredibly deep and detailed world that Pandora is. To the senses, it's the most stunning film I've ever seen. As for story and dialogue writing, it could've been better, it's not perfect, but this movie's really about how the story is executed rather than the content.
Another highlight for me is, of course, just how deep and detailed everything in this film was, and being an artist myself, you could easily imagine just what an assault on the senses it was for me to witness such a beautifully created world that is Pandora. Ranging from its flora to its fauna, all things in this world are indeed alien, but also have a familiar sense to them from our world. One who's been watching Cameron for the past few years would know that he's always been into deep underwater exploration, and you can easily tell that a lot of what he saw down there influenced his vision for many of the things we see in this lush beauty of an ever-stretching rainforest.
As for the film's score, I really don't get why some people are getting upset about it. In my opinion, James Horner gave us a tremendous score that fit perfectly to whatever was happening during the film. And yes, I even like Leona Lewis' song in the end credits.
Many filmmakers out there think about CG effects and put no depth into the narrative or story, but that's not the case with Cameron. In this film, the special effects MAKE the story. He puts special effects and story in a blender, and meshes these elements up so well that what we get is one of the most unique films in history.
My score: 8.5/10, and I think I'd probably give it a 9.0/10 or higher if I had seen it in 3D, and definitely a perfect 10 if I had seen it in an Imax 3D screen with the best seat in the hall, but then, we wouldn't really be speaking in that case about a movie, and instead a full-on cinematic experience, which is what makes me think that Avatar will become a classic; it's more an experience than a film, it's a journey to a new world where our imaginations are tested, and has achieved perfectly what a movie is intended for in the first place, at least of this genre: pure, out-of- this-world escapism.
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