A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
When his brother is killed in a robbery, paraplegic Marine Jake Sully decides to take his place in a mission on the distant world of Pandora. There he learns of greedy corporate figurehead Parker Selfridge's intentions of driving off the native humanoid "Na'vi" in order to mine for the precious material scattered throughout their rich woodland. In exchange for the spinal surgery that will fix his legs, Jake gathers intel for the cooperating military unit spearheaded by gung-ho Colonel Quaritch, while simultaneously attempting to infiltrate the Na'vi people with the use of an "avatar" identity. While Jake begins to bond with the native tribe and quickly falls in love with the beautiful alien Neytiri, the restless Colonel moves forward with his ruthless extermination tactics, forcing the soldier to take a stand - and fight back in an epic battle for the fate of Pandora.Written by
The Massie Twins
Following the idea of the allegedly derivative plot from other similar movies, two mock trailers were released on the Internet, one with lines from the movie over images from Pocahontas (1995) and the other built the other way round. Both trailers did fit quite neatly. See more »
When Parker Selfridge wants to explain the situation (the 'Blue Monkeys') to Jake and asks someone to operate the hologram showing the layout of the landscape he says stop at sector '12' (Hometree), but when the scene cuts to a closeup of Jake the yellow hologram readout clearly reads 'Sector 128'. See more »
When I was lying in the V.A. hospital with a big hole blown through the middle of my life, I started having these dreams of flying. I was free. But sooner or later, you always have to wake up.
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The initial end credits soar over the world of Pandora. See more »
A film with the scope of James Cameron's Avatar was always going to be a risk both artistically and financially, especially in today's economic climate. Whether it will pay off monetarily is a question only time can answer, but this viewer can at the very least attest to it being an artistic triumph.
Avatar brings us as close as cinema ever has to actually visiting an alien world. The beautiful environs, the exotic creatures and incredibly lifelike natives of Pandora arrest the senses, visually, aurally and emotionally. The world in Avatar is the true star of the show. The amount of detail and work that has gone into bringing this new world alive is seriously impressive, and it will be a while before we see anything that overtakes it in scope and quality. WETA Workshop and ILM have truly outdone themselves.
Relative newcomer, Aussie Sam Worthington provides a solid human heart amongst all the science-fiction/fantasy beauty and Zoe Saldana gives an impressive performance as the 8 foot tall Na'vi, Neytiri. Even though the characters they both play are blue, giant, catlike aliens, they managed to evoke a chemistry and likability that pierces through the special effects.
That's not to say that everything is perfect. The story is basic and dare I say, clichéd and predictable. We have seen it plenty of times in all forms of media. The bad guys are cartoonishly evil, and sadly paper thin. The love story, while charming, is also clichéd despite being between man and alien. But in the face of these shortcomings, Avatar is a success because its storytelling lies in the brilliant visuals.
Avatar is a beautiful piece of film and a true event. It does exactly what cinema was always intended to - it takes us away from our problems and worries for a few hours and gives us memorable images which will undoubtedly and deservedly enter into the cultural lexicon to stay for the foreseeable future.
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