When a young girl becomes lost in the hustle and bustle of Tehran, her journey turns into a dazzling exercise on the nature of film itself. In this ingenious and daringly original feature, ... See full summary »
Mina Mohammad Khani,
In a secluded house by the sea with the curtains shut, a screenwriter hides from the world with only his dog as company. The tranquility is abruptly broken one night by the arrival of a ... See full summary »
It's been months since Jafar Panahi, stuck in jail, has been awaiting a verdict by the appeals court. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.
Three actresses at different stages of their career. One from before the 1979 Islamic Revolution, one popular star of today known throughout the country and a young girl longing to attend a drama conservatory.
Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
"Offside" is about a group of Iranian girls who attempts to enter Tehran's Azadi Stadium dressed as boys in order to watch a big football match but some get caught and arrested. After the establishment of the Islamic Republic in Iran, women are not allowed to enter the stadiums.Written by
Panahi officially listed his Assistant Director as the Director of the film so as not to attract the attention of the Ministry of Guidance or the Disciplinary Forces of Tehran, but towards the end of the films shooting a newspaper article about the making of the film listed Panahi as the director and both organizations attempted to shut the film down and confiscate the footage. Only a sequence that takes place on a bus remained to be filmed so Panahi was able to continue filming without being caught. See more »
I don't know how and where do the Iranian directors get their inspiration in coming up with a plot like this. In fact, it's a very simple plot that many directors could come up with --- but may not be able to project it onto a movie the way Jafar Panahi did.
The film is like 2 worlds revolving at the same time, one connected to the other - the football match and the battle between sexes that's going on behind the walls of the stadium.
It makes you feel like you are in the movie and you're one of the characters, and while watching the movie, as if you also would like to have a glimpse of the football match. You will feel exactly the same excitement and sentiments as those female actors in the movie. It's gripping in a way that you wanted to see the ending, you will want to find out the verdict, you'll be dying to see what will happen to the girls.
I like the intermittent conversations between the smoking girl and one of the military trainee. It's like venus VS mars, it really shows the difference in the thinking of men and women and the struggle of women to get equal rights and opportunity especially in a very patriarchal society like Iran.
This is the second movie of Jafar Panahi that I have seen (the first being Crimson Gold) and am looking forward to watching some more.
Am already hooked with Iranian movies and this one is a must-see!
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