| Complete credited cast: | |||
| Sabine Azéma | ... | Charlotte | |
| Isabelle Carré | ... | Gaëlle | |
| Laura Morante | ... | Nicole | |
| Pierre Arditi | ... | Lionel | |
| André Dussollier | ... | Thierry | |
| Lambert Wilson | ... | Dan | |
| Claude Rich | ... | Arthur (voice) | |
| Françoise Gillard | ... | Speakerine TV | |
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Anne Kessler | ... | Présentatrice émission TV |
|
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Roger Mollien | ... | Soldat poète émission TV |
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Florence Muller | ... | Critique d'art émission TV |
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Michel Vuillermoz | ... | Architecte émission TV |
Seven lonely lives in Paris: a middle-aged estate agent who thinks a colleague is sending messages in video tapes she loans him; his co-worker whose Bible is close at hand in times of stress; her late-night charge, who's an angry, nasty bedridden old man; his son, a patient bartender; the bartender's best patron, an ex-soldier who's lost his moorings while his fiancée looks for a large flat for them; and, the estate agent's much younger sister, who answers ads in the personal and waits in cafés with a red flower pinned on her jacket. Will any connect? Can open hearts trump fears? Written by <jhailey@hotmail.com>
OK, the acting is good, and the camera work is competent, when we're not having to watch the lighting suddenly change for no reason, or when we're not wondering why two people sitting in a kitchen talking are getting snowed on. But the plot is ridiculous. The characters do a lot of talking, but not much else. Two of them allegedly work together in a real estate office, but they never do any work, and aside from one of the other characters in the movie, no one ever comes into their office. I kept wondering how they stayed in business. Two of them are allegedly brother and sister, but the sister is 40 years younger than the brother, and this difference is never explained. And why are they living together? Two are engaged, but there is not the slightest warmth between them, and we are left wondering how the engagement ever happened. Several characters seem to get a personality transplant halfway through the movie. One is always off camera, for no particular reason. None of them seems to have any basic common sense. They are completely unappealing, and therefore we never care what happens to them. The only compensation is the French, which is very clear and simple.