7.0/10
3,554
21 user 79 critic
Trailer
1:56 | Trailer
In Paris, six people all look for love, despite typically having their romantic aspirations dashed at every turn.

Director:

Alain Resnais
5 wins & 14 nominations. See more awards »

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Cast

Complete credited cast:
Sabine Azéma ... Charlotte
Isabelle Carré ... Gaëlle
Laura Morante ... Nicole
Pierre Arditi ... Lionel
André Dussollier ... Thierry
Lambert Wilson ... Dan
Claude Rich ... Arthur (voice)
Françoise Gillard ... Speakerine TV
Anne Kessler Anne Kessler ... Présentatrice émission TV
Roger Mollien Roger Mollien ... Soldat poète émission TV
Florence Muller Florence Muller ... Critique d'art émission TV
Michel Vuillermoz Michel Vuillermoz ... Architecte émission TV
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Storyline

Seven lonely lives in Paris: a middle-aged estate agent who thinks a colleague is sending messages in video tapes she loans him; his co-worker whose Bible is close at hand in times of stress; her late-night charge, who's an angry, nasty bedridden old man; his son, a patient bartender; the bartender's best patron, an ex-soldier who's lost his moorings while his fiancée looks for a large flat for them; and, the estate agent's much younger sister, who answers ads in the personal and waits in cafés with a red flower pinned on her jacket. Will any connect? Can open hearts trump fears? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

For six strangers in search of love, the City of Lights can be a very lonely place.

Genres:

Drama | Romance

Certificate:

See all certifications »
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Details

Country:

France | Italy

Language:

French | English

Release Date:

22 November 2006 (France) See more »

Also Known As:

Private Fears in Public Places See more »

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Box Office

Budget:

€12,800,000 (estimated)

Opening Weekend USA:

$14,391, 13 April 2007, Limited Release

Gross USA:

$134,240, 13 July 2007
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

There is a Scarborough poster in Thierry's home. The English seaside resort of Scarborough is the home of the play's author, Sir Alan Ayckbourn. See more »

Goofs

When Charlotte has the tomato soup thrown at her by Arthur, the front of her blouse and sweater have large reddish stains on them. When Lionel returns home and is talking to her, the stains have disappeared. See more »

Connections

Featured in Belas Artes: A Esquina do Cinema (2012) See more »

Soundtracks

Come On Down
By Gall George, Seigal Donald S.
See more »

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User Reviews

A good mix of art house appeal and mainstream entertainment
15 December 2007 | by harry_tk_yungSee all my reviews

Adapted from Alan Ayckbourn's recent (2004) play, this movie has a structure that reminds me of two well known plays. The structure of some 50 short scenes brings to mind Noel Coward's "Cavalcade". Having plots revolving around 6 characters draws an obvious comparison to Luigi Pirandello's "Six characters in search of an author". But both similarities are superficial. "Private fears" is a distinctly different play.

The interrelationship between the six characters is somewhat random, but clever for this very randomness. These various relationships include real estate agent and client, office co-workers, brother/sister, part-time aged-parent-sitter and employer, engaged couple living together, bartender and familiar client, blind dates. Each character is party to two or three of these relationships. Some of these relationships we see right from the beginning; others evolve right before our eyes. Outwardly casual relationships have subtle intimacy; apparently intimate relationships turn out to be rather casual. The emotional spectrum goes from heart-breaking poignancy to hilarious farce. There is never a dull moment in this movie, (except to those who have a tendency to fall asleep UNLESS there is a car chase, an explosion or steaming sex).

"Private fears" also offers a good mix of art house appeal and mainstream entertainment. Artsy scenes, not overused, enrich the film throughout: entire scene shot from overhead, montage transformation of a conversation at a kitchen table to the snowy outdoors - just two most conspicuous examples. Nor does the movie shy away from cliché comic situations when then are called for.

This portrayal of ultimate loneliness in the urban alienation of the City of Lights is brought to the audience by an excellent cast of mostly director Alain Resnais' veterans.


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