A guy's life is turned around by an email, which includes the names of everyone he's had sex with and ever will have sex with. His situation gets worse when he encounters a femme fatale (Ryder) who targets men guilty of sex crime.
Just before he's to marry Fiona, Roderick Blank receives an anonymous e-mail with 101 names on it; Fiona's is the 29th, the first 28 are women Rod has slept with, and the 30th turns out to be the stripper at his bachelor party. The notion that he will have sex with 70 more people sends Rod into crisis mode, especially after three odd men in an aseptic office confirm that a celestial machine has made an error. They suggest destroying the list, but Rod finds that easier said than done. Working his way through it consumes him, plus he realizes that death may await him after #101. Meanwhile, a femme fatale nicknamed Death Nell is putting men into a coma. Are they fated to meet?Written by
Water of the Gods
Written by 'David Rothblatt', 'Darren Spitzer', 'Rob Kallick', and 'Jonny Basofin'
Performed by 'The Changes'
Courtesy of Drama Club Records
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Conceptually, the film actually doesn't hit its point until the final twenty minutes in which Baker finally confronts Ryder and accepts his fate. The final coffee shop scene and discussion conjures memories of Daniel Waters' impeccable dialogue and pace ever-present in 1989's "Heathers". Yes, this isn't "Heathers" and thankfully, it isn't "Hudson Hawk" either, however, "Sex & Death 101", unlike both of the aforementioned films, doesn't stay with you, for better or worse. Again, the final scenes are well worth the wait and highlight exactly why Winona Ryder is everybody's favourite outsider. Her ability to present warped innocence and make it seem endearing is wonderful to watch. The moment that we see Death Nell writing in her journal (a throwback to Veronica Sawyer in Heathers) really emphasises this...Ryder's representation of the madness of youth and sex and sadness, all connected in one bizarre character. So, as a film, "Sex & Death 101" isn't great, but as an example of good screen writing and character development (in the case of Death Nell), it is interesting to experience.
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