Vicky Cristina Barcelona

Adventurous Cristina (Scarlett Johansson) and her cultured reserved friend Vicky (Rebecca Hall) go vacationing in Barcelona. They get approached by the over confident Juan Antonio (Javier Bardem). Juan immediately propositions them. Cristina is interested, but Vicky is incensed over his presumptuousness. As the two girls travel with him, their trio is turned into chaos by the wild Maria Elena (Penélope Cruz).

Woody Allen has created one of his most fascinating films outside of New York. There is only one problem; The Voice Overs. It doesn't stop. It drowns out the film. I don't even know why Woody thought it's a good idea to constantly unceasingly drone on and on and on. And is there anybody less interesting doing narrations? It sucks out the passion in the film.

Rebecca Hall and Scarlett Johansson were good at their particular roles. Javier Bardem is extremely fascinating and seemingly so realistic getting beautiful women with his confidence. But Penélope Cruz blows everybody away.

I just got back from a free screening of this movie. Wonderful, brilliant, thought provoking, funny, great story in the way only Woody Allen could do. The acting was great, the writing was great, the story was great. As well as the fact that it wasn't a poor rehash of Crimes and Misdemeanors like Match Point and Cassandra's Dream. So refreshing on all levels. Javier Bardem embodies the character and truly allows me to forget about his role in Old Country. Patricia Clarkson, a gem as always. The girls were all great. Had not been impressed with Scarlett Johansson since Lost in Translation and was bored with her work in the last of his films but she held her own and did the part great. Penélope Cruz was wonderful, vibrate and funny especially when doing the Spanish. At 71 the man still has it and has rehashed the place in my heart where I hold his wonderful art. Simply happy and fulfilled. Thank you Woody!

Everyone acts very well, and the whole film would have been really good if it hadn't been for this weird narrator the whole way through who sounded like he was telling children a story even when saying things like "they went to bed together". It was weird. I also feel if it had been more dialogue based we could have got a greater grasp of the characters. I watched it without subtitles but understood the relationship of Juan Antonio and his ex-wife (mostly spoken in Spanish) than I did of Doug and Vicky which just seemed to lack a huge amount of depth. There needed to be some redeeming feature Vicky and Doug's relationship.

Anyway well acted but yeah the narrator ruins it. Javier Bardem is amazing as usual.

Vicky (a neurotic and sexy Rebecca Hall) and Cristina (a neurotic and gorgeous Scarlett Johansson) are two American tourists in Spain examining their differing views on love in Woody Allen's breezy and alluring "Vicky Cristina Barcelona". Amidst a tempestuous summer in Barcelona, the ladies are both seduced by a free-thinking painter (a perfect Javier Bardem) whose own life is complicated by his still passionate relationship with his ex-wife (a devastating Penelope Cruz, who has never looked more beautiful).

Much like the change from New York City to London invigorated Allen in "Match Point", this vacation to Spain has revived some of the director's more artistic aspirations. The scenery is postcard perfect but drenched in that same dizzying lushness that made Allen's view of NYC so intoxicating in "Manhattan". The churches, the homes, the art museums, the countryside, the intimate city streets and touristy details make you feel like you are visiting Barcelona along with Allen and his cast.

There's also sharpness to the trademark Woody dialog that has been missing for quite some time. Like all of Allen films, this one is endlessly talky, but there's some great subversion when certain lines that seem like throw-aways actually pack a punch when given a second thought. When Bardem first attempts to talk Johansson's character into bed, he says something clichéd about her being hard to please. Quick witted, Johansson replies, "I'm famous for my intolerance." She says it casually, but it packs a bite as it's the complete antithesis of her character's outward desire to be someone who rallies against cultural norms, and she presents herself as someone who is easy-going and tolerant of all.

Allen also displays a keen sense of pacing when he creates tension in his build up to Cruz's appearance after her character is endlessly talked about but never seen until about half way through the film. When Cruz finally arrives, her moody whirling dervish of a performance is the perfect spice to liven up the soupy proceedings. Her seething, fiery line readings combined with looks that could kill make her the front-runner for Best Supporting Actress at the Oscars.

The baseline archetypal characters are essentially clichéd, but the way in which Allen handles all of their interpersonal relationships is fairly sophisticated and entertaining even when it grows absurd. There is of course that kiss between Scarlett and Penelope but also some moments of Lynchian-lite when Allen photographs the brunette Hall and blonde Johansson similarly to make them seem like they are two sides of the same woman. There's even more weirdness when die-hard Woody fans realize that in some perverse way Scarlett Johansson's character is the "Woody" part--as in any film he does not star, there is always one character who represents the part he would've played had he been in it. However, film buffs will enjoy some of the nice touches like when Hall and another go to see Hitchcock's "Shadow of a Doubt" (one of my all time favorite films) or the repetitive use of a Spanish guitar in the soundtrack whenever Bardem and Hall get together. But then there's the mostly unnecessary voice-over narration that fills in expository gaps and shows Allen can still be a lazy tactician.

Woody Allen has always been an acquired taste, even more so in his latter years when he sometimes forgets how to provoke, but his fans should be delighted with this latest European flavored effort. In the end, you'll feel like Javier Bardem is the luckiest man in the world, Penelope Cruz is operating at the echelon of her appeal, and Rebecca Hall and Scarlett Johansson, well, they'll always have Barcelona.

Although this film has bizarrely been described as breezy summer entertainment by some top critics (which leads me to wonder if they saw the same movie I did, or just the first half hour), "Vicky Cristina Barcelona" is the closest thing to the sort of examination of relationships that Allen became famous for in quite some time ("Anything Else" counts, I suppose, but lacks the sharpness this film has), and although it is far from as weighty as some of his dramas or even some of his comedies, this is his first really inspired script in a while, featuring a cast of detailed, well-developed characters, some razor-sharp observations on relationships, and a wicked sense of humor.

Although I never thought Woody's work this decade was particularly poor (other than "Cassandra's Dream" and although I'm in a minority "Match Point"), it has mostly been completely inconsequential and almost entirely dependent on broad characterizations and heavy plotting rather than real people and awkwardly comic situations (which has always been Allen's strong suit). A career-best performance from Scarlett Johansson, a wickedly entertaining turn from Penelope Cruz, and the absolute revelation that is Rebecca Hall form a great cast along with Javier Bardem in a role that may surprise the majority of the American public (well, for most of the movie, anyway). You can feel Allen's mark on their mannerisms, but they all seem to disappear into these characters, that's how good they are.

I'm keeping this as spoiler-free as possible, because it's really worth going into the theater not expecting anything in particular and savoring the film's often unexpected but never contrived plot twists and turns. All you should know is that Vicky (Rebecca Hall) and Cristina (Scarlett Johansson) go to Barcelona for the summer and things get complicated when they meet a charming, mysterious, and rich painter (Javier Bardem) and he makes a rather upfront proposition to both of them. It's best if you know nothing of how Cruz' character impacts the film prior to watching it.

In relation to Allen's other work I thought it was interesting that he never attempted to analyze sex. The whole movie is in many ways about sex, and there is a lot of the expected philosophical and psychological examination of the relationships between the characters in the film, but sex itself is never analyzed as it is in much of Allen's work, and is instead treated as the impenetrable mystery it is. That said, Allen's script is extraordinarily nuanced, something that I haven't expected from his writing in a while. Sure, the characters still represent opposing romantic philosophies, but there's a spark in the writing that makes these feel like real people as opposed to mere characters. That spark, that chemistry is there throughout "Vicky Cristina Barcelona", it's there in the vibrant cinematography by Javier Aguirresarobe, it's there in the performances, it's there in the shot composition, and it's there in the editing, and in pretty much anything else I haven't mentioned yet.

The first forty minutes or so of "Vicky Cristina Barcelona" may be the sort of romantic comedy (very good romantic comedy, at that) that the advertising campaign seems to suggest it is, but for the rest of the film there's the sort of pessimistic optimism that colors much of Allen's work (if that makes sense, pretend you didn't read it if it didn't), and let's just say it doesn't end well for these characters. There's real complexity and intensity in this film, and all I have to say is this: Woody Allen is back, the perceptive, intelligent examiner of the human heart, that is, not what we've had for the past while. To say this is one of his best films would be ignoring the fact that through the 70's and 80's he pretty much made nothing but great films, but I can at least say that this is on par with some of his better work.

8.5/10