A teenage boy would like to meet with a very pretty, blonde girl who lives next door. His elder brother helps him with a car and a credit card to be successful. This simple story gets ... See full summary »
Tom Crick, a high school history teacher, is having trouble connecting - with his class, with his wife. He ventures into telling his class stories about his young adulthood in the Fens ... See full summary »
Four children try to hold things together and play a family in their isolated prefab house after the death of their parents. As they begin to deteriorate mentally, they hide their mom's festering corpse in a makeshift concrete sarcophagus.
I've liked Hawke as an actor but didn't go into this film with high expectations. I was surprised at how competently this was made. While it covers fairly safe territory - a romantic drama - it does it with nice visuals and some originality. The protagonist William (Mark Webber) is a bit of a slacker, yet he was introspective enough to try to resolve some of his own issues when his lover Sarah (Catalina Sandino Moreno) splits and leaves him broken-hearted. The fact that this was tackled from the male perspective, and grappled with some psychological insight gave the film some gravitas. Mind you, how deeply a twenty-one year old can delve into his psyche is another thing.
I found the film quite enjoyable, more than superficial, but still largely in the "middle-of-the-road" category - not that that's a bad thing. The cinematography was great, and there were nice camera angles. The music was nice but sometimes a little intrusive. While it's the type of film that's likely to do well at Sundance (maybe it has, I don't know), it's a lot better than the quirky comedies like Little Miss Sunshine et al. This film could do well on general release and was an OK film to add some variation to my MIFF viewings, but nothing to rave about. A good effort by Hawke (who is also a guest speaker at the festival).
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