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Violent City (1974)

Bôryoku gai (original title)
A retired yakuza is caught in the middle of a growing conflict between two rival clans.


Hideo Gosha


Hideo Gosha (idea), Masahiro Kakefuda (screenplay) | 1 more credit »


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Cast overview, first billed only:
Noboru Andô Noboru Andô ... Egawa
Akira Kobayashi ... Yazaki
Isao Natsuyagi ... Hama
Bunta Sugawara ... Gizagoro's dragon
Tetsurô Tanba ... Shimamura Kansai
Asao Koike ... Yoshii Haruo
Madame Joy Madame Joy ... Transvestite killer
Hideo Murota Hideo Murota ... Mochizuki
Miyoko Akaza Miyoko Akaza
Minami Nakatsugawa Minami Nakatsugawa ... Minami
Ryôji Hayama Ryôji Hayama ... Futahashi
Maki Kawamura Maki Kawamura
Rikiya Yasuoka
Hiroshi Tanaka Hiroshi Tanaka
Kôji Fujiyama Kôji Fujiyama


A retired yakuza is caught in the middle of a growing conflict between two rival clans.

Plot Summary | Add Synopsis


Action | Crime | Drama


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Featured in Yakuza Eiga, une histoire du cinéma yakuza (2009) See more »

User Reviews

Hideo Gosha strikes again.
13 August 2009 | by chaos-rampantSee all my reviews

A first cursory look at VIOLENT STREETS makes it seem that Hideo Gosha reverted back to the programme genre pictures out of which emerged as a bonafide auteur and stylistic visionary five years earlier with bold ambitious jidaigekis like GOYOKIN and HITOKIRI, this time treading ground he never did before in his career, the yakuza picture. Looking closer it becomes obvious that VIOLENT STREETS is both. A genre picture and a stylistic exercise.

Different plot strands with which the avid genre fan will be familiar from prior cinematic knowledge, the rivalry between opposite yakuza groups, the new yakuzas trying to balance their past as street thugs with their future as incospicuous businessmen, the retired gangster forced back into action, a kidnapping gone awry, all these become entangled through a series of increasingly violent fights in the second third of the movie where VIOLENT STREETS inexorably emerges as a poignant revenge/ coming of age story.

What makes it so great is that VIOLENT STREETS remains powerful convincing and successful at all ends of the crime spectrum. As a twisty well oiled heist movie at first, a gritty revenge story, a sad coming of age tale by the end. From the wildly entertaining pure pulp of the first segment emerges a bittersweet humanism and a sense of duty ("some things a man can't ride around") and bonding between alienated male characters pushed on the side by a fast changing world, themes such as one would see in the films of Hellman, Peckinpah, or Boetticher. And to further the Peckinpah connection, Gosha does a few slow-motion shooting scenes that rank up there with the best of Sam's career.

If VIOLENT STREETS is a genre picture, a rollicking pulp extravaganza ultraviolent even to this day (killings are messy and gruelling), it's still done with a certain flair and class, this owing no doubt Gosha's talent that never allows the movie to descend into caricature. It might lack the social undertones of Kinji Fukasaku's best work (another master of crime cinema sorely neglected in the west) but I daresay meets it almost eye to eye for grit and violence.

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Catalan | Japanese

Release Date:

13 April 1974 (Japan) See more »

Also Known As:

Violent Streets See more »

Filming Locations:

Tokyo, Japan

Company Credits

Production Co:

Toei Tokyo See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:




Aspect Ratio:

2.35 : 1
See full technical specs »

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