Oh, Brendan Fraser. How does one actor make so many movies that almost work but don't? He's been in a few brilliant films, a few god-awful ones, but the majority of them fall into an ever-widening pool of narrow misses.
"Inkheart" is another one of those. It's frustratingly close. You want to go up to the screen and nudge it a bit so it crosses the line. It's a fantasy-- a genre where logic is only slightly required. If this story had made a wee bit more sense, it would've hit the fantasy-acceptable mark. If the dialogue had more crackle and the characters had more contrast, it would've worked. It looks beautiful. The effects are good. There are clever moments. It's well cast with actors known to be entertaining and who are spot-on for their parts. It could've been a lovely, enjoyable family film if it had been given any amount of extra thought.
The movie tells the story of a man who finds out too late that when he reads aloud, it brings parts of the books he reads into the real world while it randomly sends real people into the book being read. When he reads the little-known children's book "Inkheart" to his wife, menacing charters fall out and his wife disappears. To have any chance of getting her back, he must have a copy of the rare book, so he packs up his young daughter and they spend years going from old bookstore to old bookstore rummaging through stacks of neglected volumes but not finding the one book he needs.
Fraser's bookbinder Mo is a likable good guy, the sort of character that's become Fraser's mainstay. Mo is a loving dad who's frightened by his unwanted ability and whose only quest is to read his wife home. It's a sweet, solid performance as Fraser plays straight man to some class-A scene-stealers. They are:
Helen Mirren-- no explanation required. She doesn't work at upstaging anyone, it just happens. Here she's the wealthy aunt of Mo's missing wife. Despite her flamboyant style, she has hermitted herself away with the collection of books she treasures, preferring to read adventures, not live them.
Jim Broadbent-- no explanation required here, either. He has one of those faces. He has one of those voices. He plays "Inkheart's" author and it's entertaining to see how much glee he gets from meeting the characters he created, even the horrible ones.
Paul Bettany-- He can't not be noticed. He's an actor who has an edgy energy about him--sort of like a younger Peter O'Toole. Twice his supporting characters have diverted attention from Russell Crowe-- as the lively college roommate in "A Beautiful Mind" and as the ship's doctor and naturalist in "Master and Commander: The Far Side of the World." Except for looking at Heath Ledger, the only joy to be had in the mess that is "A Knight's Tale" is Bettany's Chaucer. He stole the movie, or at least as much of it as he wanted. In "Inkheart" his juggler Dustfinger is referred to as scary, but he's more scoundrel than villain as he attempts to right the wrong that's been done to him.
Rafi Gavron-- As a teen thief who is thankfully of no consequence to the plot of "Ali Baba and the Forty Thieves," he's adorable and adds a welcome lightness to his scenes. He's the future of scene stealing, earning some preliminary chops here among the pros.
Needless to say, when these actors are on screen together in any combination, you don't know where to look. It's mind-bending to try to understand how anyone could make a marginal movie with this cast.
In addition to the above, Eliza Bennett plays daughter Meggie. It's not a role that requires a lot, but she does a good job of not overplaying what could have been a whiny part. Poor Andy Serkis is stuck playing the same ego-maniacally evil villain we've seen over and over. There's no imagination to his character or to his cliché band of goons. They're not even a particularly scary lot, and the lack of anyone or anything truly frightening contributes largely to making the story tepid.
"Inkheart" has a fun, unofficial running game, a sort of "Name that Tune" where you try to recognize classic children's literature based on a character or a telltale prop. Watch it with your kids, and if they can't tell you what comes from where, move away from the TV and read them a book.
