Sl8n8

I have seen this movie and must confess that it is nothing more and nothing less then a standard horror movie. The storyline is thin, but is that not always the case in a horror movie? The budget was not a Hollywood budget, as you can see in the movie. But i watched the movie in one track and i was not bored in the 90m minutes of so. Victoria was great in this movie and i hope she will make more movies in the future where we can see more of her. Go rent this movie in the DVD store,watch it, enjoy it and forget about it. It is not a movie where you will talk about the next day. I give it a 6/10, and a 8/10 for victoria (when will playboy call her?)

The feeling I got after this movie was (surprisingly): hey, this is not bad! Not bad at all - for Dutch horror. I must admit that I've never seen any other Dutch horror-movie to compare it to ('De Vierde Man' comes to mind, but that's a movie from the mid-'80s and i'd rather call it 'mystic' than 'horror') - but that doesn't matter much. What dóes matter is that this movie isn't bad at all.

All and all, the story-line is nothing spectacular. In fact, it's all been done só many times that if somebody'd quickly sum up the events of this movie, you'd expect it to be extremely boring. However, it's a fact that most of the time, in horror, clichés work great. And because the horror-genre isn't so terrible overdone here in the Netherlands, the people that made this movie have a fresh(ish) approach to all those clichés, and turn it into something that's quite enjoyable to watch.

So, strangely enough, here we have a film that's stuffed to the brim with cliché (even the most corny horror-line ever ('we're gonna have to split up') is used) but that's still enjoyable to watch on an otherwise lost Saturday-evening. And not ónly because it happens to be Dutch.

Quick! Name your top five all time favorite horror films from the Netherlands.

OK. How about just a top three? Top two? Any? Even I have to admit that when it comes to slasher flicks, the Netherlands sits on equal par with India and Madagascar as countries that I don't traditionally think of as great horror genre producing empires.

But then I got a surprise in the mail with the 2006 Netherlands slash and gash film Slaughter Night (Sl8n8). The films packaging caught my eye immediately with a young blonde in a red hoody sitting in a pool of water with a shotgun tucked behind her knees. Call me old fashioned, but this is the kind of box art that gets me to stop in my tracks when I'm scouring the video store shelves for a DVD to watch with the girlfriend late on a Saturday night.

But as we all know, box art does not necessary dictate good film so it was up to the first chapter of the flick to catch my attention.

Slaughter Night did not disappoint. It all begins in 1857 where a child murder has two girls bound in his wooden shack of an abode where heads of other unfortunate younglings lie perched atop spokes. It was as if Jason Voorhees' basement got pimped out by TLC's While You Were Out designers. The psycho is identified as one Andries Martiens and we later learn that before the death penalty was abolished in 1860, men accused of crimes were forced to go down into the mines and set off gas leaks that was 100% effective in dealing with their sentence.

All the movie has to do now is connect the 1857 death of Andries Martiens in the mine to a group of hot looking, expendable young things and you have a horror film that is the perfect compliment to the Pretty in Pink you had to sit through to get to your half of the double feature.

It all starts with the obligatory introductions that are quickly forgotten when an expected car accident leaves one of the starlings of the film (Victoria Koblenko) without a father figure. The accident is alarming and comes just one week after a similar shocking moment occurred in the opening set-up of Disturbia.

So, what better way to escape the memories of the horrific incident than to gather a group of friends and travel to a mine where her father was working on a book about the infamous Andries Martiens. Sounds good to me, and luckier still – that is exactly what happens. Cause let's face it, what's scarier than the ever running tunnels of a mine shaft. You don't have to look further than the overlooked 1981 film My Bloody Valentine to get the claustrophobic feel of being in a cold, dark and damp place where daylight is about as far away as me getting some action at the conclusion of this gore fest to understand how a mine shaft could be the perfect breeding ground for carnage.

Helping matters along is the Ouija Board that one of the expected victims brings along in an attempt to communicate with her father which coupled with their presence leads to a night that has moments that harkened me back to the glory days of Evil Dead where demonic possession of your best friends leads to some awkward moments of 'geez, I really liked you, but I am going to take you head off with a shovel'.

I must admit to sitting with a grin on my face for most of Slaughter Night and really, I have to definitive reason why. It's all been done before and without subtitles to boot. But this movie just got to me. The production values were good and the story was fun enough to sit back and enjoy while the body count added up like a tilted abacus. With enough decapitations to do five or six films, Slaughter Night delivers the goods and let's face facts…. how many times can you say that about a horror film you have never heard of? So for all you horror fans out there that rent and buy crap DVD after crap DVD based on cover art and quotes thrown on movie posters from reviewers that might not even exist, Slaughter Night is the perfect addition to any horror collection. It's gory. It's violent. And it's foreign, so at least you can tell your friends that you are broadening your intellectual scope.

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The entire premise of SL8N8 is that a group of young people get stuck down in a Dutch mine, because someone above ground switched off the power for the elevator.

The group learns this, and tries to make their best of spending a night down in a mine.

Halfway through the film, one of the characters walks up to the mine. Totally casually, as if this moron actually expects the thing to work. The morons turn out to be the filmmakers because: THE ELEVATOR DOES SUDDENLY MAGICALLY WORK.

The character goes up. Not surprised. Not alerting his friends that the elevator works again.

It doesn't end there: the character does walk around above ground for a while but decides he doesn't like it there. And goes back down into the mine. By elevator.

A film that makes such a massive mistake does not deserve praise. And this is just the biggest mistakes, it has many more illogical moments. That combined with the fact that it rips off so many scenes from other films that already existed at the time, makes this yet another disappointment in Dutch horror. Partially blame Dutch producers who are too afraid to try something that is new, even if it's a perfectly mainstream thing.

Well, Sl8n8 isn't exactly original horror; but it does a good job of taking the common slasher clichés and moulding a fun and gory little horror film out of them. The film reminded me a lot of the direct to video crap-fest "Curse of the Forty-Niner" as it features supernatural themes, a mine and some dumb teenagers, but luckily the similarities end there. The slasher film is more associated with the US than the Netherlands (which I generally don't associate with films in general), but it would seem that the writers of "Sl8n8" have watched enough American films to see how the slasher works. The plot is frankly ridiculous, and starts with a car crash in which a girl's father is killed. She then goes on a road trip with her friends, and stops at his office to recover some stuff. They end up getting roped into having a tour of an old mine where a murderer who the girl's father was researching met his end. Naturally, things soon go wrong and the kids decide that it's time to experiment with a Ouija board, which turns out to be a big mistake as now the murderous spirit is on the rampage...

The good thing about this film is definitely the fact that it's gory. Writer-directors Frank van Geloven and Edwin Visser obviously realise that the lack of brains can easily be masked with a lot of nasty gore scenes, and it has to be said that this works well as the death scenes definitely do make the film a lot of fun to watch. The film does take a short while to get going, and not much happens in the first half; but once it shifts up the gears, Sl8n8 becomes a relentless and engaging little flick, but I don't suppose I'm going to remember much of it in a few weeks time. The main thing that annoyed me about the film, however, was the flashy cinematography; which sometimes made it near on impossible to tell what is going on. Other criticisms include the title - I'm not a fan of the whole substituting numbers for letters thing (cough Se7en cough), and "Sl8n8" really is a poor title. I suspect it will be changed when/if this film gets a US release as in English that title comes out as 'Sleight Neight'! Overall, this film is fun enough and I'd certainly recommend it for an hour and a half's entertainment.