An Italian woman who lives in London has a passionate affair with a former financial big gun. She also had a second lover, a contract killer who has to kill the big gun. Her second lover's ...
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In late nineteenth century Charante, Protestant minister Jean Barnery causes local disquiet when he arranges a separation from his obsessive wife - and more talk when he decides to take her... See full summary »
Parallel storylines tell the current state of affairs for two ex-lovers: Nora's a single mother who comes to care for her terminally ill father; holed in up in mental ward, Ismael, a brilliant musician, plots his escape.
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An Italian woman who lives in London has a passionate affair with a former financial big gun. She also had a second lover, a contract killer who has to kill the big gun. Her second lover's wife is behind the scenes, pulling the strings.Written by
A quick resumé: Almost nonexistent, badly chosen musical soundtrack, steady-cam filming done without the steady but with lots of coffee and a hyperactive cameraman, NO plot, and nothing ever really happens. The film goes from one dialog into another, sounding hollow, never achieving depth, never creating the illusion that you really are inside a cobweb of conspiracy, and the everybody-has-an-affair-with-everybody is just a boring excuse to show the main actress in nice underwear. (which, combined with her rusty voice certainly is nice, but nothing to base a movie on) The high point for me is the opening scene, and the film just degraded from there to a point where I just wanted to quit the film about 45 minutes into the story. I regret sitting it out.
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