Destricted

If anybody takes a brief look at the filmographies of the persons who directed the segments of "Destrictred", he or she will discover that only a few of them are full-time directors. Marco Brambilla, for example, made a couple of movies in the 1990s, while others had never directed a film. So it comes to no surprise that this is a worst-than-irregular film, and that there is little elaboration and sometimes no originality at all in the string of segments that pretend "to illuminate the points where art meets sexuality". Gaspar Noé and Larry Clark are probably the best known directors of the lot, but it is experimental artist Matthew Barney who in my opinion has made a visually striking erotic film piece (that deserves a much higher rating than the 2 points I have given to the whole film), that has little to do with narcissistic penetrations, oral somersaults and other jaded depictions of sex. His art works have already dealt with the matter on the table, and maybe he knows best. Not a good film if you ask me, and a little on the "waste-of-your-time" side.

Most of the films in this collection are simply silly. One is at least artistic in the old, wan sense of visual oddity.

There is one interesting one, though. Larry Clark's "Impaled." Its rather clever: young men seeking to get into the "business" are interviewed. All of them are sad losers and that saddest sack of the bunch is selected. He then interviews several women to select the one he wants to screw. They are all pros, and their stories and manner are every bit as sad, but posthope instead.

He selects the oldest; she obviously tries the hardest to entice him. She's 40 and desperate to appear alluring. If we had nothing but her manner, we'd have enough to damn.

He's most excited about anal sex. He ends up getting defecated on, but they soldier on until the end.

Its a great take on the ugly behind of the industry.

Ted's Evaluation -- 3 of 3: Worth watching.

Destricted - an experimental collection of shorts by artists and film-makers exploring the subjects of sex, sexuality and pornography - didn't cause as much of a fuss as the creatives behind it were probably hoping for upon its release in 2006. While this is one of the most extreme films ever to be passed by the BBFC, it had to resort to an exploitative tactic when released on DVD by wrapping the box in a black seal as if what was inside was too explicit to be seen by anyone passing the art-house section of their local HMV. Truth be told, Destricted is no more shocking than late-night Babestation, and probably has just as much to say on our attitudes to sex.

The UK release featured a different line-up of films to the one released in the US, so I'll point out that I'm reviewing the UK version, which consists of seven shorts, the longest being 38 minutes and the shortest just over 2. I started with Larry Clark's Impaled, possible the most interesting film of the bunch. Clark interviews a roster of 18-23 year old males for a porn movie, and asks them about their sexual preferences. In an age where porn is readily available to anybody, it comes as no surprise that the interviewees prefer rough sex and ejaculating onto their partner's face. Shrewdly, Clark chooses the most softly-spoken and sweetest of the bunch, Daniel, who chooses older porn star Nancy to be his on- screen partner. Watching Nancy eat him alive has a strange poignancy to it.

Next up I saw Marina Abramovic's Balkan Erotic Epic, a strange and genuinely funny tale of pagan rituals told by the stern-looking Abramovic who struggles to speak English. The sight of naked men humping the ground and a group of women dancing and occasionally exposing their genitalia in the rain is bizarre and almost Pythonesque, and certainly raised my mood despite how cheap it looked. Richard Prince's House Call is a 13 minute re- contextualisation of an old porn scene, in which a busty young woman is visited by a well-hung doctor, who proceed to have ugly, hairy sex in a pleasantly aggression-free manner. Prince adds an eerie soundtrack and distorts the colour so much that the sexual organs on show looks like disgusting, slug-like creatures.

Marco Brambilla's Sync is a relief at just over 2 minutes, rapidly editing together hundreds of porn scenes to a drum-solo score. It's an interesting experiment, reminding us of the repetitive and formulaic nature of porn. Strangest of all the films on show is Matthew Barney's Hoist, which places a black actor with a gourd up his a**e underneath a five-ton struck, who proceeds to rub his erect penis on the lubricated drive-shaft of the vehicle. It is supposed to be a commentary on primitive man's relationship with machinery, but at almost 15 minutes long, it long outstays its welcome. By this point, I had seen enough flatulent and erect penises to last me a lifetime, which made the next film all the more painful. Sam Taylor- Wood's (now Taylor-Johnson) Death Valley has a man masturbate alone in the desert. For eight incredibly long minutes.

While I thought I was saving the best for last, I was actually saving the worst. Gaspar Noe's We F**k Alone feels like the cinematic equivalent of the director telling us that he's had a shitty day. Shot Irreversible-style and complete with constant strobe effects, the film has a man and a woman masturbate to same porn movie in two separate rooms. One enjoys a oversized teddy bear while the other face-f***s a blow-up doll with a gun. It's a terrible, hateful, and utterly pointless exercise, which, much like Destricted as a whole, has nothing interesting to say about sex and pornography. Porn can be formulaic, seedy, expressive and shamefully titillating. But anybody who has ever masturbated before will surely know this already, and won't have to put themselves through almost two hours of arty nonsense to come to this realisation.

I came across this compilation due 2 directors that I knew and have in my collection. Larry Clark, controversial due using kids picked up from the street and let them do things normal kids won't do or are forbidden to do. His most famous flick is Kids (1995° made in the grunge heydays and Ken Park (2002) were a teenager goes down beneath the mother of his friend to give her some pleasures. A lot of viewers were shocked and the film was never released in the US.

The other director is Gasper Noé which I knew due made also some controversial flicks like Irréversible (2002) and Enter The Void (2009).

Both directors are always on the edge of explicit forbidden nudity (Clark with 18 year old girls going full frontal and Noé by showing a rape going on for minutes) but here in Destricted they go beyond that together with some other directors.

This compilation is called an art-erotic flick but all i can say is that some were indeed art, one short flick is just a fast editing, cut every second of porn flicks. you just don't see anything but it works. To be honest, it only clocks in over 2 minutes and it's worth seeing for the editing alone. But the rest isn't art at all. Maybe Noé's entry is a bit arty. But it's pure porn for minutes made with a strobo. But it's downhill with the art from here. For example Clarks entry clocks in at 39 minutes and it's just guys talking about porn. One guy is ready to talk with porn actresses and while talking to the girls they take of their clothes talking what they do best. But one of the girls wants to show the 22 year old one what it's all about so she seduces him and asks to undress. From their on the guy doesn't know what is going on, first she gives him a blow job, then he may go inside her and even goes in her brownie, then he may do what he wants to end with another blow job.

The worst entry is the Death Valley part, 9 minutes of jerking off and that's it, is that art?

The other entries except for the Balkan story are pure porn. The Balkan story is a bit funny to hear and see and isn't believable even as it is true what the girl is saying.

Overall pure porn here and there and a bit of art. Kleenex lovers will enjoy some parts but again people who thought like me to see an art compilation as promised will be shocked. Hard core it is.

Gore 0/5 Nudity 5/5 Effects 2/5 Story 0/5 Comedy 0/5

Certainly politically correct, that is a danger sign in any film. Politically correct by focusing mostly on men and porn. This film was almost just like any other porn film. The tiny difference being the "art". Strobe light was the "art" in We f...ck alone (it was way too long. I got the "message" after 5 minutes). The "art" in Death Valley was none what so ever. Just a guy masturbating outdoors. I read on IMDb that the "art" was the fact it was shot in that particular valley. If you use your imagination, you can see art in everything. That is wonderful. Hoist was least like a porn, but 15 minutes of a man rubbing his penis to a machine shaft was OK ("art" and everything) for 5 minutes. In the film Impaled we saw the audition room instead of the "bed". It was amusing to see the young guys expressing their sexual desires. The "art" in Impaled was the bad lighting. I would have chosen the virgin. I went to the film expecting nothing, and I got nothing. A man cannot ask for more on a night at the movies.