After a family is forced to relocate for their son's health, they begin experiencing supernatural behavior in their new home, and uncover a sinister history.After a family is forced to relocate for their son's health, they begin experiencing supernatural behavior in their new home, and uncover a sinister history.After a family is forced to relocate for their son's health, they begin experiencing supernatural behavior in their new home, and uncover a sinister history.
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- 1 win & 2 nominations total
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Featured reviews
Matt Campbell (Kyle Gallner) has a terminal cancer and is submitted to an experimental treatment in the St. Michael's Hospital Goatswood in Connecticut. The responsible for the trial, Dr. Brooks (D.W. Brown), advises that if Matt starts seeing things, he should drop the experiment. His religious mother Sara (Virginia Madsen) drives almost eight hours with her son since he has nausea and needs to vomit during the travel. She proposes her husband Peter (Martin Donovan), who had trouble with booze, to rent a house in Connecticut to be close to the hospital despite their second mortgage. Sara finds an old house with an affordable price and she questions the catch to the owner and he explains that the house has a history, since it was a funeral home in the past. Sara hides the truth from Peter and the family moves to the house. While in the treatment, Matt befriends Reverend Popescu (Elias Koteas), who has also cancer. When Matt has weird visions and nightmares from the past, he calls Popescu that tells him that an evil entity is trapped in the house and they are able to see him because they are in the borderline of the worlds of the living and the dead.
"The Haunting in Connecticut" is an above average movie of haunted house since it blends a very well developed family drama with spooky scenes of a ghost story. There are many realist situations like the bad financial situation of the Campbells that are usually forgotten in American movies. Further, there is a beautiful message of faith, and Sara truly believes that God works in a mysterious way. The drinking problem of Peter and how it affected the relationship with Sara is just glanced and could be better explored. I do not like the sensationalism that highlights on the cover of the DVD that the story is based on a true event since this movie is better than that. My vote is seven.
Title (Brazil): "Evocando Espíritos" ("Evoking Spirits")
"The Haunting in Connecticut" is an above average movie of haunted house since it blends a very well developed family drama with spooky scenes of a ghost story. There are many realist situations like the bad financial situation of the Campbells that are usually forgotten in American movies. Further, there is a beautiful message of faith, and Sara truly believes that God works in a mysterious way. The drinking problem of Peter and how it affected the relationship with Sara is just glanced and could be better explored. I do not like the sensationalism that highlights on the cover of the DVD that the story is based on a true event since this movie is better than that. My vote is seven.
Title (Brazil): "Evocando Espíritos" ("Evoking Spirits")
In THE HAUNTING IN CONNECTICUT, the Campbell family moves into a former funeral home (!) in order to be closer to the doctor of their terminally ill son. They're unaware that their new home was once the site of unspeakable acts of necromancy.
Now, the former victims of these violations are out to make their presence known.
This movie exceeds expectations. The story is engaging, the characters are believable, and the ghouls are original. Virginia Madsen plays the tormented Mrs. Campbell with the perfect balance of familial love and growing terror. Kyle Gallner is Matt, who gets one of the most memorable scenes in this or any other supernatural tale!
Definitely worth a look...
Now, the former victims of these violations are out to make their presence known.
This movie exceeds expectations. The story is engaging, the characters are believable, and the ghouls are original. Virginia Madsen plays the tormented Mrs. Campbell with the perfect balance of familial love and growing terror. Kyle Gallner is Matt, who gets one of the most memorable scenes in this or any other supernatural tale!
Definitely worth a look...
It's a "Keeps you guessing while scared," kind of a movie. We really liked it.
Basically this movie is like a more gruesome haunted house tale than the original Amityville or a less gruesome haunted house tale than the Amityville remake. However, the movie most certainly follows the flow of those two movies. I would have actually given this movie a six, but they kept trying to make out like this story was pure fact and that rather ticked me off, I mean what do they take me for a moron. I know a bit about the story it is taken from and there are so many differences it is pathetic. I realize that you have to add some stuff or the movie is going to be kind of boring, heck I am even for embellishing the story to the degree this one did, but do not have the this serious voice over telling me how this is true and have the writing at the end tell an out right lie. So what is the story you ask? Well a teenage boy has cancer and his mother is having to drive him a great distance quite often for a special treatment. Mother decides to find a place to rent closer to the place the son gets treatments so he does not have to endure the long drive in pain and vomiting. Of course, the family's financial situation is not to good so when the house with the history comes up for rent you know our family is going to make that their new stomping ground. So spooky reflections and such start to take place as well as strange visions and we even have a reverend enter the picture to give our youth guidance. So yes, the typical haunted house formula is here. Add in a pointless stretch of film where the father drinks and you have your movie, though I am betting that part of the film is actually true, but they changed so much around why not just omit that part all together as it really did not bring anything to the film. So I say add some more scares, perhaps a little gore, do not try to pass off the movie as being a reenactment or something and this film might have been really good...just like a lot of horror movies it is usually might have is it not?
"Based on a true story". I've now begun to take things with a pinch of salt, because those five words more often than not just tries to give a horror film some street cred, trying to deflect some knuckles of familiarity by claiming that it's something experienced versus something dreamt up. I have one of my own too (that happened to someone else), which is based on a creepy mirror bought from Thailand being hung in a room, and thereafter a child continuously claiming that she sees a man standing by the window licking an ice cream every night. while the mom didn't and couldn't see anything, she got freaked out nonetheless. This stopped when the mirror got covered up and locked in a cupboard.
But there you go, a premise of a horror film in itself, involving a home, a parent, a kid and a (benign) ghostly apparition. The House in Connecticut follows those like Amityville Horror, Psycho, Poltegeist and the likes, even shades of The Shining too if you please. It's centered upon a house which is dirt cheap in rent, but only because of the things that go bump in the night, given its dark and ugly past which Sara Campbell (Virginia Madsen) decides to take no heed of, in order to house their family close to the hospital where cancer-stricken son Matt (Kyle Gallner) has to undergo frequent therapy.
For starters, the film has a relatively strong introduction, where once you got by the rather creepy opening credits, you're introduced to the family proper. After all, it's a story about a family's ordeal (remember those 5 words?) with the supernatural, which initially got you suspecting whether it's all in Matt's hallucinating mind since he's under some strong medication, and of all places decide to make the basement into his room, complete with the set from Hostel with macabre tools complementing the decor.
But what I like about the film, is how it plays up on beliefs, such as children being able to see and somewhat interact with their "invisible friends", or for those at the brink of death given an ability to see extra things within their field of vision, since they're only a stone's throw away to the other side. In fact, this aspect plays up a lot more as the film goes on, since the potential exorcist, Reverend Popescu (Elias Koteas) happens to be Matt's fellow patient, and serves as consultant to piece together the teenager's findings of newspaper clippings, photographs, and well-preserved body parts.
Like all decent horror films, this one comes with the requisite backstory which provides the rationale why the place has additional inhabitants, suffice to say that it's a reminder never to tempt fate or play with fire, and to pick your choice of homes carefully, never one that used to be a mortuary for example. But while the family angle was off the blocks in a strong start, it whimpered toward the end by bringing in a wasteful tangent dealing with Peter Campbell's (Martin Donovan) inability to handle mounting debt pressures that his family now find themselves in.
Technically, the film scored an ace, utilizing a full repertoire of sudden movements and appearances, extreme close ups, smoke and mirrors, banging doors and flashing lights to great effect. While these may not be something that's not already clichéd, and in truth being innovative and original is getting extremely tough, these tried and tested moments still worked somehow under Peter Cornwell's direction in building anticipation, just waiting for something expected to happen became part of the fun.
The Haunting in Connecticut is yet another creepy house story that's fortunately still slightly above average, where the fun factor would come with watching this with a full house of squeamish teenagers who would scream at just anything that moves.
But there you go, a premise of a horror film in itself, involving a home, a parent, a kid and a (benign) ghostly apparition. The House in Connecticut follows those like Amityville Horror, Psycho, Poltegeist and the likes, even shades of The Shining too if you please. It's centered upon a house which is dirt cheap in rent, but only because of the things that go bump in the night, given its dark and ugly past which Sara Campbell (Virginia Madsen) decides to take no heed of, in order to house their family close to the hospital where cancer-stricken son Matt (Kyle Gallner) has to undergo frequent therapy.
For starters, the film has a relatively strong introduction, where once you got by the rather creepy opening credits, you're introduced to the family proper. After all, it's a story about a family's ordeal (remember those 5 words?) with the supernatural, which initially got you suspecting whether it's all in Matt's hallucinating mind since he's under some strong medication, and of all places decide to make the basement into his room, complete with the set from Hostel with macabre tools complementing the decor.
But what I like about the film, is how it plays up on beliefs, such as children being able to see and somewhat interact with their "invisible friends", or for those at the brink of death given an ability to see extra things within their field of vision, since they're only a stone's throw away to the other side. In fact, this aspect plays up a lot more as the film goes on, since the potential exorcist, Reverend Popescu (Elias Koteas) happens to be Matt's fellow patient, and serves as consultant to piece together the teenager's findings of newspaper clippings, photographs, and well-preserved body parts.
Like all decent horror films, this one comes with the requisite backstory which provides the rationale why the place has additional inhabitants, suffice to say that it's a reminder never to tempt fate or play with fire, and to pick your choice of homes carefully, never one that used to be a mortuary for example. But while the family angle was off the blocks in a strong start, it whimpered toward the end by bringing in a wasteful tangent dealing with Peter Campbell's (Martin Donovan) inability to handle mounting debt pressures that his family now find themselves in.
Technically, the film scored an ace, utilizing a full repertoire of sudden movements and appearances, extreme close ups, smoke and mirrors, banging doors and flashing lights to great effect. While these may not be something that's not already clichéd, and in truth being innovative and original is getting extremely tough, these tried and tested moments still worked somehow under Peter Cornwell's direction in building anticipation, just waiting for something expected to happen became part of the fun.
The Haunting in Connecticut is yet another creepy house story that's fortunately still slightly above average, where the fun factor would come with watching this with a full house of squeamish teenagers who would scream at just anything that moves.
Did you know
- TriviaEd Warren and Lorraine Warren, who are known for involvement in The Amityville Horror case, were investigators for this case.
- GoofsCorpses' eyes dessicate noticeably and morticians as a matter of routine fill out eye sockets with cotton wadding for open-casket funerals. As a result, corpses that have had their eyelids cut off would not have the natural looking eyes portrayed here.
- Quotes
[reciting a poem]
Matt Campbell: One bright day in the middle of the night, two dead boys got up to fight. Back to back they faced each other, drew their swords and shot each other. A deaf policeman heard the noise and came and killed those two dead boys.
- Alternate versionsAn unrated version has been released on DVD which runs 10 minutes longer than the PG-13 Theatrical Version (92mins) and also runs the same length as the version approved in the UK by the BBFC at 102mins. 98% of the changes relate on different color schemes of individual takes - partly only frame-short - as well as alternative material. The supernatural appearances are mainly in monochrome but colored in the unrated version. Many things can only be recognized in single frame mode or while watching entirely close.
Details
- Release date
- Countries of origin
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- Language
- Also known as
- Extrañas apariciones
- Filming locations
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Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $55,389,516
- Opening weekend US & Canada
- $23,004,765
- Mar 29, 2009
- Gross worldwide
- $77,578,320
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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