6.1/10
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2 user 1 critic

Martyr or the Death of Saint Eulalia (2005)

As the post modern world is stormed by an onslaught of religious fundamentalism and resurrected 'holy wars' Camille, a 21st century woman experiences the passion of a 3rd century virgin martyr.

Director:

Jac Avila

Writer:

Jac Avila (screenplay)
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Cast

Credited cast:
Carmen Paintoux Carmen Paintoux ... Camille, Eulalia
Mickael Trodoux Mickael Trodoux ... Julien
Natacha Petrovich Natacha Petrovich ... Elisa
Veronica Paintoux Veronica Paintoux ... Gabrielle
Erix Antoine Erix Antoine ... Dave (as Erik Antoine)
Rest of cast listed alphabetically:
Jac Avila Jac Avila ... Tadeusz
Elizabeth Bress ... Lizzy the Barmaid
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Storyline

As the post modern world is stormed by an onslaught of religious fundamentalism and resurrected 'holy wars' Camille, a 21st century woman experiences the passion of a 3rd century virgin martyr.

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Genres:

Drama

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Details

Country:

USA

Language:

French | English | Spanish

Release Date:

24 August 2005 (Bolivia) See more »

Filming Locations:

New York, USA

Company Credits

Production Co:

Pachamama Films See more »
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Technical Specs

Color:

Color
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User Reviews

 
The Fascination of Fear versus the Beauty of Horror
17 November 2012 | by cd7-523-893572See all my reviews

I found Jac Avila's film, Martyr or the Death of Saint Eulalia, beautifully photographed and powerfully compelling on many levels. His use of historical images of female martyrdom merged with contemporary reenactments to bring potent reality to past horrors and historical validation to what could have, in lesser hands, become mere exploitation. The film's interesting and identifiable characters drew me in, a fascinating plot and challenging ideas kept me hooked, then the outcome twisted me around, leaving me staring at myself as if in a mirror. I remember feeling similar emotions while watching Polanski's Repulsion for the first time. The two films bear little outward resemblance, except that both involve an inner journey. Catherine Deneuve's character in Repulsion, however, is headed in the opposite direction from Carmen Paintoux's character in Martyr. Deneuve's character is dissolving before your eyes, but Paintoux's is, while seemingly headed in a dangerous direction, in my view heroically pulling herself together by defying her inner coward and embracing urges she had previously avoided, because the more her flesh was tied and tormented, the freer and stronger her spirit somehow became. Both films, however, produced in me a growing fear for the end toward which each woman was headed. How Avila resolved his story was more unexpected than Polanski's and produced a lingering power that sent me back for subsequent viewings, during which I experienced additional discoveries. I was told by someone whose opinion I respect that this film had the power to change their life. Will it change yours? Give it a try! And then proceed to Avila's Maleficarum. It has the power to change lives, too!


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