5.6/10
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220 user 273 critic

Suburbicon (2017)

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2:24 | Trailer

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ON DISC
As a 1950s suburban community self-destructs, a home invasion has sinister consequences for one seemingly normal family.

Director:

George Clooney
Reviews
Popularity
1,257 ( 120)
3 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Steve Monroe ... Mailman Henry
Gavin Wilde Gavin Wilde ... Cowboy Kid
Landon Gordon ... Kid on Bike
Hope Banks ... Mrs. Pendalton
Karimah Westbrook ... Mrs. Mayers
James Handy ... Mayor Billings
Mather Zickel ... James
Josh Meyer ... Freddy (Housing Planner)
Vince Cefalu ... Chuck
Michael D. Cohen ... Stretch
Corey Allen Kotler ... Bomber
Leith M. Burke ... Mr. Mayers (as Leith Burke)
Julianne Moore ... Rose / Margaret
Noah Jupe ... Nicky
Tony Espinosa ... Andy Mayers
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Storyline

In the bosom of Suburbicon, a family-centred, all-white utopia of manicured lawns and friendly locals, a simmering tension is brewing, as the first African-American family moves in the idyllic community, in the hot summer of 1959. However, as the patriarch Gardner Lodge and his family start catching a few disturbing glimpses of the once welcoming neighbourhood's dark underbelly, acts of unprecedented violence paired with a gruesome death will inevitably blemish Suburbicon's picture-perfect facade. Who would have thought that darkness resides even in Paradise? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

Welcome to the neighborhood. See more »


Motion Picture Rating (MPAA)

Rated R for violence, language and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

27 October 2017 (USA) See more »

Also Known As:

Suburbicon: Bienvenidos al paraíso See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$2,840,246, 29 October 2017, Wide Release

Gross USA:

$5,775,178, 16 November 2017
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

George Clooney screened this film for famed television writer/producer Norman Lear, no stranger to projects tackling explosive or controversial themes like his series All in the Family (1971). After viewing the movie, Lear told Clooney "This is the angriest film I've ever seen." See more »

Goofs

Margaret turns off the TV using a Zenith Flash-Matic, the first wireless TV remote control. It was basically a flashlight with a very narrow beam. You aimed it and one of the four corners of the TV console to trigger a function. The TV turns off when she hits the lower right corner. This corner is for the mute volume function, not power off. See more »

Quotes

[first lines]
Narrator: [as story book pages are turned] Welcome to Suburbicon, a town of great wonder and excitement. Founded in 1947, Suburbicon was built with the promise of prosperity for all. And in only 12 short years, it has grown from a few small homes to a living, breathing community with all the conveniences of the big city without all the noise or the traffic. And now, with nearly 60,000 residents, they enjoy their own schools, a fire department, and a police department. There's a shopping mall....
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Crazy Credits

At the opening of the film, the movie title is shown on the cover of a book describing life in the town, which becomes animated. See more »

Connections

Referenced in Evening Urgant: Patricia Kaas (2017) See more »

Soundtracks

In the Sweet By & By
Written by S. Fillmore Bennett & J.P. Webster (as Joseph P. Webster)
Public Domain
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User Reviews

 
Making Dark Comedies Great Again
4 November 2017 | by stardog67See all my reviews

I'm very thankful I somehow avoided the many negative reviews from both users and film critics for this one before committing to seeing the film this morning. All I knew was Clooney directed it, Matt Damon starred in it, and it was probably a dark comedy about a murder investigation. But it's so much more than that. Like Get Out, this is a perfect little indictment of the #MAGA hats, only this one aims for the MAGAs content with selling out their democracy... as long as they get to pin all of their own faults on non-whites.

I've heard critics call it a mess because of the way it mixes genres but that's entirely by design. It felt very much like the stuff David Lynch does mixing genres just with less pubic hair and vomit. It's audacious. It's not an empty film where a bunch of liberals are up there farting around getting paid. I think many people will hate it because they walk out thinking they should have laughed more.

There is a specific scene which I won't give away that is the perfect moment to recalibrate a viewer's expectations. It's the one which left my jaw on the floor and made me confident I was in a secure artist's hands. It's the least funny scene in the film but one in which I agreed to surrender to the many laughs and shocks that followed.


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