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A Matador's Mistress (2008)

Manolete (original title)
Not Rated | | Biography, Drama, Romance | 31 March 2010 (France)
The film starts in the trip from Sevilla to Linares, where Manolete stops in Córdoba to see his mother. He will be remembering some passages of his life.

Director:

Menno Meyjes

Writer:

Menno Meyjes
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Cast

Cast overview, first billed only:
Adrien Brody ... Manolete
Penélope Cruz ... Lupe Sino
Santiago Segura ... Guillermo
Juan Echanove ... Pepe Cámara
Ann Mitchell ... Doña Angustias
Josep Linuesa ... Enrique de Ahumada
Nacho Aldeguer ... Luis Miguel Dominguín
Pedro Casablanc ... General
Enrique Arce ... Dominguín Manager
Tomás Pozzi ... Dealer
Jorge Cabezas Jorge Cabezas ... Fascist
Xavier Martinez Xavier Martinez ... Journalist in Dª Angustias House (as Xabier Martinez)
Berta de la Dehesa Berta de la Dehesa ... Manolete's Sister 1
Natalia Moreno Natalia Moreno ... Manolete's Sister 2
Pablo Calvo Pablo Calvo ... Husband 1
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Storyline

"A Matador's Mistress" is a tragically eloquent dance of the cold brutality of uncommitted love and the high stakes of the Bullfight. Immerse yourself in the culture of Spain surrounding the age old traditions of the Matador. While the bullfight is controversial by today's standards, the ancient art-form is depicted with unflinching realism. The story is of man against beast, the bullfighter's zen, if you will; his nightly dance with death. A world-class lover enters his world; their code is their truth. Life being lived, edgy, relentlessly flirting with disaster, untamed, beautiful. Written by Amanda Abernathy

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Taglines:

He defied death like a god... he succumbed to love as a man.


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

In Iberia in the era of this film it was common to display your wealth by having at least one prominent gold tooth - this is still usual in the African continent - and is for show, having nothing to do with a dental repair. Lupe Sino is depicted as enjoying the company of men, is frequently called a "whore" by Manolete's entourage (who disapprove of the relationship because they fear for their own status), and has a basket-crown on her upper left incisor - this is not the habit of a "respectable" woman in 1940s Spain. When she has it removed she shows Manolete by tapping her front tooth and saying "Look, respectable" and there is a huge close-up of her front teeth. Also, during the course of the film her wardrobe and hair-style become gradually less gaudy - her way of showing Manolete that she is willing to settle down and become a "respectable" woman he can marry. See more »

Goofs

During the final bull fight, Brody has blood on his cheek, then the blood disappears and then comes back again. See more »

Quotes

Manuel Rodríguez Sánchez "Manolete": When I saw you leave with him, I wanted to die.
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Connections

Referenced in Special Collector's Edition: Christine (2013) See more »

User Reviews

 
What did the director expect from this movie?
3 November 2010 | by pzanardoSee all my reviews

Since, after all, a movie is meant to be seen by an audience, I don't get what the director Meyjes expected from his work "Manolete".

Indeed, the "aficionados" (i.e. corrida-lovers) can only feel outraged by the huge amount of falsities and distortions, concerned with both life and personality of the actual Manolete, that one finds in the movie. On the other hand, the large majority of people, being corrida-haters, will be uninterested, if not deeply bored, by a straightforward love story of a torero and his mistress, worth of a cheap XIXth century novel. (The actual love story of Manolete and Lupe Sino was much more psychologically intriguing than the stuff shown in the movie.)

Speaking of the movie, the photography is fine, and the costumes are beautiful. The jobs of Brody as the torero and Penelope Cruz as Lupe Sino are acceptable. There is some very short but interesting 1940s footage of the true Manolete fighting in the plaza de toros. However, the film badly fails in recreating the atmosphere of Spain in the years after the civil war.

Indeed, the inaccuracies of the movie are really dismaying. Lupe Sino is surprised seeing that a torero wears pink socks. C'mon! It's like showing a young American woman not knowing that football players wear helmets! Manolete enters a crowded hall, participates to parties, and everybody ignores him. C'mon! It's like seeing Michael Jordan unnoticed at a meeting of basketball fans! Manolete's popularity was literally unbelievable all over the world, among common people, as well as among big time politicians and major cinema stars, that fought to have him at their social events. A couple of instances. When Manolete died, Winston Churchill sent a personal message of condolence to his mother. The Mexican government was forced to cut some scheduled corridas, since people didn't buy food to save money for the tickets of Manolete's bullfights (source: "Time Magazine" year 1946).

The movie also contains a number of so obvious clichés, like the torero's greedy relatives, or the fatuous and hypocritical catholic priests, or the incompetent doctors (this latter a really dirty slander!), etc. Of course, to know something of the actual Manolete, you have to neglect the character shown in the movie, and rather read some of the dozens of books dedicated to him, even in very recent years. Indeed, I bet that in this very moment someone is writing a book on the legendary torero.

The portrait made of Lupe Sino is liable of aggravated defamation. Forget that Lupe was much younger and more beautiful than Cruz, and that, obviously, she was an aficionada, contrary to the character of the movie. Forget that Lupe was a smiling, sweet-tempered, cheerful girl, deeply in love with her man, contrary to the perpetual ferocious grudge against everybody and everything shown by Cruz's "Lupe". What is unacceptable is that the film- maker turns her into an unfaithful, spiteful, foul-mouthed bum.

As far as I know, the movie "Manolete" was badly unsuccessful, as predictable. I didn't like it.


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Details

Country:

Spain | UK | France | USA | Germany

Language:

English | Spanish

Release Date:

31 March 2010 (France) See more »

Also Known As:

A Matador's Mistress See more »

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Box Office

Budget:

$28,000,000 (estimated)

Cumulative Worldwide Gross:

$724,785
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Company Credits

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Technical Specs

Runtime:

| (European Film Market)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
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