A female theatre dresser creates a stir and sparks a revolution in seventeenth century London theatre by playing Desdemona in Othello. But what will become of the male actor she once worked for and eventually replaced?
Instead of really living her life, since losing her mother at age seven, Seattle lawyer Amy Myer sticks to a ridiculously detailed time-line mother drew as a guideline in all walks of life,... See full summary »
Nora Wilder is freaking out. Everyone around her is in a relationship, is married, or has children. Nora is in her thirties, alone with job she's outgrown and a mother who constantly ... See full summary »
Deep in the LA night HOPE confronts all the wrong turns she's made since leaving Ohio and ultimately meets the biggest wrong turn of all in her ex-boyfriend WILL, who's determined to win ... See full summary »
Henry Roth: obsessive-compulsive, somewhat misanthropic, a writer of children's books. His illustrator and only friend, Rudy, dies after a fabulously successful collaboration on "Marty, the Beaver." Henry is under contract to produce another Marty book for Christmas sales. His publisher, Arthur Planck, assigns penniless, lovelorn illustrator Lucy Reilly to work with Henry. She's sought by her ex-boyfriend Jeremy, who dumped her two years ago but shows up apologetic, having dedicated his new book to her. She and Henry go to a house on the shore to work. Will love bloom amid the rocks, or is Henry a bump on Lucy's road to Jeremy? Rudy's voice, from the grave, gives Henry counsel.Written by
Life is nothing but the echo of joy disappearing into the great chasm of misery.
...You've had better.
Life is nothing but the occasional burst of laughter rising above the interminable wail of grief.
That's my favorite.
It lives in truth, that's why.
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The writer dedicates his work in memory of Jonathan Louis Kaplan (June 6, 1961 - December 28, 1997) See more »
Response to Boston Globe review (9/21/07) It took dedication and perseverance to see the Sundance Festival (not mentioned) film "Dedication" after reading your negative review. Having overcome the barriers created by your dissection of characters and plot I was surprised to find the film both rewarding and enjoyable despite Mandy Moore's hair color. The cinematography was fresh as was the use of music. The characters had emotional dimensions of complexity and interest in contrast to the flat facades too often presented in today's films. Henry's deep neuroses were believably quirky and contributed to the intrigue of an unpredictable character. His intense dialog with his dead friend and partner gave vent to his inner confusion and added a charmingly bizarre facet of interest to the film. I regret that you did not recognize the film's attributes.
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