In this sequel to Hope and Glory (1987), Bill Rohan has grown up and is drafted into the army, where he and his eccentric best mate, Percy, battle their snooty superiors on the base and look for love in town.
Caleb Landry Jones,
Laura is trying to pick up the pieces of her life after the murder of her husband and son, and goes on vacation with her sister to Burma. After losing her passport at a political rally, she... See full summary »
U Aung Ko,
A social satire about the last heir of a dethroned family of European monarchs whose plans to return to power through revolution become secondary after he becomes fascinated by the life of a poor London black girl and her boyfriend.
The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the I.R.A., the U.V.F., and members of his own team.
Stewart McBain (Coleman) is a real-estate mogul who spends his living blowing up old buildings to make room to erect new buildings. All goes as planned for a new subdivision, until a group ... See full summary »
Dinah is a model whose face appears in an ad campaign for meat. While shooting a TV commercial, she and Steve, one of the stunt men, run off together. The advertising executives use their ... See full summary »
The Dave Clark Five,
A semi-autobiographical project by John Boorman about a nine year old boy called Bill as he grows up in London during the blitz of World War II. For a young boy, this time in history was ... See full summary »
Brian Gleeson, who plays the son to the main character, is the real life son of Brendan Gleeson. See more »
In the scene where Liam pulls up at Oona's house, his car is a 03 Golf with wheel trims. When they are taking Conor to the hospital a side shot of the car is shown which clearly shows the car with alloy wheels. The number plate on the car 03-D-55897 is the same in both shots. See more »
I have read some of the different opinions here and I concede that some of the points made could be relevant to this film. Most modern films do very little for me (I've been filmgoing since the 1950's) but I really enjoyed this film immensely with the possible exception of the way the "situation" was resolved in the end. However, most people could probably think of a hundred ways to end this one so I accept the one chosen. The acting was first class, Seamus Deasy's photography was spot on and Stephen McKeon's wonderful score raised it all a notch or two. What a refreshing break from the ear-bashing, grossly offensive noise that passes for film music these days. I give it 7 because, quite simply, I enjoyed it and that's what counts in the end, not who didn't speak very well, who was or wasn't liked in it and how bad Irish society is today.
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