In the 17th century, two Portuguese Jesuit priests travel to Japan in an attempt to locate their mentor, who is rumored to have committed apostasy, and to propagate Catholicism.
Director:
Writers:
Stars:
Awards:
- Nominated for 1 Oscar. Another 6 wins & 56 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Andrew Garfield | ... |
Rodrigues
|
|
| Adam Driver | ... |
Garupe
|
|
| Liam Neeson | ... |
Ferreira
|
|
| Tadanobu Asano | ... |
Interpreter
|
|
| Ciarán Hinds | ... |
Father Valignano
|
|
| Issei Ogata | ... |
Old Samurai / Inoue
(as Issey Ogata)
|
|
| Shin'ya Tsukamoto | ... |
Mokichi
|
|
| Yoshi Oida | ... |
Ichizo
|
|
| Yôsuke Kubozuka | ... |
Kichijiro
(as Yosuke Kubozuka)
|
|
 |
Kaoru Endô | ... |
Unzen Samurai (Uneme)
|
| Diego Calderón | ... |
Prisoner Augustinian Friar #2
(as Diego Calderon)
|
|
|
|
Rafael Kading | ... |
Prisoner Augustinian Friar #1
|
|
|
Matthew Blake | ... |
Prisoner Franciscan Friar
|
|
|
Benoit Masse | ... |
Prisoner Augustinian Friar #3
|
|
|
Tetsuya Igawa | ... |
Prisoner Japanese Jesuit
|
| Liang Shi | ... |
Chinese Businessman (Mr. Chun)
|
|
|
|
Panta | ... |
Tomogi Villager #1 (Yohei)
|
|
|
Takuya Matsunaga | ... |
Tomogi Villager #2 (Toukichi)
|
|
|
Miho Harita | ... |
Ichizo's Wife (Tomi)
|
|
|
Hairi Katagiri | ... |
Tomogi Woman (Tsune)
|
|
|
Masayuki Yamada | ... |
Tomogi Husband (Kasuke)
|
|
|
Michié | ... |
Tomogi Wife (Mitsu)
|
|
|
Hiroko Isayama | ... |
Tomogi Village Woman (Hiro)
|
| Yutaka Mishima | ... |
Goto Man #1 (Kuro)
|
|
| Yasunari Takeshima | ... |
Goto Man #2 (Haku)
|
|
|
|
Yuri Ishizaka | ... |
Kichijiro Sister at Stake (Tae)
|
|
|
Ryo Sato | ... |
Kichijiro Sister #2 (Hisa)
|
|
|
Ruo Satô | ... |
Kichijiro Father (Kichizo)
|
| Yoriko Dôguchi | ... |
Kichijiro Mother (Naka)
|
|
| Kisetsu Fujiwara | ... |
Kichijiro Brother #2 (Kichita)
|
|
|
|
Yasushi Takahashi | ... |
Tomogi Villagers
|
|
|
Sanjûrô Kobayashi | ... |
Tomogi Villagers
|
|
|
Mangorô Satô | ... |
Tomogi Villagers
|
| Keiko Morikawa | ... |
Tomogi Villagers
|
|
|
|
Jin Maki | ... |
Boatman
|
|
|
Naoto Yokouchi | ... |
Goto Swimming Man
|
|
|
Kansai Eto | ... |
Old Goto Man (Mosuke)
|
| Shun Sugata | ... |
Samurai Commander
|
|
|
|
Kazuhiko Ozaki | ... |
Tomogi Hostage #3 (Yahachi)
|
| Nana Komatsu | ... |
Monica (Haru)
|
|
| Ryô Kase | ... |
João (Chokichi)
|
|
|
|
Fumitaka Terai | ... |
Christian Prisoner (Tobei)
|
| Hako Ohshima | ... |
Christian Prisoner (Kiku)
|
|
|
|
Hideki Nishioka | ... |
Christian Prisoner (Mataichi)
|
|
|
Takahiro Fujita | ... |
Inoue's Attendant
|
|
|
Senmaru | ... |
Nagasaki Juggler
|
|
|
Ryô Fujiwara | ... |
Nagasaki Child
|
| Nobuaki Fukuda | ... |
Jeering Man
|
|
|
|
Munetaka Aoki | ... |
Prison Guard #1
|
| SABU | ... |
Samurai #1
|
|
| Tetsu Watanabe | ... |
Prison Guard #2
|
|
|
|
Exile Akira | ... |
Prison Official
|
|
|
Shunya Tajima | ... |
Samurai at Beach #1
|
|
|
Ryuki Kitaoka | ... |
Samurai at Beach #2
|
|
|
Hiroki Noguchi | ... |
Samurai in Boat
|
| Katsuo Nakamura | ... |
Old Buddhist Priest
|
|
|
|
Yoshihiro Takayama | ... |
Large Man
|
|
|
Shoji Miyata | ... |
Vendor's cries (voice)
|
|
|
Noriwo Mitsuda | ... |
Vendor's cries (voice)
|
|
|
Ayumu Saito | ... |
Prison Guard #3
|
| Béla Baptiste | ... |
Dieter Albrecht
|
|
|
|
Asuka Kurosawa | ... |
Rodrigues' Wife
|
| Rest of cast listed alphabetically: | |||
|
|
Ten Miyazawa | ... |
Carpenter (uncredited)
|
|
|
Julian Song | ... |
Guard (uncredited)
|
| Motokatsu Suzuki | ... |
Edo Guard (uncredited)
|
|
|
|
Yasushi Takada | ... |
Doshin (uncredited)
|
Directed by
| Martin Scorsese | ||
Written by
| Jay Cocks | ... | (screenplay by) & |
| Martin Scorsese | ... | (screenplay by) |
| Shûsaku Endô | ... | (based on the novel by) |
Produced by
| Brandt Andersen | ... | executive producer |
| Michael Barnes | ... | executive producer |
| Lawrence Bender | ... | executive producer |
| Len Blavatnik | ... | executive producer |
| Marianne Bower | ... | co-producer |
| Paul Breuls | ... | executive producer |
| Cary Brown | ... | associate producer |
| Dale A. Brown | ... | executive producer |
| Vittorio Cecchi Gori | ... | producer |
| Agustín Coppel | ... | associate producer (as Augustin Coppel) |
| Ruben Coppel | ... | associate producer |
| Josh Cowell | ... | associate producer |
| Barbara De Fina | ... | producer |
| Randall Emmett | ... | producer |
| Stuart Ford | ... | executive producer |
| George Furla | ... | co-executive producer |
| Manu Gargi | ... | executive producer |
| Aviv Giladi | ... | executive producer |
| Wayne Marc Godfrey | ... | executive producer |
| Brent Ryan Green | ... | associate producer |
| Anthony Jabre | ... | co-executive producer |
| Niels Juul | ... | executive producer |
| Dan Kao | ... | executive producer |
| Ken Kao | ... | executive producer |
| Nicholas Kazan | ... | executive producer |
| Arnaud Lannic | ... | associate producer |
| Christophe Lannic | ... | associate producer |
| David Lee | ... | producer |
| Matthew J. Malek | ... | executive producer |
| Eriko Miyagawa | ... | co-producer |
| Gianni Nunnari | ... | executive producer |
| Gastón Pavlovich | ... | producer |
| Ben Rodriguez | ... | co-executive producer |
| Diane L. Sabatini | ... | co-producer |
| Martin Scorsese | ... | producer |
| Emma Tillinger Koskoff | ... | producer |
| Chad A. Verdi | ... | executive producer |
| Michelle Verdi | ... | executive producer |
| David Webb | ... | co-producer |
| Irwin Winkler | ... | producer |
| Tyler Zacharia | ... | executive producer |
Music by
| Kathryn Kluge | ... | (score composed by) |
| Kim Allen Kluge | ... | (score composed by) |
Cinematography by
| Rodrigo Prieto | ||
Film Editing by
| Thelma Schoonmaker | ||
Editorial Department
| Scott Brock | ... | associate editor |
| Jason Esquivel | ... | dailies producer |
| Ben Estrada | ... | colorist: dailies |
| Nicholas Figueroa | ... | color assist |
| Alex Gurvits | ... | assistant editor |
| Thomas Kuo | ... | dailies scanner |
| Ken Lebre | ... | senior dailies producer |
| Aben Lee | ... | digital intermediate colorist |
| Philippe Majdalani | ... | digital intermediate producer |
| Nick Monton | ... | head of production: Company 3 |
| Aaron Peak | ... | 4k dcp mastering |
| Francis Power | ... | VFX archival research |
| Brett Price | ... | color assistant |
| Chad Schermerhorn | ... | digital intermediate editor |
| Steven Sosa | ... | deliverables technician |
| Josh Spector | ... | color assistant |
| Tim Stipan | ... | digital intermediate colorist |
| Chung-Shun Yang | ... | editorial assistant: Taiwan |
| Avalonne Hall | ... | digital intermediate coordinator (uncredited) |
Casting By
| Ellen Lewis | ||
Production Design by
| Dante Ferretti | ||
Art Direction by
| Wen-Ying Huang | ... | supervising art director |
| Ding-Yang Weng | ||
| Michael Tsung-Ying Yang | ||
| Wang Zhi-Cheng | ||
Set Decoration by
| Francesca Lo Schiavo | ||
Costume Design by
| Dante Ferretti | ||
Makeup Department
| Howard Berger | ... | supervisor: KNB EFX Group |
| Travis Berger | ... | body fabrication: KNB EFX Group |
| Anneliese Boise | ... | hair department: KNB EFX Group (as Anneliese Boies) |
| Rachel Chen | ... | make-up and hair |
| Nathaniel De'Lineadeus | ... | dental effects designer |
| Alex Diaz | ... | art department: KNB EFX Group |
| Kerryn Flewell-Smith | ... | key makeup & hair artist |
| David Grasso | ... | art department: KNB EFX Group |
| Christine Hooghuis | ... | additional makeup |
| Giny Hung | ... | makeup artist |
| Carey Jones | ... | supervisor: KNB EFX Group |
| Derek Krout | ... | prosthetic manufacturing department: KNB EFX Group |
| Mike Lachimia | ... | prosthetic manufacturing department: KNB EFX Group (as Michael Lacimia) |
| Jennifer Lamphee | ... | hair stylist / makeup artist |
| Ellen Meng-Hsuan Lin | ... | key makeup artist |
| Mike McCarty | ... | art department: KNB EFX Group |
| Christina Prestia | ... | body fabrication: KNB EFX Group |
| Dirk Rogers | ... | body fabrication: KNB EFX Group |
| Mike Ross | ... | mould department: KNB EFX Group |
| Yoichi Art Sakamoto | ... | dental prosthetic makeup effects artist (as Art Sakamoto) |
| Caleb Schneider | ... | special make-up effects technician |
| Andy Schoneberg | ... | art department: KNB EFX Group |
| Noriko Watanabe | ... | hair designer / makeup designer |
| Laura Calvo | ... | special makeup effects artist (uncredited) |
| Chris Lyons | ... | special effects teeth (uncredited) |
Production Management
| Yt Yating Chang | ... | Taiwan production supervisor (as Yating Chang) |
| Kay Chen | ... | Assistant Production Supervisor |
| Leo Chen | ... | Taiwan production manager |
| Kelley Cribben | ... | post-production supervisor |
| Manu Gargi | ... | unit production manager |
| Steve Lionetti | ... | production supervisor |
| Yen San Michelle Lo | ... | production supervisor: second unit (as Michelle Lo) |
| Allison Niedermeier | ... | production supervisor |
| Diane L. Sabatini | ... | unit production manager |
| Ivan Lam | ... | unit production manager (uncredited) |
Second Unit Director or Assistant Director
| G.A. Aguilar | ... | second unit director |
| Richard Goodwin | ... | first assistant director: second unit |
| Dan John | ... | second assistant director: second unit |
| Schiele Lee | ... | third assistant director |
| Jeremy Marks | ... | second assistant director |
| Clifford Miu | ... | assistant director trainee |
| Josh Muzaffer | ... | second second assistant director |
| Francisco Ortiz | ... | second assistant director |
| Chang Yu Pang | ... | third assistant director |
| Trevor Tavares | ... | second second assistant director |
| Ping-Wen Wang | ... | production assistant |
| David Webb | ... | first assistant director |
| Hui-Fen Yu | ... | assistant to director |
Art Department
| Jill Beecher | ... | concept artist |
| Erica Weiru Chang | ... | set designer: set decoration coordinator (as Erica Wei Ju Chang) |
| Court Chu | ... | concept artist |
| Federico Costantini | ... | concept artist |
| Benjamin K. Cox | ... | set designer (as Benji Cox) |
| W. Haley Ho | ... | set designer |
| Chih-Kang Hsu | ... | art assistant |
| Illas Huang | ... | swing gang/assistant set dresser (as Illas Jhih-Jing Huang) |
| Scott Keery | ... | prop master / property master |
| Hogan Lee | ... | assistant set decorator |
| Domenico Reordino | ... | head painter |
| Wesley Ting | ... | greensman |
| Daniela Wu | ... | illustrator |
| Stephen Zavala | ... | concept artist: ILM |
| Yen-Ju Lin | ... | lead painter (uncredited) |
Sound Department
| Scott Brock | ... | sound effects editor |
| Marko A. Costanzo | ... | foley artist |
| Greg Crawford | ... | adr mixer: Atlanta |
| Chris Fielder | ... | assistant sound editor |
| Tom Fleischman | ... | re-recording mixer |
| Justin Frieden | ... | adr coordinator |
| Eugene Gearty | ... | re-recording mixer / sound designer / supervising sound editor |
| Gary Hamden | ... | sound utility |
| Frank Kern | ... | foley supervisor |
| Craig Kyllonen | ... | first assistant sound editor |
| Richard Lankford | ... | Sound logger |
| Daniel Lepervanche | ... | assistant sound editor: trailer / re-recording mixer: tv trailers |
| Marissa Littlefield | ... | adr editor |
| Ted Mahoney | ... | mix facility coordinator |
| Ai Miyatake | ... | field recordist |
| Branka Mrkic | ... | dialogue editor |
| Chris Navarro | ... | adr mixer |
| Harry Platford | ... | adr recordist |
| Ric Schnupp | ... | mix re-recordist |
| Guntis Sics | ... | sound mixer |
| Steve F.B. Smith | ... | engineer: Dolby (as Steve Smith) |
| Philip Stockton | ... | dialogue editor / supervising sound editor |
| Sarah Streit | ... | sound apprentice |
| Steven Visscher | ... | foley editor |
Special Effects by
| Brian Cox | ... | SPFX/water tank consultant |
| R. Bruce Steinheimer | ... | special effects supervisor (as Bruce Steinheimer) |
| Zong-Se Wei | ... | Taiwan special effects supervisor |
Visual Effects by
| Eduardo Anton | ... | digital compositor |
| Nairye Apelian | ... | visual effects project manager: Rodeo FX |
| Kenneth Au | ... | visual effects supervisor: Exceptional Minds |
| Reuben Barkataki | ... | digital compositor: Rodeo FX |
| Brian Barlettani | ... | visual effects |
| Brian Battles | ... | additional visual effects |
| Wayne Billheimer | ... | visual effects executive producer: ILM |
| Nimoul Nims Bun | ... | senior creature td |
| Ivan Busquets | ... | compositing/cg supervisor |
| Lorie Bussières | ... | visual effects production assistant: Rodeo FX |
| Conor Byrne | ... | visual effects editor |
| Katherine Chambers | ... | visual effects production manager |
| Janice Chandra | ... | roto artist: BaseFX |
| Sujun Chen | ... | roto & paint artist: Base FX |
| Mathieu Chouinard | ... | visual effects production assistant: Rodeo FX |
| Ryan B. Clarke | ... | lead compositor: ILM |
| Annie Cliche | ... | visual effects producer: Rodeo FX |
| Catherine Coley | ... | communications: Rodeo FX |
| Tony Como | ... | digital paint & roto department supervisor: BaseFX |
| Sheri Cruz | ... | paint & roto artist |
| Virender Dass | ... | Layout Technical Director ILM |
| Amy Davis | ... | digital compositor: Industrial Light and Magic |
| Camille Deguire | ... | visual effects production assistant: Rodeo FX |
| Etienne Deshaies | ... | digital compositor: Rodeo FX |
| Ryan Doell | ... | visual effects coordinator |
| Robert Dorris | ... | digital artist |
| Ryan Dutour | ... | digital compositor |
| Adam Elder | ... | visual effects |
| Kyle Elder | ... | visual effects |
| Alexandra Fahey | ... | visual effects coordinator: ILM |
| Jacob Fenster | ... | visual effects artist: for Post Mango |
| Sean Findley | ... | visual effects producer |
| Megan Flood | ... | rotoscope and paint artist: ILM, Vancouver / visual effects supervisor: Exceptional Minds Studio |
| Xavier Fourmond | ... | digital compositor: Rodeo FX |
| Adam Gailey | ... | visual effects |
| Juan Jesús García | ... | senior matte painting generalist: ILM |
| Daniel Gonzalez Solozabal | ... | compositor: Industrial Light & Magic |
| Brandon Hamilton | ... | visual effects production assistant: ILM |
| Pablo Helman | ... | visual effects supervisor |
| Weldon Huang | ... | visual effects coordinator |
| Fernando Torres Idrovo | ... | visual effects artist |
| Jonathan Jelkin | ... | visual effects artist |
| Julia Jordanova | ... | digital compositor |
| Julien Klein | ... | digital compositor: Rodeo FX |
| Charles Lai | ... | digital artist: Industrial Light & Magic |
| Harry Lam | ... | additional visual effects: BaseFX |
| Nicolas Laprise Pellicelli | ... | flame artist: Rodeo FX |
| Jean Paulo Lasmar | ... | visual effects editor |
| Asier Hernaez Lavina | ... | senior matte painter/td |
| Peter Leber | ... | production support |
| Phoenix Woung-Bi Lee | ... | digital effects artist |
| Yu Lei | ... | compositor |
| Josh Lu | ... | visual effects production manager: Base FX |
| Patrik Marek | ... | digital artist: ILM |
| Sophie Marfleet | ... | digital compositor |
| Chris McCrowe | ... | senior digital paint artist: ILM |
| Melody Mead | ... | senior production coordinator |
| Cris Meira | ... | visual effects artist |
| Cristiano Meira | ... | visual effects artist |
| Tory Mercer | ... | digital compositor |
| Simon Mercier | ... | matte painting technical director: Rodeo FX |
| Sébastien Moreau | ... | visual effects supervisor: Rodeo FX |
| Daniel Moreno | ... | digital compositor: Industrial Light & Magic |
| Melanie Murray | ... | visual effects production assistant: Rodeo FX |
| Béatrice Palin | ... | rotoscope artist: Rodeo FX |
| Riaz Patel | ... | digital compositor |
| Carol Alynn Payne | ... | technical support |
| Philippe Pelletier | ... | digital compositor: Rodeo FX |
| Stephanie Pocklington | ... | cg generalist |
| Guillaume Poulin | ... | visual effects editor: Rodeo FX |
| Michael Ranalletta | ... | digital compositor: ILM |
| Wajid Raza | ... | pipeline technical director: Industrial Light & Magic |
| Fernando Reule | ... | visual effects artist |
| Florent Revel | ... | matchmove artist |
| Stephen Robertson | ... | digital compositor |
| Harrison Rutherford | ... | compositor |
| Randal Shore | ... | executive staff: ILM |
| Ziad Shureih | ... | digital compositor |
| Jennifer Smith | ... | vfx production assistant: ILM |
| Ryan Smith | ... | assistant visual effects editor |
| Jason H. Snell | ... | visual effects supervisor |
| James Spadafora | ... | render support |
| Tolly Swallow | ... | bidding producer: Base FX |
| Katrina Taylor | ... | visual effects editor |
| Mason A. Taylor | ... | visual effects artist: for Post Mango |
| Thilak | ... | visual effects producer |
| Shivas Thilak Anthikkat | ... | digital paint supervisor: ILM |
| Malcolm Thomas-Gustave | ... | creature supervisor: ILM |
| Blaine Toderian | ... | lead animator |
| Will Towle | ... | digital compositor |
| Mai-Anh Tran | ... | matte painter: Rodeo FX |
| Jocelyn Tremblay | ... | digital compositor: Rodeo FX |
| Kristina Truong | ... | visual effects production assistant |
| Katrina Tung | ... | surfacing artist |
| Pau Viladot | ... | digital compositor |
| Nicolaus Waetjen | ... | lead compositor |
| Jason Wheatley | ... | technical assistant |
| Stephen T.Y. Wong | ... | senior compositor: Industrial Light & Magic (as Stephen Wong) |
| Tiffany Wu | ... | visual effects producer |
| Becky Zhang | ... | department coordinator of digital paint and roto: BaseFX |
| Zichuan Zhao | ... | fx technical director: ILM (as Zach Zhao) |
| Xixi Zhuang | ... | digital compositor: Base FX |
| Todd Greshuk | ... | technical and production support (uncredited) |
| Giles Hancock | ... | vfx photographer (uncredited) |
| Brett Northcutt | ... | concept artist (uncredited) |
Stunts
| Dan Adams | ... | stunt double: adam driver / utility stunts |
| G.A. Aguilar | ... | stunt coordinator |
| Ángel Gómez de la Torre | ... | horse master / stunt double: Andrew Garfield |
| Victor Paguia | ... | co-stunt coordinator |
| Ricardo Rocca | ... | utility stunts |
| Hui-Fen Yu | ... | assistant to stunt coordinator |
Camera and Electrical Department
| Colin Anderson | ... | camera operator |
| Michael Baker | ... | lighting technician |
| Craig Bauer | ... | second assistant camera: a camera |
| Ian Bird | ... | best boy grip |
| Kerry Brown | ... | still photographer |
| Chun-Ning Chang | ... | grip production assistant translator |
| Jessica Chu | ... | assistant camera |
| Sebastien Deveze | ... | lighting technician |
| Karl Engeler | ... | gaffer |
| Anton George | ... | grip: second unt (as George Anton) |
| Chris Hansford | ... | offset best boy grip |
| Connie Huang | ... | second assistant camera: second unit |
| Lukasz Jogalla | ... | director of photography: second unit |
| Ching-Tse Lee | ... | first "b" assistant camera |
| Mark Levey | ... | pre-rig electric |
| Kuei-Mu Li | ... | video assistant |
| Dean Liu | ... | assistant camera |
| Massimo Luongo | ... | lighting technician |
| Richard Mason | ... | best boy |
| David Nichols | ... | key grip |
| Sanjay Sami | ... | key grip: second unit |
| Zeb Simpson | ... | video assist operator: second unit |
| Basil Smith | ... | first assistant camera: "a" camera, second unit |
| Joe Stick | ... | key rigging gaffer |
| Michael Taylor | ... | digital imaging technician / video assist |
| Minmin Tsai | ... | rigging grip production assistant |
| Zoran Veselic | ... | a camera first assistant |
| Thomas Watson | ... | libra head technician |
| Colin Anderson | ... | steadicam operator (uncredited) |
| Damian Wyvill | ... | camera operator "c" camera (uncredited) |
Casting Department
| Vanessa Baker | ... | adr voice casting |
| Dann Fink | ... | adr voice casting: NY |
| Kei Kawamura | ... | casting: Japan |
| Katie Chingyeh Lee | ... | tw casting director/european extras casting director |
| Toni Pedecine | ... | casting associate: Japan |
| Kate Sprance | ... | casting associate |
Costume and Wardrobe Department
| Susan Kulkarni | ... | assistant costume designer |
| Laura Lo Surdo | ... | costumer |
| Jack Tung | ... | costume supervisor |
Location Management
| Ito Chang | ... | location manager |
| Anje Handley | ... | location coordinator |
Music Department
| Christine Bergren | ... | music clearance and legal services |
| Jennifer L. Dunnington | ... | music editor |
| Kathryn Kluge | ... | music consultant |
| Kim Allen Kluge | ... | music consultant |
| Stewart Lerman | ... | music recordist |
| Jared Levine | ... | associate music producer |
| Francesco Lupica | ... | "Francesco's Cosmic Beam Experience live, Marina Del Rey" composer |
| Thierry Malet | ... | orchestrator |
| Randall Poster | ... | music supervisor |
| Robbie Robertson | ... | executive music producer |
| John Schaefer | ... | music supervisor |
| Jake Valentine | ... | recording engineer |
| Thierry Malet | ... | composer: additional music (uncredited) |
| Jordan Rees | ... | composer: trailer music (uncredited) |
Script and Continuity Department
| Moca Chen | ... | script supervisor: second unit |
| Steve Deering | ... | script coverage |
| Jessica Lichtner | ... | script supervisor |
Transportation Department
| Brendon 'Moose' Boyd | ... | transportation manager |
| Hsiao Chu Tseng | ... | transportation captain |
Additional Crew
| Guiomar Alonso | ... | Horse Master |
| Nadeem Ashayer | ... | set production assistant |
| Randall Balsmeyer | ... | title designer |
| Michael Barnes | ... | legal services |
| Liam Matthew Brockey | ... | consultant |
| Ben Shields Catlin | ... | acquisitions executive: IM Global |
| Jami Chan | ... | production coordinator |
| Jess Jy-Shyuan Chen | ... | extras casting assistant |
| Kay Chen | ... | Assistant Production Supervisor |
| Yennis Cheung | ... | ADR voice artist |
| Ivy Yu-li Chiang | ... | set production assistant |
| Nick D'Benedetto | ... | assistant: Eric W. Thompson / legal services |
| Wayne Docksey | ... | animal consultant |
| Alex Eckert | ... | assistant: Randall Emmett (as Alexander Eckert) |
| Jurgis Elisonas | ... | consultant |
| Anne Fader | ... | payroll consultant |
| Harry Finkel | ... | additional legal |
| Lisa Frechette | ... | assistant: Martin Scorsese |
| Steve French | ... | adr loop group |
| Harald Galinski | ... | second assistant accountant |
| Vincent Gatewood | ... | assistant: Lawrence Bender |
| Van C. Gessel | ... | consultant |
| Alexis Giusfredi | ... | assistant to martin scorsese |
| Talia Goldman | ... | international sales |
| Ashley Greyson | ... | marketing |
| John Griffin | ... | additional legal services |
| Leah Holmes | ... | post production accountant |
| Joyce Hsieh | ... | production accountant |
| Daisuke Iwai | ... | Japanese Set Consultant |
| Lance Julian | ... | marine coordinator |
| Larry Kaplan | ... | unit publicist |
| Sheerin Khosrowshahi-Miandoab | ... | assistant production coordinator |
| Kai Wei Lee | ... | set production assistant |
| Cindy Shin-Iun Li | ... | assistant production coordinator |
| Yi-Feng Li | ... | production assistant |
| Andree Hsiao-Chu Lin | ... | on-set office production assistant |
| Yen San Michelle Lo | ... | production supervisor: second unit (as Michelle Lo) |
| Victoria Lucai | ... | assistant to martin scorsese |
| James Martin | ... | consultant |
| Nicole Mavis | ... | assistant: Liam Neeson |
| Kanehira Mitani | ... | set production assistant |
| Clifford Miu | ... | key marine assistant |
| Tim Monich | ... | dialect coach |
| Jesse Morrison | ... | assistant production coordinator |
| Brian Nitzkin | ... | business affairs/legal |
| Tanoa Parks | ... | production controller |
| Bryan Persichetti | ... | production finance coordinator: Paramount |
| Alexandros Potter | ... | finance executive: IM Global |
| Daniel Rbibo | ... | insurance services |
| Nathan Rich | ... | CTO: Base FX |
| Dirk Rogers | ... | lab tech for K.N.B. efx group |
| Sante Sabbatini | ... | art department assistant/translator |
| Tony Smith | ... | security advisor |
| Stefan Sonnenfeld | ... | CO3 president |
| Nick Spetsiotis | ... | assistant marine coordinator |
| Eric W. Thompson | ... | production legal counsel |
| Gladys Tsai | ... | cast support |
| Anita Tung | ... | government liaison |
| Lucie Wang | ... | Travel & Living PA |
| James P. Warren | ... | animal trainer |
| Jerri Whiteman | ... | 1st Assistant Accountant |
| Ashton Fontana | ... | publicist (uncredited) |
| Daniel Villagomez | ... | director: credits administration for Paramount Pictures (uncredited) |
Thanks
| Wenchi Chen | ... | special thanks |
| Jeffrey Cheng | ... | special thanks |
| Emily Chi | ... | special thanks |
| Eva Dabdoub | ... | special thanks |
| Renzo De Luca | ... | thank you (as Renzo De Luca S.J) |
| Etsuko Egawa | ... | thank you |
| Junko Endô | ... | very special thanks |
| Ryûnosuke Endô | ... | very special thanks |
| Toshi Fujiwara | ... | thank you |
| Masashi Funabara | ... | thank you |
| Charles Gillibert | ... | special thanks |
| Takashi Gonoi | ... | thank you |
| Kunihiro Hamanaka | ... | thank you |
| Bill Ireton | ... | thank you |
| Chris Jolly | ... | special thanks |
| Georgia Kacandes | ... | special thanks |
| Saori Kitamura | ... | thank you |
| Brian Kobo | ... | thank you |
| Kenzo Kurosaki | ... | thank you |
| Josiah Barr Lanier | ... | special thanks |
| Hendrik Lindelauf | ... | thank you |
| Rui Loureiro | ... | thank you |
| João Francisco Marques | ... | thank you (as Fr. João Francisco Marques) |
| Arturo Martin | ... | thank you (as Arturo Martin S.J.) |
| Mark McElhatten | ... | special thanks |
| Addison Mehr | ... | thanks |
| Kentaro Miyazaki | ... | thank you |
| Mariko Nishizawa | ... | thank you |
| Yvonne Ochoa | ... | special thanks |
| Cristina Osswald | ... | thank you |
| Masayoshi Ougiura | ... | thank you |
| Mathieu Roy | ... | special thanks |
| Paul Russell | ... | thank you: Vatican Apostolic Nunciature, Taipei (as Archbishop Paul Russell) |
| Edmund Ryden | ... | thank you (as Edmund Ryden S.J.) |
| Masahiro Shinoda | ... | special thanks |
| Gina Telaroli | ... | special thanks |
| Gabriel Terrazas | ... | special thanks |
| Ken Watanabe | ... | special thanks |
| Kevin Woolf | ... | thank you: Baba Kevin's American BBQ |
| Daphne Yang | ... | special thanks |
| M. Antoni J. Üçerler | ... | thank you (as M. Antoni J. Üçerler S.J.) |
Production Companies
- SharpSword Films (presents)
- AI-Film (presents)
- CatchPlay (in association with)
- IM Global (in association with)
- Verdi Productions (in association with)
- Emmett/Furla/Oasis Films (EFO Films) (An EFO Films and Waypoint Entertainment Production)
- Waypoint Entertainment (An EFO Films and Waypoint Entertainment Production)
- G&G (A G & G and Sikelia Production)
- Sikelia Productions (A G & G and Sikelia Production)
- Fábrica de Cine (A Fábrica de Cine Production)
- The Fyzz Facility (in association with)
- Cappa Defina Productions
- Cecchi Gori Group Fin.Ma.Vi.
- Taipei Film Development Company
Distributors
- Paramount Pictures (2016) (Canada) (theatrical)
- CatchPlay (2017) (Taiwan) (theatrical)
- 01 Distribution (2017) (Italy) (theatrical)
- Apsara Pictures (2017) (India) (theatrical)
- Arthouse (2017) (Russia) (theatrical)
- Ascot Elite Entertainment Group (2017) (Switzerland) (theatrical)
- Bioscop (2017) (Czech Republic) (theatrical)
- Concorde Filmverleih (2017) (Germany) (theatrical)
- Constantin-Film (2017) (Austria) (theatrical)
- DeAPlaneta (2017) (Spain) (theatrical)
- Distribution Company (2017) (Argentina) (theatrical)
- Freeman Entertainment (2016) (Romania) (theatrical)
- Future Film (2017) (Finland) (Blu-ray) (DVD) (theatrical)
- Golden Scene (2017) (Hong Kong) (theatrical)
- Golden Village Pictures (2017) (Singapore) (theatrical)
- Gussi Films (2017) (Mexico) (theatrical)
- Gutek Film (2017) (Poland) (theatrical)
- Imagem Filmes (2017) (Brazil) (theatrical)
- JMD Entertainment (2017) (South Korea) (theatrical)
- Kadokawa (2017) (Japan) (theatrical)
- Metropolitan Filmexport (2017) (France) (theatrical)
- Mis. Label (2017) (Denmark) (theatrical)
- NOS Audiovisuais (2017) (Portugal) (theatrical)
- Padora (2017) (Yugoslavia) (theatrical)
- Paradiso (2017) (Belgium) (theatrical)
- Paramount Pictures (2016) (United States) (theatrical)
- Pinema (2017) (Turkey) (theatrical)
- Pro Video Film & Distribution Kft. (2017) (Hungary) (theatrical)
- Spentzos Films (2017) (Greece) (theatrical)
- StudioCanal UK (2017) (United Kingdom) (theatrical)
- Transmission Films (2017) (Australia) (theatrical)
- Ukrainian Film Distribution (UFD) (2017) (Ukraine) (theatrical)
- United Artists (2016) (United States) (theatrical)
- United International Pictures (UIP) (2017) (Denmark) (theatrical)
- United King Films (2017) (Israel) (theatrical)
- bf Distribution (2017) (Chile) (theatrical)
- Concorde Home Entertainment (2017) (Germany) (Blu-ray)
- Concorde Home Entertainment (2017) (Germany) (DVD)
- Film & TV House (2016) (Non-US) (multi-territory)
- Film1 (2017) (Netherlands) (tv) (limited)
- GEM Entertainment (2017) (Non-US)
- IM Global (2016) (Non-US)
- Paramount Home Media Distribution (2017) (United States) (Blu-ray)
- Paramount Home Media Distribution (2017) (United States) (DVD)
- StudioCanal UK (2017) (United Kingdom) (Blu-ray)
- StudioCanal UK (2017) (United Kingdom) (DVD)
- Yleisradio (YLE) (2021) (Finland) (tv)
Special Effects
- KNB EFX Group (special makeup effects by)
- Industrial Light & Magic (ILM) (visual effects & animation)
- Base FX (additional visual effects)
- Rodeo FX (additional visual effects)
- Post Mango (Visual Effects)
Other Companies
- A&GSync (trailer music agency)
- AI-Film (funding)
- Big Film Design (title design)
- C5 New York (post production sound facility)
- CO3 (acknowledgement)
- Canada Film Capital (tax consulting services)
- Cecchi Gori Pictures (funding)
- Chapman/Leonard Studio Equipment (camera dollies)
- Company 3 New York (digital intermediate)
- Corsan (funding)
- Crescent City Pictures (additional production services provided by)
- Dentsu Casting & Entertainment (thank you)
- Department of Cultural Affairs, Taipei City Government (acknowledgement)
- Dolby Atmos (in selected theatres)
- Dolby Digital (in selected theatres)
- EFilm (acknowledgement)
- EFilm (dailies)
- Entertainment Partners (payroll services)
- FM Films (copyright holder)
- Fintage CAM (collection account management)
- FotoKem (35mm film)
- FotoKem (acknowledgement)
- Freeway CAM B.V. (collection account management)
- IM Global (funding)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurdisction of)
- LSG Productions (production management)
- Ministry of Culture of Tawian Gorvernment (special thanks)
- Motion Picture Association of America (MPAA) (approval certificate: no. 50795)
- Motion Picture Lighting (lighting)
- Neon Diesel Finishing (VFX Color and Review)
- New Taipei City Government (acknowledgement)
- New York State Governor's Office for Motion Picture & Television Development (this production participated in: post production credit program)
- Ohana Camera Expendables (camera expendables)
- Otto Nemenz International (camera equipment provided by)
- Parlophone (soundtrack)
- ProSight Specialty Insurance (acknowledgement)
- ProSight Specialty Insurance (completion bond and insurance)
- Soundtrack New York (sound mixing facility)
- Taichung City Government (acknowledgement)
- Taipei Film Commission (acknowledgement)
- Taipei Motion Picture (acknowledgement)
- Taiwan Sun Mountain Films (production services in Taiwan provided by)
- The Grand Post (additional recording: adr and voiceover)
- Toy Gun Films (funding)
- Trevanna Post (post production accounting)
- Wazee Digital (stock footage provided by)
- thefyzz ((in association with))
- thefyzz (funding)
Storyline
| Plot Summary |
Intent on investigating the truth behind Father Cristovão Ferreira's abrupt end of correspondence, the devout Portuguese Catholic priests, Sebastião Rodrigues and Francisco Garupe, set off to Japan, in 1633. In great disbelief, as the rumours of Ferreira's apostasy still echo in their minds, the zealous Jesuit missionaries try to locate their mentor, amid the bloodshed of the violent anti-Christian purges. Under those circumstances, the two men and the Japanese guide, Kichijiro, arrive in Japan, only to witness firsthand the unbearable burden of those who have a different belief in a land founded on tradition. Now--as the powerful Grand Inquisitor, Inoue, performs hideous tortures on the brave Japanese Christians--Father Rodrigues will soon have to put his faith to the ultimate test: renounce it in exchange for the prisoners' lives. There, in the ends of the world, a subtle change has begun; however, why is God's silence so deafening? Written by Nick Riganas |
| Plot Keywords | |
| Taglines | Sometimes silence is the deadliest sound. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
|
Additional Details
| Also Known As |
|
| Runtime |
|
| Official Sites | |
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Box Office
| Budget | $46,000,000 (estimated) |
| Opening Weekend United States | $130,880, 23 Dec 2016 |
| Cumulative Worldwide Gross | $23,737,523 |
Did You Know?
| Trivia | Adam Driver lost 50 pounds for the role; 30 before filming, and 20 during filming. See more » |
| Goofs | In the scene where Rodrigues and his Translator meet Garupe on the beach, Just after Garupe jumps into the ocean and starts to swim, The Translator is saying dialogue but his lips are not moving for most of the spoken line, and what is spoken does not match his lip movements. See more » |
| Movie Connections | Featured in Top 10 Movies of 2016 Already Getting Oscar Buzz (2016). See more » |
| Soundtracks | Francesco's Cosmic Beam Experience live, Marina Del Rey See more » |
| Crazy Credits | For the Japanese Christians and their pastors Ad Majorem Dei Gloriam See more » |
| Quotes |
Rodrigues:
I pray but I am lost. Am I just praying to silence? See more » |