Decorated Iraq war hero Sgt. Brandon King makes a celebrated return to his small Texas hometown following his tour of duty. He tries to resume the life he left behind. Then, against Brandon's will, the Army orders him back to duty in Iraq, which upends his world. The conflict tests everything he believes in: the bond of family, the loyalty of friendship, the limits of love and the value of honor.Written by
The shoot in Morocco took place during Ramadan. See more »
The M4s shown in the film have the A2 style upper receiver, with fixed carrying handles. Only the first production run of M4s were built to this configuration, while the remainder had the A3 style upper receiver, with detachable carrying handle. The first production run M4s were a rather uncommon sight, and certainly wouldn't be used by a unit so up-to-date and well equipped as one shown in the film. See more »
Brandon Leonard King?
You have orders to report to the First Brigade.
Not me, I'm gettin' out today.
You leave on the 22nd, shipping back to Iraq. You've been Stop-Lossed.
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Can't You See
Written by Toy Caldwell Jr. (as Toy Caldwell)
Performed by The Marshall Tucker Band (as Marshall Tucker Band)
Courtesy of Marshall Tucker Entertainment d/b/a Ramblin Records
Under exclusive license to Shout Factory, LLC
By Arrangement with Natural Energy Lab See more »
Maybe the idea was to show the total hopelessness of the conflict--that it was not really a war but urban warfare, and that there is no way to win or to have a happy ending. But that's just an idea--it's not a movie.
I thought that the set-up was fine. But I am not sure the filmmakers knew where to go with it. Their take on the stop-loss policy is obvious, and it is a message that should be heard. But I think the film would have been more interesting if any character exhibited any real growth during the film. The vets were all depicted as basket cases--the most well-adjusted vet seemed to be the double-amputee--he told us why he would want to go back to Iraq and there was at least some productive purpose that would have been served by his return there.
Perhaps there are soldiers who don't mind being stop-lossed--who truly believe they are accomplishing something positive over there. It would have been refreshing to have a character like that--a non-basket case. It would have been good to hear arguments supporting the stop-loss program (if there are any).
The last 20-30 minutes of this film were baffling. The end of the film (not an ending, just an end) was very unsatisfying.
Ryan Philippe did a competent job, but rarely conveyed anything not apparent from the lines or situation. For example, you could see that a lot of his post-war angst was attributable to guilt. How that tied in with the ending is just a mystery to me.
I recall that a very similar military policy was explored by Joseph Heller in Catch-22. I think a comparison to that novel and film is more apt than comparing this to The Deer Hunter.
I wish this film could have been much better than it was.
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