Poster

Going to Pieces - el éxito y la caída del cine de destazamiento ()

Going to Pieces: The Rise and Fall of the Slasher Film (original title)
Reference View | Change View


A documentary on the history of the slasher film.

Director:
Reviews:

Photos and Videos

Cast

Edit
Ed Green ...
Narrator (voice)
...
Self
...
Self
Joseph Stefano ...
Self
...
Self
...
Self
...
Self
...
Self
...
Self (as Amy Holden-Jones)
...
Self
...
Self
...
Self
...
Self
...
Self
...
Self (as Tony Timpone)
Paul Lynch ...
Self
John Dunning ...
Self
...
Self
...
Self
Armand Mastroianni ...
Self
...
Self (archiveFootage) (as Robert Oppenheimer)
...
Self
Rest of cast listed alphabetically:
Karen Abbott ...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Virginia Wainwright (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Gloria Sullivan (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Joseph Beruh ...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Dean Bosacki ...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Rita Mae Brown ...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Howard Busgang ...
Self (archiveFootage)
...
Self (archiveFootage) (as Carl Boehm)
...
Self
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self
...
Self (archiveFootage)
...
Self (archiveFootage)
Christopher Collet ...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage) (as Debra Deliso)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Karen Forbes ...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Chela Johnson ...
Self
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Joyce Kite ...
Self (archiveFootage)
Marta Kober ...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Edgar Lansbury ...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Aine Leicht ...
Self
Gage Leicht ...
Self
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Aaron Lipstadt ...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage) (as Eddie Benton)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Kerry (archiveFootage)
...
Self (archiveFootage) (as Michelle Michaels)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Bryan Norton ...
Self
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Pita Oliver ...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage) (as Jada Pinkett)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Carlos Sério ...
Self (archiveFootage) (as Charles Serio)
...
Self
...
Self (archiveFootage)
Joy Thompson ...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
Michael Villella ...
Self (archiveFootage)
Timothy Wahrer ...
Self (archiveFootage)
...
Self (archiveFootage)
Fred Walton ...
Self
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage) (as Thomas F. Wilson)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Self (archiveFootage)
...
Kelly (archiveFootage)
...
Officer Tyler (uncredited) (archiveFootage)

Directed by

Edit
Jeff McQueen ... (field director)

Written by

Edit
J. Albert Bell ... ()
 
Rachel Belofsky ... ()
 
Michael Derek Bohusz ... ()
 
Adam Rockoff ... (book)
 
Rudy Scalese ... ()

Produced by

Edit
Michael Baker ... executive producer
Rachel Belofsky ... producer
Christopher Black ... associate producer
Randy Manis ... executive producer
Michael Ruggiero ... executive producer
Rudy Scalese ... producer

Music by

Edit
Harry Manfredini

Cinematography by

Edit
Michael Fimognari
Armando Salas

Editing by

Edit
Michael Derek Bohusz ... (as Michael Bohusz)

Editorial Department

Edit
Peter Mezei ... additional editing
Kevin O'Connor ... colorist
Jacob Vaughan ... assistant editor

Makeup Department

Edit
Vanessa Cartier ... makeup artist

Production Management

Edit
Stephan Shelanski ... executive in charge of production

Second Unit Director or Assistant Director

Edit
Stewart Hopewell ... second unit director
Jeff McQueen ... field director

Sound Department

Edit
Eric Dosch ... sound mixer
Andrew Edelman ... sound mixer
Karl W. Lohninger ... sound mixer

Camera and Electrical Department

Edit
Kelly Herrin ... gaffer
Stewart Hopewell ... assistant camera
Erwin Landau ... Steadicam operator / camera operator
Peter Mezei ... additional photography
Patrick Murphy ... gaffer
Jon Myers ... steadicam operator
Ricardo Smith ... grip

Music Department

Edit
Donald Webb ... composer: additional music

Additional Crew

Edit
Marc Barson ... legal counsel
Steven Belgard ... publicist
Karen Falzone ... legal counsel
Jessie Gietl ... legal counsel (as Jesse Gietl)
Stewart Hopewell ... title designer
Ashley Kravitz ... clearances

Thanks

Edit
Laurie Agard ... special thanks
Daniel Farrands ... special thanks (as Dan Farrands)
Bryan Norton ... special thanks
Joseph Stefano ... in memory of

Production Companies

Edit

Distributors

Edit

Special Effects

Edit

Other Companies

Edit

Storyline

Edit
Plot Summary

This historical and critical look at slasher films, which includes dozens of clips, begins with "Halloween," "Friday the 13th," and "Prom Night." The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, "Nightmare on Elm Street" revives the genre. Jump to the late 90s, when "Scream" brings humor and TV stars into the mix. Although some criticize the genre as misogynistic (Siskel and Ebert), most of the talking heads celebrate the films: as long as there are teenagers, there will be slasher films, says one. Written by

Plot Keywords
Taglines Every Evil, Every Nightmare, Together in One Film See more »
Genres
Parents Guide View content advisory »
Certification

Additional Details

Edit
Also Known As
  • Going to Pieces - el éxito y la caída del cine de destazamiento (United States, Spanish title)
  • The Rise and Fall of the Slasher Film (United States)
  • Slasher: L'Ascension et le Déclin (Canada, French title)
  • 封印殺人映画 (Japan, Japanese title)
  • На куски: Рассвет и закат слэшеров (Russia)
  • See more »
Runtime
  • 88 min
Country
Language
Color
Aspect Ratio
Sound Mix
Filming Locations

Box Office

Budget $600,000 (estimated)

Did You Know?

Edit
Trivia Based upon the novel of the same name by author Adam Rockoff See more »
Movie Connections Features The War of the Worlds (1953). See more »
Quotes John Carpenter: New talents come along, old talents fade away.
See more »

Contribute to This Page


Recently Viewed