Angelina Maccarone's drama explores the obsessive relationship between a confused teenager and an elder woman, Elsa Seifert, who works as a probation officer and becomes increasingly attract... Read allAngelina Maccarone's drama explores the obsessive relationship between a confused teenager and an elder woman, Elsa Seifert, who works as a probation officer and becomes increasingly attracted to a 16-year-old offender.Angelina Maccarone's drama explores the obsessive relationship between a confused teenager and an elder woman, Elsa Seifert, who works as a probation officer and becomes increasingly attracted to a 16-year-old offender.
- Awards
- 3 wins
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSila Sahin's debut.
- GoofsAt one point, Jan gets into Elsa's car as she is parked on a busy street. This is shot from inside the car and, through the windscreen can be seen, parked directly in front of Elsa, a Mk.1 Volkswagen Golf Cabriolet. In the next wide-shot of Elsa pulling out of the parking spot, the car directly in front of her is an Opel Tigra, with the Golf now in front of the Opel.
- Quotes
Elsa Seifert: [English subtitled versions] We aren't screwing... I'm having a sado-masochistic relationship with the boy. I hit him. He wants it - and I do, too. He cries; and I move around inside of him - like in a blue room; and something in me opens up inside. I've never experienced anything like it. It's wonderschon.
[Original spoken German line]
- SoundtracksStupid
Music by Pit Hupperten/Hartmut Ewert/Jakob Hansonis
Words by Pit Hupperten
Performed by Pit Hupperten
Jan Winkler (the gifted and inordinately handsome Kostja Ullmann) is 16 and on probation for petty crimes. He is assigned to parole officer Elsa Seifert (the fine actress Maren Kroymann), a 50-year-old frustrated woman in a marriage that has stagnated. Jan feels a strange attraction to Elsa, an act that at first Elsa rebuffs and discourages but gradually becomes fascinated with the attention and seductive behavior of the young Jan. Committed to helping Jan she manages to talk her husband into employing Jan at his car repair shop the two males strike up a friendship. In a series of subtle episodes Jan suggests his need for 'structuring' to Elsa: what he needs is Elsa to punish him physically, and when Elsa complies she is attracted to the process of sadomasochistic behavior (as the Dominatrix) as well as to the tenderness that always follows their dark sessions. Elsa's husband discovers his wife's relationship with Jan while Jan's friends uncover the secret, and the resulting behavior and recriminations flesh out the surprising ending.
Both Ullmann and Kroymann are outstanding in these difficult roles and manage to maintain our empathy and understanding throughout the story. Both are exceptional actors and both have compelling screen presence. The cinematography allows us to once again remember how powerful black and white film can be. This is a film that some may find difficult to view (sadomasochism, teenage/older woman 'romance'), but the director keeps the story in tight rein and the result is a powerful tale of need and love and the sticky path that often joins the two feelings. In German with English subtitles. Recommended. Grady Harp
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Details
Box office
- Budget
- €350,000 (estimated)
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.85 : 1