12 (2007)

Twelve jurors must decide the fate of a Chechen adolescent charged with murdering his stepfather.

Director:

Nikita Mikhalkov

Writers:

Nikita Mikhalkov, Aleksandr Novototskiy-Vlasov

Stars:

Sergey Makovetskiy, Sergey Garmash, Apti Magamaev

Nominated for 1 Oscar. Another 9 wins & 7 nominations.

Cast

Cast overview, first billed only:
Sergey Makovetskiy	...	1-y prisyazhnyy
Nikita Mikhalkov	...	2-y prisyazhnyy
Sergey Garmash	...	3-y prisyazhnyy
Valentin Gaft	...	4-y prisyazhnyy
Aleksey Petrenko	...	5-y prisyazhnyy
Yuriy Stoyanov	...	6-y prisyazhnyy
Sergey Gazarov	...	7-y prisyazhnyy
Mikhail Efremov	...	8-y prisyazhnyy
Aleksey Gorbunov	...	9-y prisyazhnyy
Sergey Artsibashev	...	10-y prisyazhnyy
Viktor Verzhbitskiy	...	11-y prisyazhnyy
Roman Madyanov	...	12-y prisyazhnyy
Aleksandr Adabashyan	...	Pristav
Apti Magamaev	...	Malchik
Abdi Magamaev	...	Malenkiy chechenets

Storyline

A loose remake of 12 Angry Men (1957), set in a Russian school. 12 jurors are struggling to decide the fate of a Chechen teenager who allegedly killed his Russian stepfather who took the teenager to live with him in Moscow during the Chechen War in which teenager lost his parents. The jurors: a racist taxi-driver, a suspicious doctor, a vacillating TV producer, a Holocaust survivor, a flamboyant musician, a cemetery manager, and others represent the fragmented society of modern day Russia. A stray bird (a touch of New Age cinema) is flying above the jurors' heads, alluding to tolerance.

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Plot Keywords:

stepfather | bird | chechen war | school | russia | 

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Genres:

Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated PG-13 for violent images, disturbing content, thematic material, brief sexual and drug references, and smoking

Details

Official Sites:

Kinovista [France] Official site [Japan]

Country:

Russia

Language:

Russian Chechen

Release Date:

20 September 2007 (Russia)

Also Known As:

12 razgnevannyh muzhchin

Filming Locations:

Mosfilm Studios, Moscow, Russia

Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$12,042, 8 March 2009

Gross USA:

$125,120

Cumulative Worldwide Gross:

$7,537,453

Company Credits

Production Co:

Federal Agency for Culture and Cinematography, Studio Trite, Three T Productions

Technical Specs

Runtime:

159 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Sergey Garmash dreamed to participate in any Nikita Mikhalkov's movie for a long time. He literally begged the director to give him a role in his movie. One morning Mikhalkov called him and asked "Do you go to church". Garmash said "Yes". Mikhalkov then asked "Do you pray a lot?". Garmash said "Yes". Mikhalkov then said "Your prayers have been heard! The script is on the way".

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Goofs

"Ernest Emerson" is a manufacturer of knives from the USA. However their model, CQC7, is not like the knife on the film. Emerson knives are folding knives.

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Quotes

2-y prisyazhnyy: So, we're voting on whether the defendant is guilty. Hands up, please.

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Connections

References Yojimbo (1961)

User Reviews

Superb Performances (but some audio problems for me.)

I found this movie to be a theatrical feast, but with a couple of nagging annoyances.

I want to get the annoying parts off my chest first, because chronologically that's how I encountered the movie. It seems to me that Russians have never mastered the art of sound mixing. Whether in old Soviet films or in this modern Russian one, there is always something not quite right with the sound.

As the film began I found that the background noises were much louder than the speech of the actors. The sounds of doors slamming, children yelling, workers working, and so on were loud and clear, but the actors' voices were practically whispers in that maelstrom. I don't know why that is. Could it be only in the foreign, sub-titled version of the film? I don't see complaints about the sound levels from anyone else, but I'm pretty sure it's not just me. I desperately wanted to listen to the Russian dialog, but the low audio level of the voices forced me to read the sub-titles throughout most of the film. It was a bit like walking with a small stone in my shoe.

Not having seen the "12 Angry Men" movie on which this current film was based, I was forced to accept "12" on its own merits. Thus, I experienced this film not as a remake of a previous movie, but as a filmed a stage play with phenomenal actors. Perhaps as a result, I unequivocally enjoyed this acting extravaganza. There may have been some occasional carpet chewing, but overall the performances were astounding. I certainly wish the IMDb list of players had more information about who played which role and had more biographical information about the individual actors. Perhaps someone familiar with Russian films and actors could throw more light on the matter. Much the same criticism, of course, could apply to IMDb's level of information on foreign films in general.

Frankly, I didn't take the matter of the guilt or innocence of the "accused" very seriously. With all the theorizing the jurors were doing, and with the serious lack of real information for us in the audience, there was absolutely no way to determine real guilt or innocence. If anything, the flashback scenes were more confusing than enlightening. So, as far as I was concerned, it was the jurors, particularly the "Great Russians" among them - who were at the center of the film. Watching their "paralysis by analysis" was the real treat, irrespective of whether they reached the right conclusion in the end. As far as that conclusion is concerned, I have no idea what Mikhalkov means by it. His own screen character was obviously implying that he has a unique insight into things, intimating that perhaps he had been at one time in the KGB, GRU, or had been a member of some other allegedly all-knowing organization? Frankly, this was a bit off-putting and seemed to imply that the State and its workers knew things that the average citizen just hadn't a need to know. In any event, despite having a relatively modest role for most of the film, at the end Mikhalkov came a little too much to the fore for my taste. I'd be very happy to read a Russian reviewer's explanation of Mikhalkov's character.

A word or two about the depiction of Chechens. The music, dancing, and overwhelming maleness of Chechen culture were solidly, if briefly, presented. One certainly cannot stereotype all Chechen men as being similar to the Chechen fighters depicted in this film, but the characterization of those fighters was phenomenal. In this film the Chechens fighters' raw power to intimidate, threaten, and attack their enemies those was palpable. I'm aware that even Alexander Solzhenitsyn praised the indomitable culture of Chechens in the Gulag. They just never, ever, yielded to the Soviets.

So, I rate this film very highly. Perhaps I'm missing the film's more subtle propaganda that some here have mentioned, but that's something I can continue to think more about. I highly recommend "12."