The Witnesses (2007)

Paris, 1984: A group of friends contend with the first outbreak of the AIDS epidemic.

Director:

André Téchiné

Writers:

André Téchiné (scenario, adaptation and dialogue), Laurent Guyot (scenario, adaptation and dialogue)

Stars:

Michel Blanc, Emmanuelle Béart, Sami Bouajila

2 wins & 4 nominations.

Cast

Credited cast:
Michel Blanc	...	Adrien
Emmanuelle Béart	...	Sarah
Sami Bouajila	...	Mehdi
Julie Depardieu	...	Julie
Johan Libéreau	...	Manu
Constance Dollé	...	Sandra
Lorenzo Balducci	...	Steve
Alain Cauchi	...	Sheriff
Rest of cast listed alphabetically:
David Barbas	...	Medhi's colleague
Xavier Beauvois	...	L'éditeur
Satya Dusaugey	...	Le prostitué
Raphaëline Goupilleau	...	La mère de Julie et Manu
Jacques Nolot	...	Le patron de l'hôtel
Maïa Simon	...	La mère de Sarah
Bertrand Soulier	...	Doctor #1

Storyline

June 1984 to June 1985, from happy days to war to summer's return. A middle-aged doctor in Paris, Adrien, meets Manu, a young gay man from the provinces who lives with his sister, an opera singer. Adrien likes Manu, loves him even, in a Platonic relationship. Sarah, a writer, and Mehdi, a vice-squad cop, have an infant. Sarah discovers she has no taste for parenthood. Adrien bring Manu to Sarah's country cabin where Mehdi saves Manu from drowning. Back in Paris, an affair begins as a plague descends on Parisian gays. There are tests, illness, anger, relief, separations, and death. A year later, these friends meet again at the summer place. They are witnesses to how happiness has changed.

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Plot Keywords:

male frontal nudity | pubic hair | male pubic hair | male rear nudity | towel | 

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Genres:

Drama | Romance

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Certificate:

Not Rated

Details

Country:

France

Language:

French English

Release Date:

7 March 2007 (France)

Also Known As:

Los testigos

Filming Locations:

Quai des Orfèvres, Paris 1, Paris, France

Box Office

Opening Weekend USA:

$14,800, 3 February 2008, Limited Release

Gross USA:

$77,300, 18 May 2008

Company Credits

Production Co:

UGC Distribution, SBS Films, France 2 Cinéma

Technical Specs

Runtime:

112 min

Sound Mix:

DTS Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Goofs

In some scenes in the streets of Paris, you can see a couple Renault Twingo parked by the sidewalk. This model was first introduced in 1993.

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Connections

References La femme publique (1984)

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Soundtracks

Docteur Miracle
Performed by Johan Libéreau
(Adaptation de "Witch Doctor" - Hubert Ithier / Ross Bagdasarian)
© Bourne Co / Sony/ATV Music Publishing
(p) 2007 - SBS Films

User Reviews

way above Philadelphia

A somewhat schematic script - you can almost see the boxes being ticked as each issue is dealt with - does not ultimately detract from a fine achievement. The story surrounds the succumbing to HIV-AIDS by a life-loving young man at the time when the world was taken by surprise by the ferocity of the hitherto-unknown virus. The various reactions - bewilderment, fear, panic, hatred, self-loathing, guilt, determination, courage, loss, grief and, of course, love - are all charted in the five central characters.

There can be little argument, I'd have thought, concerning the excellence of Michel Blanc's performance; nor of the puzzling awfulness of Lorenzo Balducci's - whyever was this Italian actor cast as an American who had been brought up in Australia?

Julie Depardieu's character is the least developed of the central quintet but nevertheless the actress manages, as ever, to make a fully-rounded contribution.

Emanuelle Beart's striking features and dynamic screen presence make it difficult to assess her as an actress. In the end she didn't convince me she was any kind of writer, but she was entirely convincing as a mother with ambivalence to her baby. The scene where her character talks to her own mother (the late Maia Simon, in a brief but noteworthy final performance) about the difficulties surrounding her own birth is one of the most tender in the film.

Johan Libéreau is touching as the doomed Manu, fleshing out what seems to me to be a somewhat idealised character - unreflective but sensitive, foolhardy yet vulnerable.

But the film ultimately belongs to Sami Bouajila as the policeman who finds himself in the most unexpected of relationships. It's by far the most complex role and also, perhaps for that very reason, the most believable. Bouajila embraces the contradictions, possibly realising, as Heath Ledger proved so memorably in Brokeback Mountain, that struggles with sexuality can produce compelling drama.

Les Temoins is well edited, photographed and, on the whole, well directed. The influence of Truffaut's Jules Et Jim is all-pervading, but it's none the worse for that. The film's biggest advantage is that it tackles its subject in an entirely unsentimental way: the same script made in Hollywood would undoubtedly turn into something unspeakably gooey - the memory of Philadelphia, with which it could all too easily be compared, makes me shudder. Les Temoins is way, way above that.