Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.
Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or receive outside help, Stuart's negotiation with the caller leads to a jaw-dropping climax.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
José Luis García Pérez,
After his father is killed in a car accident, things unravel for Kale Brecht and he is placed under house-arrest for punching his Spanish teacher. Having nothing better to do, Kale occupies himself by spying on his neighbors. But one night, he witnesses what appears to be a murder going on in Mr. Turner's house. Kale becomes obsessed with uncovering the truth behind these murders but, after a few unsettling run-ins with Mr. Turner, it becomes a matter of life and death. And the ominous question: Who is watching whom?Written by
The script was written in the 1990's and was optioned. The original studio let the option expire after hearing about Christopher Reeve's remake of Rear Window (1954) (Rear Window (1998)). It wasn't till 2004 that script was rewritten and sold. See more »
(at around 1h 9 mins) Kale takes apart a "portable home video security system". It would appear that he's removing the 2.4GHZ transmitter and then wiring it MacGyver-style with a 9V battery to his camcorder so as to wirelessly transmit video from that device. Instead he wires the infrared camera and lens to his camcorder, and then magically transmits to his TV. See more »
Do you think he sees us?
No, he can't see us. But trust me, he can feel us watching.
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This movie was extremely well paced -- there was very good character development without excessive dialog. The story is exciting and thrilling: a modernized Rear Window. The acting was very solid, and every actor, major or minor, sold their part. Shia LeBeouf was a likable protagonist, Carrie-Anne Moss did a great job in her role as the mother, and David Morse played an exceedingly ominous and creepy neighbor. The climax is very suspenseful, although it did contain a few minor lapses in rational behavior by both the heroes and the villain, but I suppose that could be written off as desperation. Overall, it was refreshing to see a well-paced thriller with great suspense, humor, and character development.
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