Odette dreams of thanking Balthazar Balsan, her favorite writer, for the optimism which she believes emanates from him. The wealthy and seductive writer is going to land in her life in a ...
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With gun-toting rivals on his tail, a daring bank robber takes refuge in the quiet residential street here he grew up and where his mother, Maniette, still lives. An unscrupulous property ... See full summary »
A sexually frustrated husband learns to be careful what he asks for. His sex life virtually non-existent after only seven years of marriage, Alain and Audrey rarely find time for bedroom ... See full summary »
Who has never been ashamed of Mom's new hairdo, Dad's bad jokes, that velvet couch in the living room, a childhood friend who obviously doesn't get it? Lila and Ely live just the other side... See full summary »
Listening in to a conversation between his doctor and parents, 10-year-old Oscar learns what nobody has the courage to tell him. He only has a few weeks to live. Furious, he refuses to ... See full summary »
Amir Ben Abdelmoumen,
Max von Sydow
Louise, younger sister, natural and straightforward, lives in province; Martine, older sister, beautiful and aloof, lives in the Parisian upper middle class. Louise has written a novel. On ... See full summary »
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
Odette dreams of thanking Balthazar Balsan, her favorite writer, for the optimism which she believes emanates from him. The wealthy and seductive writer is going to land in her life in a totally unexpected way. The story of a meeting between two unusual castaways who have nothing in common...Written by
This is typically the kind of feel-good movies that only the french can do. I think they're just good at building characters. Most American wanna-be feel-good movies sound fake and formated, besides a few masterpieces such as Forrest Gump.
French movies, with much smaller budgets, manage to create true atmospheres, poetry and character sublimation.
I think Odette Toulemonde (which could rather be translated by "Emily Smith" or "Mrs Anybody") precisely shows these 3 criteria.
And above the love-story stands an intelligent and subtle demonstration of the vacuity of snobism, elitism, and condescension.
In other words being rich and famous may lead you to a love-less life, and money can't buy happiness. It all sounds naive or puerile, but the director's talent, the solid script with lots of poetry and humor, and above all the amazing performances of both lead characters justify the same vote I gave to Amélie.
It's better to live with remorses than regrets, thus be happy and enjoy life !
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