A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
Eight candidates for a highly desirable corporate job are locked together in an exam room and given a final test with just one question. It seems simple yet confusing that soon, tensions begin to unravel.
In the year 2092, one hundred eighteen year old Nemo is recounting his life story to a reporter. He is less than clear, often times thinking that he is only thirty-four years of age. But his story becomes more confusing after he does focus on the fact of his current real age. He tells of his life at three primary points in his life: at age nine (when his parents divorced), age sixteen and age thirty-four. The confusing aspect of the story is that he tells of alternate life paths, often changing course with the flick of a decision at each of those ages. One life path has him ultimately married to Elise, a depressed woman who never got over the unrequited love she had for a guy named Stefano when she was a teenager and who asked Nemo to swear that when she died he would sprinkle her ashes on Mars. A second life path has him married to Jean. Their life is one of luxury but one also of utter boredom. And a third life path has him in a torrid romance with his step-sister Anna, the two who,...Written by
While on a break from filming the Neanderthal scenes, Sarah Polley received a call from a friend, who informed her that a Toronto Star reporter had discovered that her biological father was not Michael Polley, but Montreal film producer Harry Gulkin, whom her mother had an affair with in 1978 while performing in a play at the Centaur Theater in Montreal. Sarah, who had already discovered the truth herself, contacted the reporter and ran outside to a park bench in full make up and began crying as she convinced the reporter to sit on the story as she had not yet told Michael and wasn't sure that she wanted to. The reporter agreed and afterwards, Sarah decided to create a documentary film about her mother and the events that led to her conception and her family learning the truth - Stories We Tell (2012). See more »
(around 2:24:51) the young Nemo, having ran into the forest and thus did not follow his mother to Canada, blows a leaf which leads to the adult him and Anna being reunited again at the lighthouse. However, this scenario is impossible because he only meets and falls in love with Anna if he moves to Canada with his mother. See more »
Nemo Nobody adult:
Like most living creatures, the pigeon quickly associates the pressing of the level with the reward. But when a timer releases a seed automatically every 20 seconds, the pigeon wonders, what did I do to deserve this? If it was flapping its wings at the time, it will continue to flap, convinced that its actions have the decisive influence on what happens. We call this "pigeon superstition".
Nemo Nobody adult:
[cut to Nemo on a gurney]
What did I do to deserve this?
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How to review this film without giving too much away? Throughout the film, I was constantly surprised and amazed. I think my mouth was hanging slightly open a few times from the brilliance on display. I was totally captivated from start to finish. Taken simply, it's a philosophical sci-fi film, but it's so much more than that. It's about choices, destinies, astrophysics, dreams and memories, just to name a few themes. Taken at its simplest, it's the jumbled recollections of the last mortal man, 118 years old, on Earth in 2092. The problem is that his memories are in total disorder and contradictory. In practice, it means that this is a very non-linear experience in terms of time and space, real and imaginary, showing you results of important choices either way. It doesn't focus on just 2 alternate lives either, things constantly branch out. You would think the film would be a mess, but it's surprisingly cohesive, gripping and even quite touching. I'm sure some will find it confusing, but that's part of the point: Mr. Nobody's memories seem confused and appearances might be deceiving.
I found it extremely romantic despite the fact there are 3 very different love interests. One might say that sometimes the dialogue in romantic parts was corny, but I think that the most beautiful declarations of love can be the simplest as long as they are sincere. They felt that way here. The acting was top-notch all over the board with no weak performance in sight. Mr. Nobody's makeup and voice as an old man were perhaps a little distracting but nothing major. It's not a special effects extravaganza, but what was seen was quite imaginative and beautiful to behold. I think the contrast with the more mundane stuff going on makes them even more impressive. Visually, it has an incredible number of different angles and viewpoints all extremely well shot. What's amazing is that the (often) brilliant transitions flow so well from one to another without being jarring.
There are so many story threads (most fascinating), so many changes of tones (whimsical to tragic) and so much range (from intimate to grandiose). I think people who like to analyze films would have a field day with this one although it's possible they would nitpick on the borrowed elements. There's also lots of food for thought and should provoke very interesting discussions afterwards especially on what might have happened if choices in your life had been different. Contrary to most films where I tend to think of what I will write in my review as the film is going on, it did not really happen here. I was totally absorbed and that's rare. The choice of songs and musics, mostly known, was excellent and added a lot especially in romantic parts. I'm even considering buying the soundtrack. Mr. Nobody is a challenging but very rewarding film to watch . I don't think it's for everyone, mostly because of its non-linear structure, but those who appreciate unconventional films like Brazil, Eternal Sunshine of the Spotless Mind, Vanilla Sky or Big Fish should be quite pleased. I loved Mr. Nobody and it has become one of my new favorite films. To be quite honest, I wish I could see it again right now... Very highly recommended particularly with someone special.
Rating : 9.5 out of 10 (not full 10 because ending could have been better)
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