A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
In the year 2092, one hundred eighteen year old Nemo is recounting his life story to a reporter. He is less than clear, often times thinking that he is only thirty-four years of age. But his story becomes more confusing after he does focus on the fact of his current real age. He tells of his life at three primary points in his life: at age nine (when his parents divorced), age sixteen and age thirty-four. The confusing aspect of the story is that he tells of alternate life paths, often changing course with the flick of a decision at each of those ages. One life path has him ultimately married to Elise, a depressed woman who never got over the unrequited love she had for a guy named Stefano when she was a teenager and who asked Nemo to swear that when she died he would sprinkle her ashes on Mars. A second life path has him married to Jean. Their life is one of luxury but one also of utter boredom. And a third life path has him in a torrid romance with his step-sister Anna, the two who,...Written by
The train station where young Nemo had to choose between staying with his mother and father is named "Chance". See more »
When Anna's moved with her father to Brooklyn, NY, and Nemo's mother has intercepted a letter she sent to him, the return address - which usually has some amount of 'genuine-ness' to it, in this case is far from reality. It would seem the return address was written by someone who didn't even attempt to simulate a real address for Anna, as it appears it's: ' Anna Vigo 139929 9th Ave. East, Brookland, NY, New York, USA, 43052'. ZIP codes in NYC all start with a '1', with the second number being a '0' , '1', or '2' (and, yes, 'Brooklyn' is misspelt as 'Brookland'). See more »
Nemo Nobody adult:
Like most living creatures, the pigeon quickly associates the pressing of the level with the reward. But when a timer releases a seed automatically every 20 seconds, the pigeon wonders, what did I do to deserve this? If it was flapping its wings at the time, it will continue to flap, convinced that its actions have the decisive influence on what happens. We call this "pigeon superstition".
Nemo Nobody adult:
[cut to Nemo on a gurney]
What did I do to deserve this?
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I saw Mr Nobody last night in a jam-packed theatre. I guess that the main reason for this is that I am in Belgium and the writer/director is Belgian. The response of the audience was amazing. I was in Flanders and so the film wasn't dubbed.
The film is magical and surreal. And yet it makes sense. Not many have achieved this, but Jaco Van Dormael seems to have done it with ease. It did take him 13 years however. If you liked Toto Le Héro, you should love this film too. Switching between the UK and Canada works brilliantly and Jared Leto, Toby Regbo and Juno Temple steal the show. Ifans and Little are also fantastic. Diane Kruger's strong German accent is unfortunate as the film needs no unintentional surrealism added to it. I think her role needed a stronger actress (she looks very beautiful though).
In all I recommend everyone to go and see it. The only reason the film gets an 8 (and not a higher score) is because towards the end it seemed to go on a bit. I will go and see it again however. The story really draws you in and I need to go back to search for some answers. I also want to see it again because it is so beautifully filmed. Van Dormael is an artist.
I enjoyed this film as much, if not more, than a David Lynch. And that truly is a compliment.
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