Powerful supernatural forces are unleashed when a young architect (Kelly Reilly) becomes pregnant after moving to an isolated and mysterious valley to build a house. And when the ...
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Seventy 60 second single-takes, one feature film. 70 contributors who are special to The Cube joined forces to make one extraordinary feature film that helped secure the future of the building where the cinema has lived since 1998.
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Powerful supernatural forces are unleashed when a young architect (Kelly Reilly) becomes pregnant after moving to an isolated and mysterious valley to build a house. And when the neighbouring farmers take against the unborn child, it's her very survival that is threatened.Written by
Wild Bunch Distribution
I watched Puffball last night, as a huge Fay Weldon fan who read the book quite a few years ago. I was surprised to discover it was a 2007 film, as the subject matter, and the atmosphere of the pic, would have suggested something many years older.
Still, I thought it was quite faithful to the intent of the book, and is, despite some comments, very much a women's film. It deals with elemental forces, and the complexity of women's nature and women's power. The men are little more than sperm donors, penile life support systems to be acted on by women's emotions and a separate women's nature, almost echoing, (or prefiguring, more likely) some of Jane Campion's observations in The Piano, among others.
This has always been the heart of Fay Weldon's work, a poke in the eye of naivité, of the "Eyes Wide Shut" variety, about the nature of women. The film doesn't really add to this narrative, but it doesn't diminish it either, which is saying something for a film adaptation of a novel, made by an auteur to boot.
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