A guy proposes to his girlfriend, who drops dead. His BFF tries to get him to date other women but he only talks about his dead big love. At a diner he proposes to a cute waitress just to ge... Read allA guy proposes to his girlfriend, who drops dead. His BFF tries to get him to date other women but he only talks about his dead big love. At a diner he proposes to a cute waitress just to get his BFF off his back. She says yes.A guy proposes to his girlfriend, who drops dead. His BFF tries to get him to date other women but he only talks about his dead big love. At a diner he proposes to a cute waitress just to get his BFF off his back. She says yes.
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Isla Fisher on the other hand, I've got to admit, despite being in a similar boat as Biggs, has got that exuberant charm that I can't get enough of. I guess it was her infectious smile and laughter in The Wedding Crashers as the psycho babe Gloria stalking Vaughn's Jeremy that made me take notice, and her turn as the carefree, free-spirited April in Definitely, Maybe, had placed the movie as a contender for one of my favourites this year. Perhaps it is her relatively small frame that can always pass her off as a young adult, that she gets saddled with such roles, and again she repeats another rather conventional performance for Wedding Daze, but I'm not complaining.
Biggs stars as Anderson, a man in between jobs and who still cannot get over the death of his fiancé (who actually hasn't said yes), spending twice as long a duration to mourn her, than the time spent with her. On his good friend Ted's (Michael Weston) advice to go out there and meet people. In a spur of a moment during a dare, Anderson proposes to the waitress serving his table, and surprise, Katie (Fisher) says yes. But of course things are never smooth sailing, as the couple soon discovers what they should have discovered during courtship, thus putting numerous spins and surprises that made this comedy go way out of control in the last 30 minutes, reminiscent of some of 80s styled comedies in this film written and directed by Michael Ian Black.
Sometimes you wonder what it would like to just take that leap of faith and plunge into deep waters. Our forefathers probably did that with matchmaking being the requisite way in which to find a mate. They had no say and everything's arranged through parents and parental contacts when a suitable age is reached. While in this case it's not matchmaking, but you just wonder if it'll work out should two people eye each other across a crowded room, like who they see on the surface of course, and decide that's it, he/she's the one? It's a fantasy proposition, but one which becomes key in love at first sight stories. Either that, or the usual courtship route would likely be a journey where flaws surface, and you start to question if you could live with them. Nobody's perfect, but the former way already bound you to an institution, versus a fairly constant probe where you can opt out at any time.
While the supporting characters specifically are present to provide laughter, they do somehow epitomize different aspects of relationships. Katie's mom personifies the typical indecisive woman who flits toward who currently can provide her certain advantages, while her real dad (Joe Pantoliano) and stepdad provide some laughs with the jokes on the latter seemingly a little culturally insensitive at times. But political correctness usually goes out of the window these days (unlike those of old) as it is possibly the quickest way to elicit laughs from an audience, and even sexual deviant acts come courtesy of Anderson's parents. Supporting characters also involve the maligned fiancé of Katie's (but she didn't say yes too), and his finding of his soulmate, best friends of Katie who are into circus tricks, and the very perfect fiancé of Anderson, who would inspire Anderson to have one of the best, honest lines toward the end of the movie, no matter how sappy it sounded, but made a lot of sense.
You might think that you've seen a number of similar movies already like What Happens in Vegas and Just Married, but those seemed a little more polished than the raw, indie treatment that is Wedding Daze, where jokes fly rather fast and furious, employing a whole repertoire of methods to deliver its punch lines, from sight gags to my personal preferences of extreme wit in dialogue where you really have to be at attention to catch them all. It might not be a big budgeted movie, but its charm more compensates for everything else.
Really, there are about a dozen hilarious moments scattered about this movie. Unfortunately, they're surrounded by underwritten characters, mediocre acting and a cookie-cutter plot. Jason Biggs is still playing the same character he did in American Pie. Isla Fisher has an extremely convincing American accent but that's about it. And despite flashes of brilliance, everyone else seems to be a little embarrassed to be here. Really, I'd say wait for the DVD.
(Oh, and for you dirty old men out there, there's a truly delightful scene of Isla Fisher early on parading around in her underwear. It makes absolutely no sense plot-wise but six months from now, a bunch of 13-year-old boys with cable are going to be very, very happy.)
The idea of this romantic comedy is there. I like the idea of spontaneity but the film lacks humour.
Jason Biggs is funny in other films, as is Isla Fisher (Wedding crashers) but this film lacks effort and purpose. It's as if there's no point.
Following many conventions of the genre, the film uses physical humour and some really cheesy lines to portray comedy, which is a shame because from the beginning it appeared to be heading somewhere.
Its flat, its predictable and repetitive and overall, just boring and familiar.
I don't like films which follow patterns and so the ending is scant consolation for that as it is slightly different from other romantic comedies.
The acting is average; none of the cast seemed too bothered to put their true potential into the characters.
At the end of the day it is a light hearted film which is sweet in its own way. The humour isn't brilliant, like the acting but the idea and the ending are quite interesting.
The setup is really awkward. Knowing Michael Ian Black's brand of comedy, it's not surprising that he goes so dark so soon. Jason Biggs and Isla Fisher are two of the most likable and funniest comedic actors around. They combine to have some really funny moments. Chris Diamantopoulos is ridiculous and funny. This is a case of really funny people with some really inappropriate jokes trying very hard with less than expert directions and editing.
Storyline
Did you know
- TriviaWhen Katie asks for Anderson's address when booking a taxi, Anderson says '6 New Lane' - this is actually the real address for the apartments in Staten Island where it is filmed.
- GoofsMatador's car is Soviet-produced ZAZ-966, and the smoke is shown as coming from the front of it, while the engine in these cars is rear-mounted.
- Quotes
Katie: Anderson, when you asked me to marry you, you probably picked the only girl in the whole world that would say yes. I don't think that's a coincidence. Do you?
Anderson: I don't know.
Katie: Do you believe in fate?
Anderson: No.
Katie: Neither do I. You see, this was meant to be. Will you marry me?
- Crazy creditsAfter the credits, writer/director Michael Ian Black shows up in front of the police mugshots with the words "For Martha" (Martha Hagen, his wife) on his sketch board
- ConnectionsReferences The Wizard of Oz (1939)
- SoundtracksInches and Falling
(I Love Love)
Written by Sam Means (as Samuel Means), Nate Ruess (as Nathaniel Ruess)
Performed by The Format
Courtesy of The Vanity Label/Nettwerk Music Group
- How long is Wedding Daze?Powered by Alexa
Details
Box office
- Gross worldwide
- $11,690,796
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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