| Cast overview, first billed only: | |||
| Benjamin Bratt | ... | Dr. Juvenal Urbino | |
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Gina Bernard Forbes | ... | Digna Pardo |
| Giovanna Mezzogiorno | ... | Fermina Urbino | |
| Javier Bardem | ... | Florentino Ariza | |
| Marcela Mar | ... | America Vicuña | |
| Juan Ángel | ... | Marco Aurelio - 40's | |
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Liliana Gonzalez | ... | Marco Aurelio's Wife (as Liliana Alvarez Gonzalez) |
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Catalina Botero | ... | Ofelia Urbino - 40's |
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Miguel Angel Pazos Galindo | ... | Ofelia's Husband |
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Maria Cecilia Herrera | ... | Urbino's Sweet Wife |
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Luis Fernando Hoyos | ... | Urbino Urbino |
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Carlos Duplat | ... | Mourner |
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Francisco Raul Linero | ... | Mourner |
| Unax Ugalde | ... | Florentino - Teen | |
| Liev Schreiber | ... | Lotario Thugut | |
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader. Ariza is persistent, writing her constantly, serenading, speaking poetically of love. Her father tries to keep them apart, and then, one day, she sees this love as an illusion. She's soon married to Urbino, a cultured physician, and for years, Ariza carries a torch, finding solace in the arms of women, loving none. After Urbino's fall, are Ariza's hopes delusional? Written by <jhailey@hotmail.com>
This was a vulgar and empty film. There was no content, only "emotions," for most of it, and very flat characters. It was exploitative in the extreme, so much so that emotional intensity the film was striving for ended up seeming a bit like a joke, and had no actual pull.
If you take away all of the psychology from characters and reduce them to "basic emotions" such as love, pain, sadness, fear, etc., but those emotions are not motivated by the story, then what you have is an empty spectacle, a bit like a live show at Disneyland. Not to mention the painful and unintentional mix of gritty realism and artifice, such as characters aging at different rates, having glued on mustaches that look like they're going to fall off, having an old head and a young body in a nude shot, or one character having a New York accent while the rest have Spanish accents (why wasn't the film in Spanish to begin with)?
Lots of gratuitous titties, done in an offensive way. And anachronisms such as the use of the word f**k in 1890, as in "your father f**ked everything in sight!" Ridiculous. In its favor the film has nice cinematography and some good costumes, and I think some of the actors made a valiant effort, but I still have to give it a 1 for being so condescending to its audience and for ruining the Marquez novel.