A man's effort to reunite his family unwittingly uncovers some painful secrets in this Swedish drama. Magnus a photographer wants to do something special for his mother Elisabeth in honor of her upcoming seventy-fifth birthday.
Barry Griffith doesn't know it yet, but tonight is the night fate has chosen to be the night of his death - his murder. At a gas station in the middle of nowhere, late at night, his wife ... See full summary »
In New York, the competent creative director of Birk Advertising Eddie Shneider is living a successful moment of his professional life and is engaged and has just proposed Judy Birk, the daughter of the owner of the company where he works. Eddie is also a wolf and very successful with many women, and is having an affair with a neighbor of the street where he lives with Judy. When he gets the account of the greatest American airline for his company, he is promoted to partner and he celebrates with his assistant and friend Angelina Sable in a lunch party in a restaurant. After hours, when they are in the garage, Angeline notes that she had forgotten her car keys in the office, and when she returns, she is violently raped by the despicable brother of Judy, Anthony Birk. On the next morning, when Eddie arrives in the garage, he finds the traumatized Angeline on the floor and he takes her to a hospital. He returns to the company and Anthony blackmails Eddie with pictures of his many ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When the general visits Angelina in the battered women's shelter, she sits down on the windowsill. During their conversation, the curtain behind her changes its position, from hanging correctly to hanging askew to hanging correctly again, between shots. See more »
One Way is an interesting, unpredictable sort of genre bending thriller that shouldn't be judged by its cover, which makes it out to be an action flick. Not even close. It's the story of several different characters who intersect by the mistakes they make, and the lengths they go for redemption and revenge. In the opening sequence we see a young girl pursued by a pack of perverted hooligans through the woods. After being sexually assaulted, she is visited by a hulking military general (the excellent Michael Clarke Duncan) who seems to be her guardian angel, brutally dispatching the youths with an automatic machine gun. The story then switches randomly to a cocky, adulterous ad executive (Til Schweiger trying hard not to ham it up) who's in crisis with his suspecting wife, arrogant boss (Art Hindle), and his boss's son, a vile prick with a penchant for sexual assault himself. Lauren Lee Smith plays the older version of our heroine in the prequel, whose continuing story collides with Schweiger's predicament for some really surprising thrills that take you by surprise. It's a really unique setup, without any sort of warning or conventional intuition as to where it's going to take us, and eventually gets to some dark places of morally frightening danger. Smith is excellent in the intense lead role that requires some harrowing work, which she pulls off without a hitch. Sebastian Roberts is a snivelling little piece of human garbage as the boss's son and Schweiger's brother in law, and provides an antagonist that you just love to hate, and gets what's coming to him in a a disgusting sequence that lets just say, sneaks up on you....from behind. Michael Clarke Duncan is only around for a few scenes but makes his usual impression, and is unforgettable as the sympathetic general. Eric Roberts shows up out of nowhere in the third act, nailing his role as a slick defence attorney, and Kenneth Welsh kills it as the rival lawyer. Stephanie Von Pfetten is heartbreaking as Schweiger's put upon wife who has deep issues of her own that come piling out in a devastating courtroom sequence. If you enjoy thrillers that spin a left field, unconventional narrative where you never really quite know who's who or where things are going, give this one a watch. It's a unique treat.
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