Nobel Son (2007)

Barkley Michaelson is in a deep life rut. He's struggling to finish his PhD thesis when his father, the learned Eli Michaelson, wins the Nobel Prize for Chemistry. Barkley and his mother, ... See full summary »

Director:

Randall Miller

Writers:

Jody Savin, Randall Miller

Stars:

Alan Rickman, Bryan Greenberg, Shawn Hatosy

Cast

Cast overview, first billed only:
Alan Rickman	...	Eli Michaelson
Bryan Greenberg	...	Barkley Michaelson
Shawn Hatosy	...	Thaddeus James
Mary Steenburgen	...	Sarah Michaelson
Bill Pullman	...	Max Mariner
Eliza Dushku	...	City Hall
Danny DeVito	...	George Gastner
Lindy Booth	...	Beth Chapman
Tracey Walter	...	Simon Ahrens
Ted Danson	...	Harvey Parrish
Ernie Hudson	...	Bill Canepa
Hal B. Klein	...	Tully's Guy
Matt Winston	...	Book Store Manager
Kirk Baily	...	Wil Cavalere
Joyce Guy	...	Eileen Moses

Storyline

Barkley Michaelson is in a deep life rut. He's struggling to finish his PhD thesis when his father, the learned Eli Michaelson, wins the Nobel Prize for Chemistry. Barkley and his mother, Sarah, a renowned forensic psychiatrist, now have the ill-fortune of living with a man-eating monster whose philandering ways have gotten less and less discrete. As if Barkley's world is not bad enough, on the eve of his father receiving the Nobel, Barkley is kidnapped and the requested ransom is the $2,000,000 in Nobel prize money. Needless to say, Eli refuses to pay it and so starts a venomous tale of familial dysfunction, lust, betrayal and ultimately revenge. In the words of Michel De Montaigne, the 16th century philosopher: "There is more barbarity in eating a man alive than in eating him dead."

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Plot Keywords:

nobel prize | thesis | ransom | phd | revenge | 

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Taglines:

Lust, betrayal, kidnapping... and you thought your family had problems!

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Genres:

Comedy | Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for some violent gruesome images, language and sexuality

Details

Official Sites:

Official site Official site

Country:

USA

Language:

English

Release Date:

5 December 2008 (USA)

Also Known As:

Filho do Nobel

Filming Locations:

City of Industry, California, USA

Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$333,912, 7 December 2008, Wide Release

Gross USA:

$540,183, 24 December 2008

Company Credits

Production Co:

Eli's Son Production,Gimme Five Films,Prama

Technical Specs

Runtime:

110 min

Sound Mix:

Dolby Digital Dolby SR

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Mary Steenburgen and Ted Danson are married in real life, but their characters never interact. Danson's role is little more than a cameo.

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Goofs

After Det. Mariner questions Eli for the second time, Eli and his mother follow the detective out to his car, which is parked with its wheels partially off the asphalt. In the next shot, all of the wheels are on the asphalt.

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Quotes

[first lines]
Barkley Michaelson: The French essayist, Michel de Montaigne, once said, "I think there is more barbarity in eating a man alive than in eating him dead." The wisdom of it. When you were a kid with an open soul, they told the world consists of good guys and bad guys. I always liked the bad guys. Scar Face over Superman.

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Connections

References Scarface (1932)

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Soundtracks

1234 (get up high)
Written & Performed by Rekelectrik
Courtesy of Rekelectrik Productions

User Reviews

There is a Time and a Place for Paul Oakenfold.

Nobel Son is a labyrinthine clockwork plot that involves one of the trickiest, slickest heists since The Italian Job or the first and second Ocean's films, a con game with more twists and hairpin turns than a script by David Mamet on coke, and a theme of desire for revenge that seethes even more after dubious narrative about-faces. The heist and con game film and the revenge story are a surefire mix for me. But I felt like I was trying to watch a great heist movie at a rave party. Whether techno music is good or bad, it renders you a slave to its beat. But I wanted to be a slave to the movie's beat. It's difficult to do both. Hence, the film is a more difficult viewing than it needs to be.

As a philandering chemistry professor who as a laboriously detestable character drives the story by winning the Nobel Prize in Chemistry, Alan Rickman is the definite anchor for the ensemble cast of characters, all of whom are pawns in the script's scheme to weave the jazziest web the genre's seen in years. It could have easily achieved that goal were director Randall Miller contemplative enough to understand the effects of the audiovisual medium of film. There are not only sequences which require a much different kind of music, but there are several sequences which would be much more impacting to the tension of the unraveling story's pace without overscoring at all. Nearly every American genre film has sequences handled in the less effective way, but few of them soar into the depths of its extreme.

Rickman is the flagship but Mary Steenburgen is no less charming as his wife. A woman can be married to a man like Nobel Prize-winning chemist Eli Michaelson purely by being masochistic, deranged or in control of a deeply sophisticated feel for bitter sarcasm. But in spite of there being plenty of pleasant surprise in bit roles by Danny DeVito, Ernie Hudson and Bill Pullman as well, there isn't much room to talk about their performances, which are compartmentalized into roles that serve more as functions than characters to create a remorseless plot. Each character's occupation has much more to do with how they could come in handy to tie up loose ends than with who they are.

Nevertheless, this caper takes you for a turbulent excursion, because whether or not Randall Miller or his wife and co-writer Jody Savin have crafted a top-drawer entry into the con game genre, they remember that confidence tricks manipulate human weaknesses like selfishness, corruption and ego, as they are all things a con artist possesses himself, but also exploited are merits like honor, charity or a forthright belief in good faith on the part of the con artist.