A lethal virus spreads throughout Scotland, infecting millions and killing hundreds of thousands. To contain the threat, acting authorities brutally quarantine the country as it succumbs to fear and chaos. The quarantine is successful. Three decades later, the Reaper virus violently resurfaces in London. An elite group of specialists, including Eden Sinclair, is urgently dispatched into Scotland to retrieve a cure by any means necessary. Shut off from the rest of the world, the unit must battle through a landscape that has become a waking nightmare.Written by
MyAnna Buring, Nora-Jane Noone, and Craig Conway all worked together previously in The Descent (2005) See more »
Despite dealing with a "killer virus" that's managed to get an entire country quarantined, the soldiers at the blockade are wearing nothing to protect themselves from infection - just gas masks, which will help against toxic gases but do next to nothing against something as small as a virus - and even have exposed skin, such as their hands and necks. Full biohazard suits might be a bit much to expect but surely the joins in their fatigues should be sealed with tape and all skin would be covered, at least. See more »
Like so many epidemics before, the loss of so many lives began with a single microscopic organism. It's human nature to seek even the smallest comfort in reason, or logic for events as catastrophic as these. But a virus doesn't choose a time or place. It doesn't hate or even care. It just happens.
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German DVD release is heavily censored for violence. Approximately six minutes of footage were removed to secure a "Not under 18" rating from the FSK. See more »
Gonzo mix of Mad Max, Escape from NY and 28 Days Later
What an insane movie! I saw it in a criminally tiny Saturday afternoon audience (four people) and we all had a terrific time. Don't expect sense, great acting or original dialogue, just go for the kicks and enjoy. A totally deranged, over-the-top splatfest with hideous viral deaths galore, some of the best post-holocaust punk makeup and chase scenes since Road Warrior, brilliant use of 1980's dance music (Adam and the Ants, Frankie Goes to Hollywood--the placement of Siouxie and the Banshees' "Spellbound" and a Fine Young Cannibals track at the punk barbecue is simply inspired), a coliseum battle-to-the-death, a bizarre interlude in a Scottish fiefdom that feels as if the movie took a fast detour into the Shire, and the coolest star turn by a UK car since Harry Potter's posse made one fly. All of it snapping and crackling with so much kinetic energy and wild creative freedom that it's hugely exhilarating. We were still giggling like maniacs an hour after the movie.=) It's just such fun to see a director decide to go full-speed over the edge like this. It's not great art, but trust me, if you enjoyed Mad Max: Beyond Thunderdome, Planet Terror, Escape from New York/L.A., and/or any recent zombie movie, you can't miss this one.
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