After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Before being sent to serve in Vietnam, two brothers and their girlfriends take one last road trip, but when they get into an accident, a terrifying experience will take them to a secluded house of horrors, with a chainsaw-wielding killer.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
After returning from a wedding reception, a couple staying in an isolated vacation house receive a knock on the door in the mid-hours of the night. What ensues is a violent invasion by three strangers, their faces hidden behind masks. The couple find themselves in a violent struggle, in which they go beyond what either of them thought capable in order to survive.Written by
The script was originally titled "The Faces." See more »
After Kristen injures her ankle, she limps in the house, then walks perfectly. Immediately after, she limps again. See more »
What you are about to see is inspired by true events. According to the FBI, there are an estimated 1.4 million violent crimes in America each year. On the night of February 11, 2005, Kristen McKay and James Hoyt left a friend's wedding reception and returned to the Hoyt family's summer home. The brutal events that took place there are still not entirely known.
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I seem to be approaching nihilist films on a streak, viewing "The Virgin Spring" recently. The Strangers has a lot of that "philosophy" crammed in. I read comments claiming the film doesn't connect us to the characters, and is crammed of every cliché to be. Oh the irony. When we see horror films, being attached to characters is a repeated figure, a screenwriter's must. Bertino does good in creating the night horror without any development, no overbearing crudeness, playing suspense and psychological terror like piano keys.
This is the approach: the strangers attack because their victims "are at home", and they do not respond to pleas, long reasonings or emotions. It's nihilism pure: they kill because they find control and domination powerful, and they don't care about consequences, moral or of any other kind.
In that optic, "The Strangers" is truly scary. We are not dealing with supernatural beings, but human beings, who chose the path of downright evil and can't be convinced of not doing it. People like that may be lurking out there, and that scares most of us viewers.
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