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Title: The Strangers (2008)
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| Complete credited cast: | |||
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Alex Fisher | ... | Mormon Boy #1 |
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Peter Clayton-Luce | ... | Mormon Boy #2 |
| Scott Speedman | ... | James Hoyt | |
| Liv Tyler | ... | Kristen McKay | |
| Gemma Ward | ... | Dollface | |
| Kip Weeks | ... | Man in Mask | |
| Laura Margolis | ... | Pin-Up Girl | |
| Glenn Howerton | ... | Mike | |
After returning from a wedding reception, a couple staying in an isolated vacation house receive a knock on the door in the mid-hours of the night. What ensues is a violent invasion by three strangers, their faces hidden behind masks. The couple find themselves in a violent struggle, in which they go beyond what either of them thought capable in order to survive. Written by Anonymous
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LADIES AND GENTLEMEN....
THE STRANGERS Is a brilliant shock-fest of slasher horror filled with chills, frights and delights all played out in what I consider an instant horror classic. Bryan Bertino's film about a young couple stalked by three complete strangers brings back the conventional film tactics from classics like "Halloween" and "Friday the 13th," but with a modern 21st century twist of electronic horror. It's often reminiscent of last years semi-creepy film "Vacancy" with a bit of a "Funny Games" plot to it. It's a film built for it's day and age with an unexpected and somewhat dull ending. As with the trailer, The Strangers brings to life the chills with the dwelling of the unknown and what lies in the dark. It does for vacation homes with what 'Psycho' did for showers. Bertino built a smart yet very basic premise with witty action elements which will definitely drive a shriek of fright from right below your gut. Though flawed in many ways such as dialogue, predictability and character developments, you'll certainly find this picture worth a glance. "The Strangers" will indefinitely become one of those pictures that lends a helping hand to the reformation of the slasher genre and inspire numerous knock-offs to follow. Basically, look out for more slasher flicks to hit the screen in the next two years. The entire film plays like a psychosexual tension piece filled with somewhat frightening elements and like the original slasher flicks of the 1970's and 1980's, the lack of motive for murder. It is great to finally see a fright flick that strays away from the post 2000 craze of exploitation inspired porn-gore flicks like "Saw" and "Hostel'" and even the much horrifying in itself remake of "Halloween," and brings back the rules of what frightens the inner-psyche mind, THE UNKNOWN! Eric Javier Mejia The Review