A portrait of the bloody dynasty that spawned a pope, Alexander VI, as well as the role model for Machiavelli's "The Prince," his son Cesare Borgia, and a legend of femme duplicity, daughter Lucrezia Borgia.
After the death of her husband, Countess Lucrezia Borgia seeks to become the first lady of the Kingdom. To do so, she seduces any influential man with the help of her perverse circle and lead them in a spiral of lust and scheme.
Graham struggles to connect the pieces of his shattered short-term memory. Unable to recall the most basic facts of his life and his sexual past, he quickly falls prey to the erotic appetites of the women he encounters.
Based on the novel by Prosper Merimee, CARMEN is the classic tale of forbidden passion between a young man (Leonardo Sbaraglia) and a spoken-for woman, Carmen (Paz Vega). It is told in ... See full summary »
Italy, 15th century. Rodrigo Borgia is a cunning schemer. For thirty years he has worked himself up in the Roman Catholic Church and now has been elected as pope by the college of cardinals. Borgia hasn't any religious motives though, it's all about power for him. With his papal power he starts a reign of terror, eliminating rivals. A new age will start for the Borgia family, he thinks and his four children are the most important pawns. His beautiful daughter Lucrezia and passive son Jofré are married off to tighten bonds with rival families. The same goes for Juan, who is also made captain of the Vatican army. Rodrigo's firstborn Cesare is now cardinal. He doesn't like it all. As the born fighter of the family, he sees himself most fit in the position of Juan. Cesare gets increasingly dissatisfied as cardinal and is more and more agitated by his family. Then Juan suddenly dies after an assault.Written by
Arnoud Tiele (firstname.lastname@example.org)
a film with many virtues. care for historical accuracy, costumes, music, tension, performances. and wise manner to propose a fresco about the ambition and self definition.. but not enough to be a great film. because it seems be only a beautiful sketch, full of good intentions, seductive in few scenes, saved by the presence of Angela Molina but too tensioned for present the story more than as a kind of parable about power. a film who impress for the detail's exploitation. for the ambition to reflect the spirit of a period in the inspired manner. and for the new perspective about Borgias, realistic, interesting, cold, with few drops of romance.
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