Everyone wants a piece of a celebrity. Pierre is a political reporter, assigned to write a fluff piece on Katya, a blond who acts in slasher movies and a Fox show about single girls in the city. The interview, at a restaurant, goes badly: she's late, he's unprepared and rude. After leaving, he bangs his head in a fender bender and she takes him to her loft to clean the wound. Lubricated by alcohol and competitive natures, the interview resumes. She takes phone calls from her fiancé, Pierre reads her diary on her computer. They discuss wounds, he expresses concern, father-daughter feelings arise. Out come camcorders to tape their darkest secrets. Is friendship or more in the offing? Written by
Right after the taxi, where Pierre (Steve Buscemi) is in, hits a van, and the shot moves over to the bus, the name of the moving company is clearly visible. It is named "Van Gogh Movers". Theo van Gogh is the director of the original Dutch version of this movie. Also, the fan asking Katya for an autograph is named Theo. See more »
Right before Pierre asks to use Katya's bathroom, she jumps onto her couch and then fixes her right shoulder strap on the top she is wearing. In the next few scenes, the strap alternates positions. See more »
Do you like fishnet stockings, Pierre? Wait. Let me rephrase. Why do you think it is that men like fishnet stockings so much?
They look good on women.
Fishnet stockings are a net, and the woman is imprisoned in this net like a fish. Do you get it?
Yeah, and what about high heels?
Well, high heels make walking very, very difficult. So you see, nothing would be more attractive to a man than a woman wearing fishnet stockings and high heels because she has trouble walking and she's imprisoned ...
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Remake of Theo Van Gogh's film of the same name. This is the story of a self important reporter forced to do a celebrity interview with an actress "best known for who she sleeps with".
Good but far from deep-despite what the film thinks-sparring between characters is an amusing if at sometimes uncomfortable 85 minutes. The joy here is watching the actors do what the do best. The real joy here is watching Sienna Miller who proves she really can act. After a few borderline roles and a cringe inducing performance (at least in the trailer) in Stardust she proves that she is oh so much better than we are giving her credit for (clearly she really isn't just an actress best known for insulting cities and whom she sleeps with).
If there is any flaws its a couple of odd twists that seem to occur just to have something dramatic happen and to prove what bad people the characters are. Its a minor flaw.
Is it worth seeing? Yes. But I don't know if it really needs to be seen on the big screen
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