Around 1940, The New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character, who cadges meals, drinks, and contributions to the Joe Gould Fund, and who is writing a... See full summary »
In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ... See full summary »
New Jersey, 1950s. Two brothers run an Italian restaurant. Business is not going well as a rival Italian restaurant is out-competing them. In a final effort to save the restaurant, the brothers plan to put on an evening of incredible food.
A bartender watches with amusement as two strangers meet and duel verbally in his bar. Katya, a former dancer, is trying to forget the death of her young daughter. Pom, a comedian known for... See full summary »
So this woman's acting career isn't really going as planned or whatever. She finally gets a role on this Heart Break Hospital soap opera because this movie is so meta Har Har Har. Then she ... See full summary »
This film plays out like an acting exercise by two very capable, well-established actors. What holds the simple plot together, along with the series of vignettes showcasing the actors' skills, are two things: the personal ads introducing each segment, and the narration by the characters' deceased daughter.
Blind Date is probably more valuable as a teaching tool in a professional acting class than it would be as a night at the cinema for the general public.
Excerpts from Blind Date will doubtless appear in retrospectives of Clarkson's and Tucci's acting careers, as illustrating examples of their work. That Tucci also directed likely strengthens the focus of the film in terms of his and his co-star's portrayals.
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